Tag Archives: school bar

Beijing Noise Rockers Head for Chengdu: Interview with Lonely Leary

Lonely Leary are a Beijing-based three-piece post-punk/noise rock band from Shandong. They incorporate fast drums, muddy baselines and rough guitar noise in a pursuit to create a relatively violent sound. 

NU SPACE has invited them to Chengdu to play a show this Friday 10 June with local favourites Hiperson!

Kiwese caught up with the band members Qiu Chi 邱驰 (bass/vocals) Song Ang 宋昂 (guitar) and Li Baoning 李保宁 (drums) to find out more… 

Lonely Leary photo

Back in 2012, three college students entrenched in boredom were practicing their instruments alone in the secluded district of Changqing, Jinan. Initially the band set about covering a few simple punk songs, as well as post-punk bands such as Joy Division. They adopted the name “Lonely Lili” while playing spontaneous rock shows on campus. Later due to job changes and academic activities, the band was suspended.

In 2014, all three members moved to Beijing and Lonely Leary was reborn, trading ‘Lili’ for ‘Leary,’ a tribute to Timothy Leary, the creator of LSD. With a new name in a new city, the band began rehearsing and writing songs in pursuit of their own punk-oriented style. During the summer of 2014, the band performed prolifically at School Bar, XP and other rock clubs, gradually gaining a small and loyal following within the grungy confines of the Beijing underground.

I took a 19 hour train ride from Chengdu to Beijing last September for two reasons: see the first stop of the Shocking Pinks world tour with Wellington-based independent touring label A Low Hum and pick up Orchestra of Spheres for their epic China tour with Lady Lazer Light.

The Shocking Pinks show took place at the notorious hutong dive School Bar and was supported by two local acts – one of them was Lonely Leary, and they totally kicked ass. Scatty basslines, frantic drumming, possessed vocals, screeching guitar… A week later, I saw them play again at Temple Bar. Again, excellent.

Beijing has provided the Shandong-born trio the perfect environment in which to hone their songs and their live performance, with what seems like endless bars and livehouses to play at on a regular basis.

NU SPACE is proud to present LONELY LEARY, the post-punk/noise-rock trio tipped by critics as the most exciting new band out of Beijing this year.

lonely leary school bass
Playing support for Shocking Pinks. 18 Sept 2015. Photo by Kiwese.

KIWESE: You guys are from Shandong. Can you describe what Jinan is like for those of us who don’t know?

SONG: Changqing is basically a beautiful place. I think it’s more suitable for old people rather than youths to live there.

QIU: There was originally a village or wasteland. You know, the university and college downtown couldn’t take so many students after enrolment expansion over the years, so the government transformed the villages into campuses and sent a large number of students there. The campuses are isolated by mountains and we have to take illegal taxis to go to other places. There is also a commercial center with many low-cost shops, stalls, internet bars and small hotels for lovers.

Music hobbyists can learn to play guitar and drums in some instrument shops. They used to form bands and cover “Beyond”. There were over a hundred Beyond cover bands I think.

LI: The first time I met Song Ang he was playing guitar in a cover band in an instrument shop. He hated the songs they played, so we began to play together while learning our instruments. Qiu Chi joined us after graduating, then we became a trio and began to cover some punk bands. Our playing technique was poor then.

You started out covering punk bands. What were some of the first songs you covered?

Under Baby, Joyside and Ramones. Including some “punk songs” by Hedgehog.

What is up with the drummer situation?

We have some drummer adjustments recently. Wang Jianan played drums for the last half of the year. She is a student at Beijing Film Academy with a good sense of drum playing. She created many amazing drum riffs in new songs. The only problem she has is technique – it’s a little hard for her to play the fast songs perfectly live and in recording, after all, she hasn’t played for that long.

So she will study and practice the basic skills and techniques, and the original drummer Li will take the place of her at present. Li plays fiercely like a drum machine.

Li Baoning on the drums at XP. Image from XP's Douban.
Li Baoning on the drums at XP. Image from XP’s Douban.

You moved to Beijing in 2014, how does the city influence your music?

QIU: I simply took playing in a band as pastime in Shandong. At that time, I didn’t know much about making music as an amateur. After graduating and being in Beijing in 2012, I separated from them because they were still in Jinan. I think Lonely Leary was about to dissolve then. However, I saw lots of lives in Beijing and was attracted by its dynamic rock’ n roll atmosphere. There are so many fresh bands who studied and vied with each other – they created the scene together. I was encouraged by them and got the enthusiasm to continue Lonely Leary. Then the other guys came to Beijing soon after, so I had no excuse to stop the band any more.

SONG: I think Beijing is a high-speed city with bad environment and people here are restless. I knew nothing about the city beside music before I came here. I didn’t know what to do then and always felt anxious and confused. In fact, three of us all get this feeling and deeply affected. The violent sound of our music has close connection with the situation. Sometimes the bad moods also get the band into trouble. That’s terrible.

LI: Beijing has more bands and lives than I had ever known in college. You know, most bands in Jinan are metal and pop, as well as some folk singers. However, in Beijing, there are many bands whose temperaments are quite same as us, especially in XP Club. I can learn from them at close range. At the time, I thought I would die without regrets if I could perform in XP, ha-ha!

2015.01.24 China Lonely Daydream Night Lonely Leary in XP. Image from XP's Douban.
2015.01.24 China Lonely Daydream Night Lonely Leary play at XP. Image from XP’s Douban.

Tell us about the new album, how is that coming along? Where are you planning to record it? Will you release it independently or with a label?

Qiu: Making an album has been our dream for a long time. We decided on it at the end of last year as we think we have enough songs now. In fact, we didn’t think too much on writing songs at first, no uniform style or concept was carried through. Many songs didn’t sound the same because they are written in a different period. It really troubled us then! So we tried to preset a theme for the album to keep our creation in a controllable range. It makes the new songs clearer. We also changed some old songs based on our preset concept. Some old songs have been abandoned.

SONG: Some of our songs have been in an indeterminate state for two years before we reached our preset concept. Fortunately, they finally morphed into the shape that we’ve described in our introduction.

LI: Our demo recordings are very simple. We used an iPad to record and mix to get the finished product that you hear on Douban. They have no details or good tones, just a standard of “clear enough to hear.”

Our ignorance towards “real recording” caused this undesirable lo-fi sound. Now we are learning and rehearsing a lot to be ready for the formal recording. Then we probably try to contact labels which are reliable and have interest in us.

You play fairly regularly in Beijing. What are your favourite venues to play?

