Tag Archives: music festival

Aus-atmen 2016 | Photo Review

Aus-atmen has wrapped for 2016. Last month we descended upon a grassy field in Flower Town with two soundsystems, several dozen tents, 200 lollipops and dreams of techno in the moonlight…
However, Mother Nature is a wild woman who loves to party and she brought her rain to the dancefloor all night long! Despite it all, we felt the love!
2016年5月21日、22日,一群热爱真理与自由的江湖儿女齐聚三圣花乡Aus-atmen电子音乐节,共同经历了两天一夜的难忘时光。无论各种天气与环境的突发状况,他们仍保持初心,用爱的能量鼓励彼此,用舞蹈欢庆生命…

(photos by 叉飞,Xiang and Kiwese)
Formed on the basis of community collaboration, Aus-atmen would not have been possible without all of our partners, supporters, volunteers and friends.
Huge thanks to Spectrum Maker for designing the poster and trailer with us, momo and the BIGGER CHA girls for constructing the Aus-stage installation, Steam Hostel for setting up their tent village, farinablu for her amazing prints and designs, Baicai and Jiewa for building the teepee that saved us from the rain, Zaomengshe and Danche Yule for ticketing, Yue Chen for the wristband design, Natalie at VICE Thump Berlin for coming out to find us, all the DJs who signed up to play Open Shua, the bar and food team for holding it down and all our friends who put their love, time and energy into this festival.
From the sleepless nights of preparation right through to the pack down, Aus-atmen would not have been possible without you.
Big love to all of you who came out – everyone who partied in the rain, fed the fires, danced in the mud, got freaky, drank tea, made coffee, wiped rain off the mixer, pushed water off the stage, kept in high spirits, took care of each other and brought laughter and joy to our wet and muddy little festival.
We love you all!
See you at Ein-atmen later this year….

从前期筹备到音乐节结束,atmen得到了多方的支持:谢谢峰哥提供场地及各项帮助,谢谢谱造司给予前期海报及预告片支持,谢谢悦晨同学的手环设计,谢谢BGC一群可爱又生命力顽强的宝宝们,谢谢momo桑从头到尾的倾力支持,谢谢白菜和杰娃及朋友们手工搭建的teepee帐篷,谢谢瑞升设计的天使们,谢谢造梦社、单车娱乐、旁边儿、来电、kiwese的宣传,谢谢柏林Vice thump的Natalie对ausatmen活动的采访报道,谢谢蒸汽旅舍、farinablu和野手工作室的小伙伴们,谢谢无数可人儿们给予的无限爱的支持和鼓舞,辛苦大家了!
感谢所有喜欢atmen的人,atmen会继续聚集能量,茁壮成长,迎接未知。
今年Ein-atmen见!
atmen
xo


You can read more about atmen over on VICE Thump Germany and Beijing blog pangbianr.

 

 

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The Rise and Demise of Morning Bar 早上好

Rumours have been circulating for months now, but the demolition of Morning Bar 早上好 on Minzhu Lu has finally become a reality.

Kiwese looks back on the old venue and forward to the new, ahead of Chunyou 春游 2016 this weekend.

zaoshanghao-logo-black

When people ask where I learned to speak Chinese, there are two truths – I studied at Victoria University of Wellington, Beijing Language and Culture University and Sichuan University for five years in three programs. But it was at Zaoshanghao where I really found my voice.

Located on Minzhu Lu 民主路 (Democracy Road), a quiet old street off the First Ring Road in the city centre, Zaoshanghao was a little local bar run by owner Zhang Xin and his crew of can-do local bros. Driven by a DIY attitude, love of chilling and independent music, over the past seven years Zaoshanghao has become a staple venue in the Chengdu music scene as well as the hosts and collaborators of some of the city’s most memorable music festivals.

Zaoshanghao on Minzhu Lu is a five minute walk from my flat or a two minute bike ride. Many friends live even closer; some moved to Jiuyanqiao just to be near it. Stylistically speaking, the crowd is a real mixed bag – hip hop rap stars, rasta potheads, punk guitarists, computer engineers, wandering folk singers, poets, hairdressers, techno producers, experimental cellists, oil painters, and more. Zaoshanghao is the beating heart of our little community.

I’ve celebrated the past two birthdays and New Year’s Eves at Zaoshanghao. I’ve met almost all my friends there. Zaoshanghao and the community of friends that make it great are a huge reason I am living here.

Though not an official ‘livehouse,’ the low stage and banging PA system has spawned random jam sessions, afternoon reggae gigs, experimental shows and impromptu DJ sets. While the majority of shows are hosted at the garden venue in Flower Town, the Minzhu Lu stage has been graced by bands as diverse as Soviet Pop, Noise Temple, Kawa and Jurat T.T.

With a fairly loose chuck-on-your-own music policy, people would be constantly plugging their phones into the main system, filling the weekday airwaves with music to share.

KAWA
Yunnan psych-reggae band Kawa performing an afternoon set at Zaoshanghao. Sept 2015.
Cvalda (Mist) keeping it cool in the courtyard. Sept 2015.
Cvalda (Mist) keeping it cool dub style in the courtyard. Sept 2015.
Cave Circles playing the NUART Festival after party with Su and Lady Lazer Light, during the Chengdu stop of the Orchestra of Spheres China Tour. Oct 2015.
Cave Circles playing the NUART Festival after party w/ Su and Lady Lazer Light on the Chengdu stop of the Orchestra of Spheres China Tour. Oct 2015.
xiang + kr zsh
Xiang on the mix, me on guitar. New Year’s Eve, Dec 2015.

Zaoshanghao catered through the seasons, providing a place of warmth and good company all year round. The courtyard out back is cold beer in the summer and roasting round the fire in the winter. Kittens and spiders scuttled about, the foozball table perpetually in motion. Patti Smith gazed over the space in her white shirt and blazer, while the giant wooden giraffe towered above the stage.

Climb the stairs to the rooftop and you’ll find yourself sitting on a platform among the haggard rooftops of the houses next door. Amidst everyone’s grief about the closure, many have cited the greatest loss as the two banana trees out back, which have grown into ginormous beasts over the past four years due to being smothered in a full bag of fertiliser.

The charm of Zaoshanghao also stems from the neighbourhood. Surrounded by trees, cheap eateries and dilapidated wooden houses, the kind where walls are insulated with compressed ferns and newspapers. Morning traffic consists of elderly folk biking home from the vegetable market, while in the afternoon the street is lined with three-wheeled snack vendors parking up to feed the outpour of students from the music academy.

The sound of musical instruments and school children can be heard floating through the air, punctuated by the distinctive clink-clink-clank of iron hammers from local sweet sellers – the Chengdu version of the Mr. Whippy tune. The buildings are built in the old style, with traditionally tiled rooftops, open balconies and patterned brick window fittings.

roof

ming
Ming Ming, bassist from The Hormones/Hiperson and the Zaoshanghao triceratops. Nov 2015.

Minzhu Lu held the vestiges of the city people once knew, and while towering skyscrapers and identical apartment buildings sprung up like wild grass, Zaoshanghao was a little haven of sanity amidst the madness. People felt comfortable there. It was like home.

In a city that has experienced such rapid, unimaginable change over the past 20 years, it was in this familiar environment that the second Zaoshanghao found it’s roots. Although the buildings were rundown, they were full of character and history, traits which become scarcer and scarcer with every newly built shopping complex.

Minzhu Lu is a quiet residential street off the First Ring Road, properties from 1 through 13 were given their demolition eviction notices late last year. Zaoshanghao is number 13.

Word that Zaoshanghao was going to be 拆掉 demolished began circulating in conversation about a year ago – everything but the date was certain. The government wanted to build a music hall next to the music school, everything had to go.

On several occasions throughout the year, it was said the bar only had two weeks left. Weeks later, we’d still be sitting out back drinking beers.

In November, it sounded as if the news was certain – two weeks left, for 真的 real this time. Residents from the surrounding apartments were shifting out, the moving trucks were being piled up, restaurants pulled their shutters down and pasted notices of thanks to the community for their years of patronage.

Kiwese interviews on the rooftop. Nov 2015.
Kiwese interviews on the rooftop. Nov 2015.

Along with two architect friends, I began to film interviews with friends of Zaoshanghao and local restaurants along Minzhu Lu, with the idea of producing a documentary about the demolition of the street called ‘Goodbye, Democracy Road‘ 《民主路,再见》.