SONG: We all love XP Club. We can often perform with the bands we like there. I prefer to Old What after XP closed. I feel comfort in its simple and rough environment.

QIU: I would like Old What better if the sound is improved. I like School Bar most now.

LI: We used to play XP a lot because it was close to where we lived. Now we go to School Bar most often.

XP. Image from XP Douban.
XP Club. Image from XP Douban.

Who are some other bands you really like in Beijing at the moment and why?

QIU: We all like P.K.14 and Snapline. Alpine Decline is my recently favorite.

SONG: I like Alpine Decline as well. I also recommend Death Narcissist and Bedstars.

LI: I like Re-TROS and Supermarket, also Dr. Liu and the Human Centipede and Soviet Pop.

Your music reminds me of Joy Division and The B52s, as well as more recent bands like Thee Oh Sees and Re-TROS. What bands have had the biggest influence on you?

QIU: David Bowie, The Velvet Underground, Joy Division, P.K.14 and Sun City Girls have a deep ideological influence on me. SavagesMars, DisconcertsSleaford ModsMika Miko are my favourites recently. I love their basslines.

SONG: I recommend A Place to Bury Strangers for their destructive lives, firm basslines and manic guitar noise. Sonic Youth brings me inspiration on playing guitar, I’ve learned their tuning and tone a lot. I also like the teen spirit sound of Big Black and Spacemen 3’s psychedelic guitar.

LI: Old post-punk bands like Joy Division, Sort Sol, Talking Heads have influenced so many people for their tension of contradiction.

Have you come to Chengdu before? What impressions do you have of this place?

QIU: I went four years ago. I think People’s Park is a funny place and I love “LengGuo ChuanChuan”.

LI: I went last year. I didn’t go to too many places, but I think some temples here are very good.

SONG: I have never been to Chengdu. I think it may be a wet place.

Anything you want to say to people coming to the show in Chengdu?

QIU: All I want to say are painted on the poster. Really fantastic design ha-ha!

LI: Hi, Person!

SONG: We are three plain dealers from Shandong. Welcome to come and see us!

Lonely Leary’s alcohol of choice?

QIU & SONG: Jingjiu. Absolutely!

Li: I prefer pineapple beer.

Welcome to Chengdu, thanks guys!

We’ve never been out so far for a live show before. Thanks NU SPACE for inviting us!

Hiperson Lonely Leary poster

WHEN:
Friday 10 June 2016
Doors: 8pm
Lonely Leary: 8:30pm
Hiperson: 9:30pm

WHERE:
明堂创意工作区·NU SPACE
成都市青羊区奎星楼街55号
NU SPACE, MiNTOWN Studio Community
55 Kuixinglou St, Qingyang, Chengdu

TICKETS:
Pre-sale: 60RMB
Door: 100RMB
http://www.zaomengshe.com/c/325233

们可以给我们介绍济长清是一个什么样的地方吗?

宋:长清是一个山清水秀、环境优雅的地方。适合养老,不大适合青年人居住。

邱:其实这里原本是村庄或荒地。前几年大学扩招后,市区里的学校装不下那么多学生,于是偏僻的村庄就被改造成校园,大学生们都被送到了这里。大学被山隔开,各自孤立,出行要靠黑出租。中心地带有唯一的一个商业区,非常热闹,分布着许多商店、地摊、网吧和家庭旅馆,都特别便宜。这里也有几个琴行,教音乐爱好者们弹吉他或打鼓;他们其中有的学成了就开始组乐队,以翻唱Beyond乐队为主。大学城里应该有过上百支Beyond翻唱乐队。

李:我第一次遇见宋昂就是在这里,他当时正在一个琴行给某个乐队弹吉他,他不喜欢他们当时翻唱的歌。我们认识了之后就开始一边学乐器一边玩。邱驰快毕业的时候才加入进来,这才凑齐了三大件正式排练。我们当时技术有限,就翻唱一些朋克乐队。

你们一开始翻唱那些朋克乐队的歌?

地下婴儿、Joyside以及Ramones。还有刺猬,我们翻过他们一些比较朋克的歌。

们现在的鼓手情况怎么样

鼓手目前有一些调动。最近半年在打鼓的是王迦南,她还在电影学院上学。虽然打鼓时间不久,但是她的意识很不错,在新歌里编排了很多有趣的段落,带来了新的节奏。只是她目前基本功要欠缺一些,应付现在快速的歌的演出和录音有点吃力。所以她现在会先去练习基本功和技术。现在在打鼓的是我们最初的鼓手李保宁。他打得比较凶狠,像鼓机一样。

2014年从山搬到北京去。北京的音格有什么样的影响?

邱:在山东的时候,我玩乐队的心态其实还是自娱自乐的成分多一些:当时一方面对做音乐不是很懂,比较业余,再加上我2012年就毕业来到北京,和仍在济南上学的他俩两地相隔、没法排练,所以本以为之后乐队差不多就解散了。不过到了北京之后我经常去看演出,才知道这里的摇滚乐气氛是多么活跃:这里有很多年轻的好乐队,大家互相学习、竞争,共同创造了这个场景。我很受鼓舞,就重燃了做乐队的热情。正好他俩很快也毕业来到了北京,再也没有什么不继续玩下去的理由了。

宋:我觉得北京的生活节奏很快,城市挺脏,人们也都挺躁动。刚来到北京的时候,对这里我除了音乐之外一无所知,也不知道要做什么,经常会感到无所适从和迷茫。这种情绪其实我们三人一直都有,也在一直都在影响我们的创作。音乐中暴躁、焦虑的成分都和这些有关。但一些时候颓丧的情绪也会让乐队陷入困境,这就比较糟糕了。

李:北京有更多的乐队和演出,让我了解到很多上大学的时候未曾了解的东西。在济南的时候大部分乐队是金属或流行摇滚,还有民谣,而北京和我们气质相同的乐队就要多很多,尤其是在XP,可以近距离学习很多东西。我当时觉得要是可以在XP演出一次就一生无悔了,哈哈。

们开始创造一张全长专辑,可以给我们介绍一下这个过程吗你们安排在哪里录音?要独立发布或者跟一个厂牌在一起?