“How long have you lived here?” Yang Yang yelled across to a resident washing the dishes in their sink on the balcony.

“Since 1973,” they replied, “we’ve got to leave by this weekend.”

Everyone was shocked to hear that there were only two weeks left, and as with most Chinese bureaucracy, the issue was shelved for another few months.

All throughout the winter, we converged around the brazier out back, burning the remnants of the old community around us.

Winter was spent sifting through the vacated brick flats for wood, old furniture and pot plants. Some of the stuff the guys found looked like it belonged in a museum. Rescuing the old things before the bulldozers come in and nothing is spared.

With the neighbours gone, the sound system was pumped up to its full potential. New Year’s saw Hiroshi play hard techno until 6am.

Zaoshanghao didn’t officially open again after Chinese New Year.

fire
烤火. Jan 2016.

Demolition of Minzhu Lu started mid-last month at the mouth of the street. A blue wall was put up around the perimeter before being replaced with a brick one, which will likely remain that way for another year or so.

The blue wall now sits around Zaoshanghao and it’s neighbours, marking the inevitable. While many of us are upset, the Zaoshanghao crew are already onto the next. This is the second venue owner Zhang Xin has been evicted from in four years and he is not letting it stop him from continuing.

Screen Shot 2016-04-20 at 3.28.23 pm
The wreck of the first Zaoshanghao on Xiaotong Xiang. Nov 2015.

I’ve been super emotional about the demolition of the old street and community. The evicted residents will be scattered into soulless high rises on the outskirts of the third ring road, forever separated from the neighbours they’ve played mahjong with for the past three decades. The abandoned buildings will be left to decay, then replaced by buildings of the homogenised, modern city blueprint.

For my local friends, the news is sad but commonplace. I listen to their stories about what Chengdu was like when they were young – full of teahouses with big wooden slide doors, street side barbershops, swimming in the river, roads full of bicycles and carts. Now it is enormous high rises, freeways packed with cars and billboard screens. I think about what Wellington was like when I was younger. It more or less the same now. Revisiting spots from one’s childhood is not a possibility that exists for the locals of Chengdu. People have a different perspective on change here, it has been a constant for as long as they can remember.

Sometimes I think that’s why people here like taking photos, as a way of preserving memories when everything has been destroyed.

However, in an endless cycle of destruction and construction, there is life, rebirth and creativity.

Minzhu Lu. Mar 2016.
The demolition of Minzhu Lu has begun. Mar 2016.

Zaoshanghao have started a new venue out in Flower Town: Morning House. Sunshine, fresh air, bird song in the flower-growing village in the south of the city. Moving into the old Xiwo, the crew have established two more stages on either side of the swimming pool. New beginnings, bigger and better. Shit just got real.

In true DIY style, Zaoshanghao have smashed down the fence at the back and expanded into some of the old houses out back, converting them into an electronic music room, rehearsal space and studios for local band Stolen 秘密行动 and folk singer Zhang Xiaobing 张小饼. At the front, they have built a beautiful wooden stage beneath a plot of tall, willowing trees. While the banana trees at Minzhu Lu will be missed, there are plenty more tree friends at the new venue.

The new Zaoshanghao is beautiful and inspired. This weekend it is gonna kick off, as the fourth annual Chunyou rolls around!!

Xiaohu and the new steps he built to the main stage. Apr 2016.
Xiaohu and the new steps he built to the main stage. Apr 2016.

chunyou

春夏秋冬又一年,
时间将逝去的带入新轮回,
同样也孕育了新生。

今年正值Morning早上好七周年,
拆建拆之后,我们和喜蜗合作,
拥有了一个更加舒适宽敞的#Morninghouse#举办本次春游。

【春游】

不仅是每年春天的一次砰然心动,
各色人儿在这个节日里聚集碰撞,
制造出新鲜、疯狂和热爱。

也是一个城市在春天发出的声音,
浓缩着成都的生活方式:
悠闲、安逸、巴适板!

17组国内外优质音乐人,16位武艺高超的DJ
Jam,帐篷电影放映,门球波比德州,
美食和啤酒,以及两天不间断的好春光。
4月23(六)- 4月24(日)
三圣乡Morninghouse,尽兴游起来!

Chunyou is going big this year, with 17 bands and 16 DJs playing on two stages. Making a return from last year’s Chunyou will be local faves Hiperson and Stolen!

Food/Alcohol/Multiple Stages/Open Jam Sessions/Film Screenings/Grassland Croquet/Taca-Taca/Texas Hold’Em Poker and more… Plus the electronic music stage is going 24/7.

See the details below:

ADDRESS:
Morning House 早上好
成都市锦江区三圣乡东篱菊园菊园路112号 早上好
Juyuan Rd 112-Donglijuyuan, Sanshengxiang, Jinjiang, Chengdu

TICKETS:
Get your pre-sales on Zaomengshe.
Doorsales:100rmb(1-day);180(2-days)
Presale:     80rmb(1-day);150(2-days)

4月23日 DAY 1: BAND STAGE 乐队舞台

14:30-15:20   疆与他的朋友们 Jiang with Friends
15:20-16:10   亮子与乐队 Liang Zi
16:10-17:00   Pascal Pinon(Iceland)
17:00-17:50   Kingkong&The Chum(Thailand)
17:50-18:40   Apollo 20
19:30-20:20   海朋森 Hiperson
20:20-21:10   未之域 Terra Incognita
21:10-22:00   罗友生 Luo You Sheng
22:00-22:50   秘密行动 Stolen
22:50-23:40   声音玩具 Soundtoy

4月24日 DAY 2: BAND STAGE 乐队舞台

14:30-15:20   汪文伟 Wang Wen Wei(SH)
15:20-16:10   张尧 Zhang Yao(CQ)
16:10-17:00   黄晶与乐队 Huang Jing(CQ)
17:00-17:50   搞乐队 Gao Band
17:50-18:40   Jahwahzoo
19:30-20:20   树子 Shuzi
20:20-21:10   Don Camilo(France)
21:10-22:00   说唱会馆 CDC

4月23日 DAY 1: ELECTRONIC STAGE 电子舞台

14:00-15:00   Eric Huang
15:00-16:30   Xiaolong
16:30-18:00   Su
18:00-19:30   Xiang
19:30-22:00   Sulumi(BJ)
22:00-00:30   BBdeng(TW)

4月24日 DAY 2: ELECTRONIC STAGE 电子舞台

00:30-03:00   DIO(BJ)
03:00-05:30   Yang Bing(BJ)
05:30-07:30   Sunyoung
07:30-09:30   Voko X
09:30-11:30   Blue
11:30-14:00   chill set
14:00-16:00   Cvalda & Ni Bing(BJ)
16:30-18:00   Summer & Nature Bao
18:00-19:30   Ewan
19:30-21:30   Harry Ho
21:30-23:30   Mickey Zhang(BJ)


tree

I am going to be playing with techno kweens Su and Xiang from atmen in creating some dark grooves on the Electronic stage!

Kiwese is very glad to join the Zaoshanghao crew this year in making videos and doing interviews! Stay tuned for more soon..

See you at Chunyou!

 

Lady Lazer Light Casts A Spell Over China: Interview with Erica Sklenars

Wellington! 惠灵顿!

Erica Sklenars a.k.a. Lady Lazer Light is in the capital this week for two talks about her art residency in Beijing and touring with Orchestra of Spheres around China.

Kiwese caught up with her ahead of tonight’s first talk!


The last Lady Lazer Light show I saw before moving back to China was in collaboration with long time pals Orchestra of Spheres.

It was a cheap $10 gig at Valhalla – a grungy, hole in the wall on Vivian Street downtown Wellington, which having survived several different eras of management had remained popular among the metal, bogan and experimental community for it’s diverse billing, excellent beer selection and outdoor area provisioned with old car tyres and miscellaneous lounge furniture.

It was mid-2014, a rough time for Wellington music punters with the closures of popular inner city venues Mighty Mighty and Puppies. San Francisco Bath House had been renovated into ‘San Fran’ – a yuppie, tapas-catering ghost of it’s former self that had halved it’s capacity due to safety concerns – the packed out balcony and wall-to-wall mosh pit had become a thing of the past. The city was thirsty for a good show.