邱:做一张专辑一直都是我们的愿望。考虑到歌曲数量似乎差不多够了,所以从去年底开始正式计划这件事情。其实最早写歌的时候想得很少,只是比较无意识地从当时零碎的音乐喜好、动机或生活经验出发去写歌,没有考虑太多关于统一风格或概念的问题。这使得不同时期的歌听起来好像差异会比较大,我们也经常陷入苦恼。所以我们之后开始尝试先预设一张专辑应有的主题和概念,给自己一点限定。这样,新歌创作的目标会更加明确,同时旧作也被重新编排,也有一些直接被舍弃掉了。

宋:之前没有明确想法的时候,一首歌可能两年都处于不确定的状态,改个十来种方案也没有结果。还好最近的修改都在基本朝我们所设想的风格发展,就像我们的介绍中描述的那样。

李:我们之前的录音方式多少有点草率,基本是用iPad进行录音和混音,成果就是豆瓣小站上的那些歌。它们顶多能达到“听清”的标准,谈不上细节和质量。之前我们对真正录音知之甚少,对音色的把握也比较欠缺,准备不足。这是一种不得已的Lo-Fi效果。现在我们正通过学习和排练为真正的录音做好准备。当我们准备充分以后,会尝试联系对我们的作品有兴趣,同时也值得信任的厂牌。

们经常在北京演出。你最喜演出的地方是那些?

宋:我们都很喜欢XP,那里好像跟我们的气质比较贴近,也经常能有机会和自己喜欢的乐队同台。XP关门了以后现在喜欢老What多一点,那里原始粗糙的感觉很好。

邱:老What要是声音能好一点我也会更推荐。现在最喜欢去的还是School。

李:XP当时离住的地方近,我们就经常去。现在是School去的最多。

你喜欢的居住在北京的乐队与音乐人有哪些?

邱:P.K.14和Snapine是我们共同喜欢的乐队。Alpine Decline我最近很爱听。

宋:我也喜欢Alpine Decline,还有Death Narcissist和Bedstars

李:我喜欢重塑雕像的权利和超级市场,然后就是人体蜈蚣和苏维埃·波普。

的音乐让我想起来Joy Division, TelevisionThe B52s, 有比较现代的乐队Thee Oh Sees和重塑雕像的 最大的影响的乐队是那些?

邱:David Bowie、The Velvet Underground、Joy Division、P.K.14以及Sun City Girls是在思想上对我影响很大的乐队。Savages、Mars、Disconcerts、Sleaford Mods、Mika Miko是最近影响我比较多乐队。我喜欢这些贝斯声音靠前的歌。

宋:我最近很喜欢A place to bury strangers,他们有破坏力的现场表演、结实的bassline还有狂躁的吉他噪音;然后是Sonic Youth,他们在吉他弹奏上带给我很多灵感,我也研究了很多他们的调弦方式和音色;Big Black傻冲楞的少年心气我也很喜欢!还有Spacemen 3,我喜欢他们厚重的带药味的吉他。

李:Joy Division、Sort Sol、Talking Heads这类老的后朋克吧,他们影响了太多的人。我认为他们的音乐有种矛盾的张力,在内部爆发,在外部控制。

成都?你们对成都有什印象?

邱:四年之前来过一次。我觉得人民公园有趣,冷锅串串很好吃。

李:我去年来过,去的地方不多,有几个寺庙我觉得不错。

宋:我没来过,可能会比较潮湿?

们想对来看Hiperson x Lonely Leary NU SPACE演出的人

邱:想说的都画在海报上了,很棒的设计!哈哈。

李:Hi, Person!

宋:实在山东人乐队,值得来看!

Lonely Leary最喜的酒是那

邱/宋:中国劲酒!

李:我喜欢喝菠萝啤

欢迎你们来成都!谢谢!

我们第一次到这么远的地方来演出。谢谢NU SPACE的邀请!

Orchestra of Spheres in China | EP. 1 Beijing

 in

It’s finally here… Beijing, baby!

In the first instalment of our five-part China tour series, Orchestra of Spheres reunite with Lady Lazer Light in Beijing and wreak havoc at School Bar, Temple Bar and Brother’s BBQ Tribe in Feijiacun.

For those who prefer Vimeo, click here!

Featuring interviews with Nevin Domer of Genjing Records, Liu Fei of School Bar, Wang Fen from Baxian Fandian, Dan Lenk from Death Narcissist and more.

Stay tuned for EP 2: CHENGDU tomorrow!

Poster by Hannah Salmon.
Poster by Hannah Salmon.

Lady Lazer Light Casts A Spell Over China: Interview with Erica Sklenars

Wellington! 惠灵顿!

Erica Sklenars a.k.a. Lady Lazer Light is in the capital this week for two talks about her art residency in Beijing and touring with Orchestra of Spheres around China.

Kiwese caught up with her ahead of tonight’s first talk!


The last Lady Lazer Light show I saw before moving back to China was in collaboration with long time pals Orchestra of Spheres.

It was a cheap $10 gig at Valhalla – a grungy, hole in the wall on Vivian Street downtown Wellington, which having survived several different eras of management had remained popular among the metal, bogan and experimental community for it’s diverse billing, excellent beer selection and outdoor area provisioned with old car tyres and miscellaneous lounge furniture.

It was mid-2014, a rough time for Wellington music punters with the closures of popular inner city venues Mighty Mighty and Puppies. San Francisco Bath House had been renovated into ‘San Fran’ – a yuppie, tapas-catering ghost of it’s former self that had halved it’s capacity due to safety concerns – the packed out balcony and wall-to-wall mosh pit had become a thing of the past. The city was thirsty for a good show.

The Valhalla line-up included some of Wellington’s favourite acts, who were not greatly affected by the venue closures as they were accustomed to playing in unconventional spaces around town. Throat-ripping turntable noise trio the All Seeing Hand had arrived home from their national tour and were supported by their good mates Orchestra of Spheres, experimental folk yodeller Seth Frightening, and visually enhanced by the Queen of Psychedelic Projections Herself, Lady Lazer Light. The stage was a whirlpool of colour and sound and the bar was packed with familiar faces, with Valhalla regulars happily drinking alongside the refugees of less fortunate venues.

In the second set of the night, the Spheres took the stage in inimitable style – festooned with the finest eyewear The $2 Shop can buy, armed with one-of-a-kind wooden and tin instruments and oozing with the bizarre stage presence that has earned them a cult following throughout the country. The crowd surged forward, ready for the cosmic rhythms.

Orchestra of Spheres and Lady Lazer Light. Valhalla, June 2014.
Orchestra of Spheres and Lady Lazer Light. Valhalla, June 2014.

As Lady Lazer Light sprayed forth her kaleidoscopic beams and the Spheres chanted a mantra about iPhone chargers, the sensorily satiated crowd swayed shoulder to shoulder as one, united by a brilliant display of colour and sound. If the desired effect was group hypnosis – they certainly succeeded.