The Valhalla line-up included some of Wellington’s favourite acts, who were not greatly affected by the venue closures as they were accustomed to playing in unconventional spaces around town. Throat-ripping turntable noise trio the All Seeing Hand had arrived home from their national tour and were supported by their good mates Orchestra of Spheres, experimental folk yodeller Seth Frightening, and visually enhanced by the Queen of Psychedelic Projections Herself, Lady Lazer Light. The stage was a whirlpool of colour and sound and the bar was packed with familiar faces, with Valhalla regulars happily drinking alongside the refugees of less fortunate venues.

In the second set of the night, the Spheres took the stage in inimitable style – festooned with the finest eyewear The $2 Shop can buy, armed with one-of-a-kind wooden and tin instruments and oozing with the bizarre stage presence that has earned them a cult following throughout the country. The crowd surged forward, ready for the cosmic rhythms.

Orchestra of Spheres and Lady Lazer Light. Valhalla, June 2014.
Orchestra of Spheres and Lady Lazer Light. Valhalla, June 2014.

As Lady Lazer Light sprayed forth her kaleidoscopic beams and the Spheres chanted a mantra about iPhone chargers, the sensorily satiated crowd swayed shoulder to shoulder as one, united by a brilliant display of colour and sound. If the desired effect was group hypnosis – they certainly succeeded.

The show was a spiritual experience for the city – the buzz around Valhalla, the friendliness and happiness of all the people who had come to celebrate and support, it was a truly magical night. Orchestra of Spheres and Lady Lazer Light were the gems in Wellington’s creative crown, and we all bowed down in ecstasy.


Around the middle of last year, things really started to fall into place. I was emailing Dan from the Spheres on an almost daily basis and we were gradually putting together the pieces for a national China tour. The dream was coming to life, everyone was excited.

KIWESE: “Are you guys bringing Lady Lazer Light?”

DAN: “Erica Sklenars is going to be in Beijing for three months on an artist residency!! So we’ll bring her along for the trip.”

KIWESE: *faints*

Last year, Erica was selected as the Wellington Asia Residency Exchange (WARE) artist-in-residence at Red Gate Gallery in Beijing, a programme jointly run by Asia New Zealand and the Wellington City Council. Visual artist/zine overlord Kerry Ann Lee and punk photographer John Lake are previous recipients of the grant and have both previously featured on Kiwese.

Kiwese had the privilege of working with Erica on several projects around China, including the epic Orchestra of Spheres x Lady Lazer Light China Tour, a techno party in a Feijiacun BBQ shack, an impromptu music video shoot with Kunming disco-punks South Acid MiMi Dance Team and a VJ show for Lost in Space at .TAG, an electronic music club on the top floor of one Chengdu’s tallest buildings.


The morning after the second Orchestra of Spheres show in Beijing, I awoke with a heavy hangover to find Erica passed out on the couch at my friend’s tiny flat in Beixinqiao, wrapped in her screen as a blanket and surrounded by noodles of projector cables and chargers. A Lady Lazer Light bomb had exploded in the lounge and ground zero was beautifully chaotic. This chick is crack up.

Despite being a fan of her work for years, I’d actually never met Erica Sklenars before she arrived in Beijing last September.

During my time with her in China, through all the madness, set-ups, pack downs, instant noodles, Jingjiu, overnight train rides, WeChat frenzies, gaffer tape, raves, laughs, cries and hangovers, she became a very dear friend, one who I have enormous respect and admiration for as an artist, improvisor, communicator and genuinely wonderful human being.

I am so pleased to finally feature her here on this humble blog.

Lady Lazer Light and Kiwese. Dali, Yunnan, China, October 2014.
Lady Lazer Light and Kiwese. Dali, China, October 2015.

KIWESE: Sup Sklen, how’s it going?

SKLENARS: Fab!

As Lady Lazer Light, you’ve been a staple visual collaborator in Wellington for many years. Can you tell us a bit about your current set up in Dunedin?

I’ve been living between Dunedin and Wellington a bit this year with various projects, but I’m technically based in beautiful Port Chalmers, Dunedin, living and making work in Chick’s Hotel.

What’s the deal with Chick’s Hotel at the mo?

They closed a couple of weeks ago, went out with a bang with a number of awesome farewell gigs, including Shifting Sands and The Clean sending us off on the final night.

I’ve been away since then, but word on the street says there is a killer recording studio developing downstairs…

You were based in Wellington for many years, how have you found the transition to Dunedin life? My only experience with the music scene on my trip there was a seedy late night karaoke bar, where I realised Seven Days by Craig David is actually really hard to sing.