The show was a spiritual experience for the city – the buzz around Valhalla, the friendliness and happiness of all the people who had come to celebrate and support, it was a truly magical night. Orchestra of Spheres and Lady Lazer Light were the gems in Wellington’s creative crown, and we all bowed down in ecstasy.


Around the middle of last year, things really started to fall into place. I was emailing Dan from the Spheres on an almost daily basis and we were gradually putting together the pieces for a national China tour. The dream was coming to life, everyone was excited.

KIWESE: “Are you guys bringing Lady Lazer Light?”

DAN: “Erica Sklenars is going to be in Beijing for three months on an artist residency!! So we’ll bring her along for the trip.”

KIWESE: *faints*

Last year, Erica was selected as the Wellington Asia Residency Exchange (WARE) artist-in-residence at Red Gate Gallery in Beijing, a programme jointly run by Asia New Zealand and the Wellington City Council. Visual artist/zine overlord Kerry Ann Lee and punk photographer John Lake are previous recipients of the grant and have both previously featured on Kiwese.

Kiwese had the privilege of working with Erica on several projects around China, including the epic Orchestra of Spheres x Lady Lazer Light China Tour, a techno party in a Feijiacun BBQ shack, an impromptu music video shoot with Kunming disco-punks South Acid MiMi Dance Team and a VJ show for Lost in Space at .TAG, an electronic music club on the top floor of one Chengdu’s tallest buildings.


The morning after the second Orchestra of Spheres show in Beijing, I awoke with a heavy hangover to find Erica passed out on the couch at my friend’s tiny flat in Beixinqiao, wrapped in her screen as a blanket and surrounded by noodles of projector cables and chargers. A Lady Lazer Light bomb had exploded in the lounge and ground zero was beautifully chaotic. This chick is crack up.

Despite being a fan of her work for years, I’d actually never met Erica Sklenars before she arrived in Beijing last September.

During my time with her in China, through all the madness, set-ups, pack downs, instant noodles, Jingjiu, overnight train rides, WeChat frenzies, gaffer tape, raves, laughs, cries and hangovers, she became a very dear friend, one who I have enormous respect and admiration for as an artist, improvisor, communicator and genuinely wonderful human being.

I am so pleased to finally feature her here on this humble blog.

Lady Lazer Light and Kiwese. Dali, Yunnan, China, October 2014.
Lady Lazer Light and Kiwese. Dali, China, October 2015.

KIWESE: Sup Sklen, how’s it going?

SKLENARS: Fab!

As Lady Lazer Light, you’ve been a staple visual collaborator in Wellington for many years. Can you tell us a bit about your current set up in Dunedin?

I’ve been living between Dunedin and Wellington a bit this year with various projects, but I’m technically based in beautiful Port Chalmers, Dunedin, living and making work in Chick’s Hotel.

What’s the deal with Chick’s Hotel at the mo?

They closed a couple of weeks ago, went out with a bang with a number of awesome farewell gigs, including Shifting Sands and The Clean sending us off on the final night.

I’ve been away since then, but word on the street says there is a killer recording studio developing downstairs…

You were based in Wellington for many years, how have you found the transition to Dunedin life? My only experience with the music scene on my trip there was a seedy late night karaoke bar, where I realised Seven Days by Craig David is actually really hard to sing.

Haha! I have only encountered YouTube karaoke down there… but may have heard something about such bars.

I’m finding it quite different, a bit more chill, a good place to reflect on my practice and on my high-energy, chaotic last few months of travel.

There are some really cool things happening there in the music scene, some awesome new and old bands, I’ve had a lot of opportunities to collaborate and perform. There is actually some REALLY great music happening there at the moment.

You’ve mentioned Élan vital before. Could you name some other acts you’re digging in Dunedin?

Yes, Élan vital are super awesome. A member from that band is also in Death and The Maiden, who I have worked with in the past and they rule. Another member has started an awesome band called Terrified. There are so many I love… Astro ChildrenOpposite SexEmbedded Figures, I’m missing some out I know.

I collaborated with Repulsive Woman recently, she played alone outside an old Free Mason Lodge and the audience watched/peeped on her from inside through a camera obscura I constructed. She plays One Direction covers.

You were in Beijing for three months and really thrived in it. Do you have any favourite spots for music and art in the city?

I:project Space is a super awesome artist run space. I went to a few cool events at Aotu Studio 凹凸 for art/book launch/music.

For music – School, Dada and Temple!

What do you miss about China now that you are back in NZ?

I miss the food of course! I loved it all. I miss being able to order a bunch of different dishes – I’m terrible at making decisions on menus.

I miss always having an exciting new place to go! There’s one particular dish I would get that was kind of an omelette thing with sprouts and noodles, it was soo good for late breakfasts. And the shredded potato!! So good.

I miss the friendly faces around where I was living, going on adventures through different villages to find art supplies, taking several forms of public transport to go somewhere, the amazing friendly people I would meet that would extend so much help and kindness despite us not speaking the same language.

Lady Lazer Light at the Poop Clothing Mall. Beijing, September 2015.
Lady Lazer Light at the Poop Clothing Mall. Beijing, September 2015.

The Spheres tour was so bloody fab. Do you have a particularly standout gig?

Too hard to choose! I loved the BBQ party in Feijiacun because that was in the community I was living in.

I loved the NUART Festival in Chengdu and the after party at Zaoshanghao, so much fun! I loved every city and show for different reasons, I can’t pick a single fav. I really want to come back and I’m working on some plans, watch this space!

When can we expect to see the South Acid MiMi x Lady Lazer Light music video?

Soooooon!

What would you say to other artists wanting to visit China?

Do it, it’s an awesome place to tour as a band and to make art.

Chur girl, you Sklegend!

Still of Erica and a fan in Chengdu from the upcoming Orchestra of Spheres: Te China Rockumentary series presented by Kiwese in early May.
Erica and a fan in Chengdu – a still from the upcoming Orchestra of Spheres: Te China Rockumentary series set for release in early May.


 

Erica will be speaking in Wellington tonight and tomorrow:

P-LAB: LADY LAZER LIGHT
/////////////////////////
Time: 7:00pm | Wed 13 April 2016 
Location: Pyramid Club
 272 Taranaki Street, Wellington, New Zealand 
Koha entry

For her P-LAB session, Erica will be delving into her world of projected visuals and speaking about her recent 3 month residency in Beijing on the Wellington Asia Residency Exchange.

The Pyramid Club is run by the Sound and Exploration Society.

Read more at the Facebook event page.


International Connections: An artist residency forum
Time: 5.30pm – 7.30pm | Thu 14 April 2016
Location: Adam Auditorium, City Gallery
101 Wakefield St, Wellington, New Zealand
Free entry

Hear internationally acclaimed visual artists speak about their practice and residency experiences in a panel discussion chaired by Courtney Johnston, director of The Dowse Art Museum. The artists – Marc Brandenburg, Etienne de France, Erica Sklenars and Sian Torrington – will share their work and their thoughts about the world versus Wellington.

Berlin-based Brandenburg is the current Goethe-Institut Artist in Resident at the Bolton Street Cottage; Etienne de France, from Paris, is the Massey University Artist in Resident staying at Te Whare Hera; and Erica Sklenars and Sian Torrington are both Wellington-based artists recently back from Asia.


Read more about Erica’s time in Beijing here!

Stay tuned for more from Lady Lazer Light on Kiwese!

http://www.ericasklenars.com

Favourite Shows 2015

What makes a ‘good show’? The artist? The venue? The crowd? Here is a list of ten shows in chronological order that left an impression on Kiwese this year.

“Music, in performance, is a type of sculpture. The air in the performance is sculpted into something.” – Frank Zappa

To me, live music is a symbiotic relationship between performer and audience, they need each other to exist. There is an unfiltered bond between the artist and the crowd at every show, an unrepeatable experience in time and space. The shows I tend to enjoy most are the ones where the crowd is engaging somehow with the performers, whether through dancing or cheering or stage invading – letting the performers know they are not alone.

With the increase of computers in music production today, old expectations of live music have shifted to accommodate these new digital elements. While some critics believe computers detract from a live show, artists are creating and embracing interesting new ways to perform with digital technology. In China, going out to a gig in 2015 no longer means bass-drums-guitar, but rather something that echoes the digital world we live in.


 

2015.01.31
South Acid MiMi Dance Team @
MAO Livehouse Kunming
南方酸性咪咪领舞队在昆明MAO Livehouse

I stumbled into a South Acid MiMi show in Kunming in January and never looked back. Officially indoctrinated into the girl cult of face masks, weird music, freaky dancing and lots of whiskey. Very stoked to have been able to collaborate with them and Lady Lazer Light in October. This early MiMi show was filled with lots of experimental instruments and props, which have since been refined into three keyboards, a laptop and percussion.


2015.04.17
Noise Temple @ Little Bar Chengdu
黄金+绵羊在小酒馆

Noise Temple is hypnotic, digital, dark – the syncing together of VJ Mian’s visual projections and Huang Jin’s razor sharp drumming abilities makes for a unique pulsating of the senses. This show featured contemporary dancers (thought I’d see pigs fly at Little Bar first) and vocal/instrumental cameos from various musicians. Unfortunately, Huang Jin has since moved to Beijing to join Re-TROS so Noise Temple no longer play with the blessed regularity we had gotten used to in Chengdu.

Video below is from another show at Morning Bar in April.


2015.04.25
Aus-atmen @ Xiwo, Chengdu
Luna, Cvalda, Hiroshi, Xiang, Su

New techno/minimal/ambient music label Atmen had their debut party in an empty swimming pool in the leafy outskirts of Flower Town. Featuring Cvalda, Hiroshi, Xiang and Su, playing to the early morning. Enough said.


2015.06.26 – 2015.06.28
Neverland Electro Music Festival @ Wulong Fairy Mountain, Chongqing
山谷露营电子音乐节 仙女山 武隆 重庆

Two days, two nights, two stages – Neverland 2015 returned to the misty mountains outside of Chongqing, following their first festival in 2013. Neverland is a collaboration between NUTS and Morning Bar, attracting fans and friends from Chengdu, Chongqing and surrounding regions such as Guizhou. Camping festivals are few and far between in China, and Neverland beautifully fills the need.

The location is sublime – rolling green hills, white flowing mist and cloudless skies. The main stage saw DJs from around the region bring everything from swing to techno, while the psytrance community stayed entranced with their own 24/7 party at the stage on the flat. A very low key and awesome festival, with only a couple of hundred punters and no security. Amped for next year!

Neverland poster


2015.07.03
Hiperson @ Little Bar Space Chengdu
海朋森在小酒馆空间

When Hiperson set out to tour ‘No Need For Another History’ 《我不要别的历史》, they returned as a different band. Several hundred friends and fans turned up to the new big Little Bar (the new/old/big Little Bar thing is gonna get confusing) to welcome them home, and they sure as hell delivered. Kiwese became the first person to ever stage dive at a Hiperson show – life achievement unlocked.

Chen Sijiang, who’d shaved all her hair off in Shenzhen, completely commanded the stage with guitarists Ji Yinan and Liu Zetong thrashing about in the wings and Tao Ge bopping with conviction on bass. When the band went silent for Sijiang’s monologue and the spotlight lit her shaved head and wide-open eyes, you could hear a pin drop as the entire crowd sat in the palm of her hand. A mighty performance from one of Chengdu’s favourite bands.


2015.08.01
Stolen ‘Loop’ Album Release Show @ U37
w/ Dead J and Noise Temple
秘密行动《循环》专辑首发演出

Chengdu turned out in droves for Stolen’s album release show at an empty warehouse in U37. Perhaps some of us were a little TOO excited – I almost broke my ankle in the mosh pit and had to be carried husband-bride style to a taxi by my flatmate. Nevertheless, an epic show from a band that has become one of the most talked about acts in China this year. That synth-bass break in A Glossy Flirt has become my official pogo beer shower anthem.

Managed to catch Stolen on tour in Guangzhou and Beijing as well, but the energy at this album release home show was unparalleled.


2015.09.18
Shocking Pinks @ School Bar Beijing
震惊粉红色在北京学校酒吧

Kiwese caught an overnight train from Chengdu to catch Shocking Pinks first show in China at the notorious School Bar in Beijing. The formula of Ash Smith (bass) and Cory Champion (drums) that was concocted last year at Puppies is still solid, as Nick Harte led them through a selection of songs from his previous albums to a responsive and dance-ready crowd. Check out the interview at live performance of ‘Smoke Screen’ in the video below.

IMG_1935
Shocking Pinks, School Bar Beijing. Photo by Kiwese

 

2015.09.29 – 2015.10.11
Orchestra of Spheres + Lady Lazer Light China Tour
星迹乐团和女士拉泽光中国巡演

Dreams do come true! This year Orchestra of Spheres (Xīngjī Yuètuán) came to China, YEAH HARD! In a twist of seriously awesome timing, their hometown partner-in-crime Lady Lazer Light was in Beijing on an art residency and brought her cosmic visions on tour! Crowds in Beijing, Chengdu, Chongqing, Kunming, Dali, Shenzhen, Guangzhou and Wuhan were given their first taste of OOS magic.