Haha! I have only encountered YouTube karaoke down there… but may have heard something about such bars.

I’m finding it quite different, a bit more chill, a good place to reflect on my practice and on my high-energy, chaotic last few months of travel.

There are some really cool things happening there in the music scene, some awesome new and old bands, I’ve had a lot of opportunities to collaborate and perform. There is actually some REALLY great music happening there at the moment.

You’ve mentioned Élan vital before. Could you name some other acts you’re digging in Dunedin?

Yes, Élan vital are super awesome. A member from that band is also in Death and The Maiden, who I have worked with in the past and they rule. Another member has started an awesome band called Terrified. There are so many I love… Astro ChildrenOpposite SexEmbedded Figures, I’m missing some out I know.

I collaborated with Repulsive Woman recently, she played alone outside an old Free Mason Lodge and the audience watched/peeped on her from inside through a camera obscura I constructed. She plays One Direction covers.

You were in Beijing for three months and really thrived in it. Do you have any favourite spots for music and art in the city?

I:project Space is a super awesome artist run space. I went to a few cool events at Aotu Studio 凹凸 for art/book launch/music.

For music – School, Dada and Temple!

What do you miss about China now that you are back in NZ?

I miss the food of course! I loved it all. I miss being able to order a bunch of different dishes – I’m terrible at making decisions on menus.

I miss always having an exciting new place to go! There’s one particular dish I would get that was kind of an omelette thing with sprouts and noodles, it was soo good for late breakfasts. And the shredded potato!! So good.

I miss the friendly faces around where I was living, going on adventures through different villages to find art supplies, taking several forms of public transport to go somewhere, the amazing friendly people I would meet that would extend so much help and kindness despite us not speaking the same language.

Lady Lazer Light at the Poop Clothing Mall. Beijing, September 2015.
Lady Lazer Light at the Poop Clothing Mall. Beijing, September 2015.

The Spheres tour was so bloody fab. Do you have a particularly standout gig?

Too hard to choose! I loved the BBQ party in Feijiacun because that was in the community I was living in.

I loved the NUART Festival in Chengdu and the after party at Zaoshanghao, so much fun! I loved every city and show for different reasons, I can’t pick a single fav. I really want to come back and I’m working on some plans, watch this space!

When can we expect to see the South Acid MiMi x Lady Lazer Light music video?

Soooooon!

What would you say to other artists wanting to visit China?

Do it, it’s an awesome place to tour as a band and to make art.

Chur girl, you Sklegend!

Still of Erica and a fan in Chengdu from the upcoming Orchestra of Spheres: Te China Rockumentary series presented by Kiwese in early May.
Erica and a fan in Chengdu – a still from the upcoming Orchestra of Spheres: Te China Rockumentary series set for release in early May.


 

Erica will be speaking in Wellington tonight and tomorrow:

P-LAB: LADY LAZER LIGHT
/////////////////////////
Time: 7:00pm | Wed 13 April 2016 
Location: Pyramid Club
 272 Taranaki Street, Wellington, New Zealand 
Koha entry

For her P-LAB session, Erica will be delving into her world of projected visuals and speaking about her recent 3 month residency in Beijing on the Wellington Asia Residency Exchange.

The Pyramid Club is run by the Sound and Exploration Society.

Read more at the Facebook event page.


International Connections: An artist residency forum
Time: 5.30pm – 7.30pm | Thu 14 April 2016
Location: Adam Auditorium, City Gallery
101 Wakefield St, Wellington, New Zealand
Free entry

Hear internationally acclaimed visual artists speak about their practice and residency experiences in a panel discussion chaired by Courtney Johnston, director of The Dowse Art Museum. The artists – Marc Brandenburg, Etienne de France, Erica Sklenars and Sian Torrington – will share their work and their thoughts about the world versus Wellington.

Berlin-based Brandenburg is the current Goethe-Institut Artist in Resident at the Bolton Street Cottage; Etienne de France, from Paris, is the Massey University Artist in Resident staying at Te Whare Hera; and Erica Sklenars and Sian Torrington are both Wellington-based artists recently back from Asia.


Read more about Erica’s time in Beijing here!

Stay tuned for more from Lady Lazer Light on Kiwese!

http://www.ericasklenars.com