In addition to OOS, special side-shows included Cave Circles + Globular Synthesis at Brothers BBQ in Feijiacun, The Niubis in Chongqing and a Cave Circles + Su live techno set at Morning Bar Chengdu.

Big love to Baba Rossa, Mos Ioccos, EtonalE, Woild Boin and Lady Lazer Light putting their faith in Kiwese and being incredibly rad people.


2015.12.17
múm @ Little Bar Space Chengdu
在小酒馆空间

A band that uses cello and melodica – I was prepared to hate this. Pronounced miooyyuujm, Icelandic atmospheric-music-to-have-sex-to band múm gave us a spiritual show of delicate vocal harmonies and careful layering of instruments, alongside slow panning lights and dramatic hisses of fog – the singer’s pixie sigh of ‘xie xie‘ the only thing that would break the audience out of their sonic incantations. At times I felt like I was sinking into the ground, no one was moving. My favourite part was when the singer started to theatrically rip her own head off – see video below.


2015.12.18 – 2015.12.19
Ein-atmen @ Chengdu Air Raid Shelter
在成都金里西路放空

And finally, to round off the year, the crew from Atmen and Morning Bar hosted a two-night techno party in an air raid bunker in downtown Chengdu. Music wise – the first night featured Tanzman, Su, Ewan and Haozi and the second night continued with Xiaolong, Xiang and Hiroshi. Visual artists projected their works throughout the shelter all weekend. The air raid shelter is like nothing I’ve seen before – long corridors of old concrete rooms and rusty steel fittings.

With Chengdu undergoing so much construction and change, it was beautiful to be part of something so fresh and innovative in the underground chasms of the city. This is what it is all about – people coming together to build events in new spaces.

Read the Zaomengshe interview with Su and Xiang here.


 

Want to find out about events before they happen? Many of these events sold pre-sale tickets on Zaomengshe, download the app to keep in the loop! www.zaomengshe.com

Happy new year to all! See you next year!

VIDEO: Shocking Pinks | Interview + ‘Smoke Screen’ in Beijing 视频:震惊粉红色|在北京采访和现场


About a month ago, atop a sunny, slightly crumbling rooftop along a Beijing hutong, Kiwese caught up with Nick, Ash and Cory from Shocking Pinks ahead of their shows in China and beyond.

Check it out in the very first episode of Kiwese TV, along with a blitzing version of ‘Smoke Screen’ live at School Bar!

大概一个月前,在一个北京胡同的有一点破的太阳舞台,奇异思给Shocking Pinks的Nick, Ash 和Cory采访。在奇异思第一集看采访和在北京学校酒吧演的《Smoke Screen》!

Nicks' Recommended Films:
  • Le Ville des Pirates (Raoul Ruiz)
  • The Tarnished Angels (Douglas Sirk)
  • Colour of Pomegranates (Sergei Parajanov)
  • Cowards Bend the Knee (Guy Maddin)
  • Toute une nuit (Chantal Akerman)
  • Accattone (Pier Paolo Pasolini)
  • Taste of Cherry (Abbas Kiarostami)
  • Les salauds (Claire Denis)
  • On Dangerous Ground (Nicholas Ray)
  • Blackhat (Michael Mann)
  • The Tribe (Myroslav Slaboshpytskiy)
  • Goodnight Mommy (Veronika Franz)
  • Tokyo Twilight (Yasujiro Ozu)

Check out www.alowhum.com for more tour dates.

Initial excitement pre-Shocking Pinks in China here.

Kiwese Presents… Orchestra of Spheres China Tour 2015

Wellington’s favourite intergalactic dance freaks Orchestra of Spheres are coming for a nine-date tour of China. Aotearoa’s Queen of buzzy visuals Lady Lazer Light is coming, too.

This is not a drill!  I repeat, THIS IS NOT A DRILL!!

trippy

/ˈtrɪpɪ/

adjective -pier, -piest

(informal) suggestive of or resembling the effect produced by hallucinogenic drug

Poster by Hannah Salmon.
Poster by Hannah Salmon.
Orchestra of Spheres are one of the most exciting and unpredictable live acts in New Zealand. With DIY homemade instruments and wide-ranging worldwide influences, the group have spellbound and tripped out audiences from Wainuiomata to Reykjavík, and developed an international cult-like following. 
Like celestial sponges, they draw on influences far and wide: the hypnotic beats of Angolan kuduro, the chimes of gamelan music, free jazz and dance music. Their sound has been described as psychedelic disco and ancient future funk and the band have been compared to artists as diverse as Fela Kuti, Sun Ra, Can and Drexiciya.

Orchestra of Spheres are coming to tour China for the first time, with very special guest Lady Lazer Light. They only come out this way once every 2,000,000 years, so don’t miss out your chance to see them live!

Kiwese proudly presents...
ORCHESTRA OF SPHERES w/ LADY LAZER LIGHT

29 Sept – Beijing, School, w/ Baxian Fandian
30 Sept – Beijing, Temple 坛酒吧
3 Oct – Chengdu, Shao Cheng Fest 少城有明堂艺术节
4 Oct – Chongqing, Nuts 坚果 Livehouse
5 Oct – Kunming, MAO Livehouse, w/ South Acid MiMi Dance Team
7 Oct – Dali, Jielu Music Space 结庐音乐空间
9 Oct – Shenzhen, OCT-LOFT Jazz Fest 国际爵士音乐节
10 Oct – Guangzhou, 191 Space, w/ Full Label
11 Oct – Wuhan, VOX Hankou 汉口

More support acts TBA.

“Part Sun Ra otherworldliness, part Sublime Frequencies and part ESG… Orchestra of Spheres blew us away…” – Dan Snaith, Caribou

“Orchestra of Spheres must be the most out-of-this-world band in music today… sounds like they came from another planet, where nonstop dance and remarkable melodies are the norm” – Brian Shimkovitz, Awesome Tapes from Africa

“Futuristic and unsettlingly primal” – Uncut

http://www.orchestraofspheres.com

Shocking Pinks head for China! 震惊粉红色来中国!

Ten years after their maiden tour, Christchurch’s multi-instrumentalist, DJ and lo-fi king Nick Harte aka Shocking Pinks is once again pairing with New Zealand house(party)hold name Ian Jorgensen aka Blink to celebrate the re-release of his 2004 debut Dance, the Dance Electric with a three month A Low Hum world tour, including shows in both China and New Zealand!

将近十年前,来自基督城的多乐器演奏者,DJ和低保真大师Nick Harte也称为震惊粉红色跟新西兰家喻派对的名字Ian Jorgensen 人称Blink一起去做他们的处女巡演。今年,震惊粉红色将由在A Low Hum重新发行他2004年的首张专辑《Dance, the Dance Electric跳舞,跳舞电子》,而且要去大规模国际巡演,包括中国和新西兰站! 

Shocking Pinks is a one-man band formed by Nick Harte in 2002. Following a long hiatus from releasing music, Harte returned stronger than ever in March last year with his triple album Guilt Mirrors on Stars and Letters, a Brooklyn-based label that may ring bells for fans of Wellington’s (sorely missed) Black City Lights (R.I.P). Guilt Mirrors echoes the solitude that accompanied the traumatic 2011 earthquakes in Harte’s hometown.

早在2002年,Nick Harte成立他一个人的乐队:震惊粉红色 。随着几年的中断,震惊粉红色回来了比以前更强烈的,去年3月在布鲁克林独立唱片公司Stars and Letters,惠灵顿 已解散的Black City Lights的粉丝应该知道这个唱片公司,发行了三重专辑《Guilt Mirrors罪镜子》。 这个专辑录音了他2011年基督城地震发生的创伤事件和孤独。

Back in 2004, just a year after Myspace was born, Harte released his debut album Dance, Dance the Electric on Pinacolada Records in Christchurch, a small indie label that housed other well-loved acts such as Pig Out and Tiger Tones. Upon positive reception from NZ and international listeners, the Shocking Pinks signed to Flying Nun and released Mathematical Warfare and Infinity Land in 2005, before ditching the ‘The’ and releasing the self-titled Shocking Pinks in 2007 with New York-based DFA Records, run by James Murphy of LCD Soundsystem.

During the long empty space in between and his explosive return to the scene in 2014, Harte’s debut has become a rare and highly sought after record that is longed for with the same collectable reverence as an ancient museum artifact among his international following of lo-fi bedroom dwelling discopunks.

Murmurs of a re-release a few years back on Flying Nun remained unfulfilled, but now in 2015, Dance, Dance the Electric will be re-released on A Low Hum, with an epic international tour and an awesome live band from Wellington to boot!

在2004年,Myspace创建一年后,Nick Harte以 ‘The Shocking Pinks’ 之名由基督城Pinacolada Records发行了首张专辑《Dance, the Dance Electric跳舞,跳舞电子》,但现在这个小唱片公司和它原来的乐队Pig Out 和 Tiger Tones已经看不见了。这张专辑受到了新西兰和国际听众的高度评价后,他和Flying Nun签约,然后2005年发行《Mathematical Warfare数理战争》和《Infinity Land无限地》。2007年时,他由纽约LCD Soundsystem的James Murphy管理的 DFA Records发行了同名专辑《震惊粉红色》。

从他长期的潜伏到他2014年爆炸的归来,他首张专辑《Dance, the Dance Electric跳舞,跳舞电子》已经成为一张十分稀罕的被国际迪斯科朋克粉丝渴望着的唱片,收藏价值就像一个古代的藏品。

几年前有传闻Flying Nun会重新发行这首张专辑,结果没有。可是,今年《Dance, the Dance Electric跳舞,跳舞电子》将由在A Low Hum 重新发行,而且震惊粉红色跟他了不起的乐队要去做全球巡演!

Then there were three. Image from A Low Hum.
Then there were three. Image from A Low Hum.

Shocking Pinks live shows have been few and far between in recent years. Last year I was lucky enough to attend the Guilt Mirrors album release gig at Puppies in Wellington (R.I.P). It was an incredible show, with the new Shocking Pinks live band lovingly tossed together with locally sourced ingredients from Secret Knives and a Wellington drumming powerhouse, coming together to form the crunchiest, most perfectly seasoned dish imaginable.

Harte’s crying wails of amplifier feedback swum beneath echoes of bare lyrics decoded from his piles of A4 paper. The Shocking Pinks sound came to life with warm, pulsating bass lines, syncopated cow bell rhythms and razor sharp jazz-precision of the drums.

Both intimate and mesmerising, powerful and confronting, it seemed Harte had completely reinvented his sound and performance style since I first saw him at Camp A Low Hum in 2010. After the show, I immediately set about hunting down the pink vinyl release, eventually tracked down at good ol’ Slow Boat Records.

最近几年震惊粉红色的演出并不多见,所以我去年有幸参加《Guilt Mirrors罪镜子》专辑发行演出在惠灵顿的“小狗”(Puppies)。这个演出棒极了,他新建的现场乐队包括来自惠灵顿的Secret Knives乐队成员和一个又熟知又强大的鼓手。他们三个在一块正合适,像一个很脆爽有完美调味的美食。

Harte的刺穿耳膜放大器的反馈和从几堆纸唱出来的精简歌词融合在一起,夹杂着激情四射的贝斯节奏,切分的牛羚律动和尖锐的鼓点,震惊粉红色的声音就活跃起来了。

这个演出即亲密又迷人,观众面对强大的声场,跟我第一次看到他在2010年Camp A Low Hum音乐节现场时已经完全改变了。演出之后,我马上开始搜索粉红色的黑胶唱片,到底在Slow Boat Records买到了。

Shocking Pinks…Is it shoegaze? Is it lo-fi?

It is dance music. Deliciously hypnotic dance music.

震惊粉红色是什么风格?是自赏,还是低保真?

就是舞曲。了不起的迷幻舞曲。

Can’t wait! See you at the Beijing show.

超级期待,在北京见!

Shocking Pinks NZ/China Tour Dates 2015:

Goodbye, New Zealand! 再见新西兰!

8月28日 Aug 28 – Whammy Bar, Auckland 奥克兰

9月5日 Sept 5 – Puppies, Wellington 惠灵顿

China 中国

9月17日 Sept 17 – Dada (DJ Set), Beijing 北京
9月18日 Sept 18 – School, Beijing 北京
9月20日 Sept 20 – Echo Park Festival, Shanghai 上海
9月22日 Sept 22 – Loft345, Guangzhou 广州

New Zealand 新西

11月27日 Nov 27 – Darkroom, Christchurch, NZ 基督城
11月28日 Nov 28 – Chicks Hotel, Dunedin, NZ 达尼丁
12月   3日 Dec 3 – The Lyttelton Coffee Co, Lyttelton, NZ 利特尔顿
12月   4日 Dec 4 – Barrytown Hall, Barrytown, NZ
12月   5日 Dec 5 – Tim’s Place, Marahau, NZ 玛拉豪

See the full tour dates here on A Low Hum.

情点这里

Electronic Music with Chinese Characteristics: Interview with Howie Lee

It’s 1.23pm and Howie Lee has just woken up. He’s in Taipei right now working on his debut album, following a mega productive few years for this Beijing beat producer, producing a swag of EPs, party starting with his collective Do Hits and receiving sub woofing kudos from the likes of Gilles Peterson and Brainfeeder for his unique brand of guzheng, 808, bong-infused Chinese bass. Jah!

Kiwese spoke to Howie through the magic of WeChat voice messages ahead of his show with MIST in Chengdu. image

KIWESE: Hey Howie, you’ve decided to work on the album in Taipei instead of at your studio in Beijing?   Continue reading Electronic Music with Chinese Characteristics: Interview with Howie Lee

Quit punkin’ around: Interview with John Lake

What happens when a Wellingtonian photographer resides in Beijing for three months with a camera, no Mandarin and a passion for punk music?

Kiwese caught up with John Lake of Up the Punks down at his current BEIJING DAZE exhibition in Newtown.

IMG_6522

Hey John! Favourite punk bands in Wellington at the moment?

The Johos, Johnny and the Felchers, Awkward Death.

Where did your interest in punk stem from?

I grew up listening to punk. Wellington had quite an active punk scene in the 90s that was all about participating – kids putting on gigs, starting their own bands, playing at a community halls instead of bars; people making their own magazines and releasing their own tapes. For me, that was always the main appeal of it, an act of community culture that you could participate in, not something you had to buy into.

How did Up the Punks first get started?

Up the Punks began during the end of the 90s, early 2000s. I was doing design at Wellington Polytech and was interested in how there was a whole different generation of kids coming through – which got me interested in how that generation interpreted different bands and ideas, so I started building an archive of my own photographs. There is a lot of documented material about overseas punk that we are familiar with, but there hadn’t been a published history of punk in Wellington, a scene that went back to the late 1970s. A lot of the music would be independently released on tapes, sit in people’s collections and eventually degrade and disappear. I just do it in my free time – I work full time in a dead end job.

Where did the idea come about to go to Beijing last year?
Asia New Zealand and the Wellington City Council were putting out proposals for the Wellington Asia Residency Exchange and they were interested in projects that interacted with the local community. So I chucked together a proposal and said this is what I’ve been doing for ten years, I want to see what the cross cultural interpretation of punk is and create a NZ interpretation of Chinese people interpreting a ‘Western’ cultural paradigm. I handed the proposal in on the last day and was quite surprised when they accepted it.

Unregenerate Blood 2nd CNHC Festival, September 7, 2013. Mao Live House, Beijing, China.  Photo courtesy of John.
Unregenerate Blood, 2nd CNHC Festival, September 7, 2013. Mao Live House, Beijing.
School Bar. Photo from John.
Another night at School Bar.

Beijing was your first foray into scenes outside of Wellington, how did you manage to get involved with it?

I went over and basically hung out for three months and followed the same model as Up The Punks by just going to gigs, meeting as many people as I could in that time with my limited ability to communicate with them. The thing I was interested in the Wellington punk scene is not to present it as a wacky subculture of people doing things, it is more of something to participate in and document and build it. So going over to Beijing I was very conscious of a number of documentaries that had come out since the 2000s like Beijing BubblesBeijing Punk and Wasted Orient – there is this dialogue which goes alongside them, where a Western reporter comes in and is like “Wow! Isn’t it crazy that they have punk in China?” For me it was more about meeting people and trying to set up a collaborative thing, rather than being a fly on the wall.

As capital cities, are Wellington and Beijing hubs for punk music to converge?

I guess Beijing and Wellington both have more established reputations as being centers of culture and politics together. People don’t talk about Shanghai or Auckland in ‘go check out the culture’ kind of way. Wellington is all a nice little compact city, and it also markets itself as a cultural center, which Beijing does as well. As political centers, I guess it attracts a lot of people who are interested in the arts.

Discord at Old What Bar, October 31, 2013
Discord at Old What Bar, October 31, 2013
Johnny and the Felchers, performing at Black Coffee for the Beijing Daze launch.
Johnny and the Felchers, performing at Black Coffee for the Beijing Daze launch, April 2014.

What kind of approach do you have towards exhibiting?

A lot of the process over in Beijing was documenting and gathering information on things. The exhibitions I have in the past have tried to move away from the traditional frame of portraits and gallery space – so they have been done in community spaces as opposed to gallery spaces. Black Coffee, which is run by Johnny from Johnny and the Felchers, has a retro punk aesthetic and following, so it is a good space for this exhibition about Beijing punk. I wanted to mirror what I did down at Dirty Monsters Club in Tongzhou – where I exhibited a range of photos of the Wellington punk scene. They are still up on the walls there, a good four months later.

Wellington punk photo exhibition at DMC, Tongzhou, Beijing. Photo courtesy of John.
Wellington punk photo exhibition at DMC, Tongzhou, Beijing.
Beijing Daze @ Black Coffee
Beijing Daze photo exhibition at Black Coffee, Newtown, Wellington

What interested you in taking Up the Punks to China?

I’d been following a lot of documentary photo essays and things like this about the rise of punk in Asia in general, from Burma, Indonesia and Thailand, with all of these punk scenes that did not exist more than ten years ago. They are all distinct in their own way and there is a lot of music coming out of there. It is not just a case of Asian cultures taking a Western cultural genre and copying it, the music is always getting its own dialect and its own spin.

How did you see those influences being reworked in China?

Its not just that they are getting the material, it is arriving in China in a different way than when first generation punk music turned up in New Zealand during the 70s, where it would take three months for records to be shipped over, or just a newspaper, to get over here. In China, they got a compressed thirty years worth of punk music all at once, so they are interpreting things in a different way.

Hell City at Old What Bar, 31 October 2013
Hell City at Old What Bar, 31 October 2013

You set up an Up the Punks kiosk at Changying BHG Mall, how did that go down?

The aim was to do nothing more than confuse people with random information about New Zealand, an obscure side of New Zealand that a lot of people wouldn’t either know or care about. I got Sochu Legion 烧酒军团 to come down and play – they were one of the first bands I saw in Beijing and they played all the time. They had a real sense of humour and a style of punk that is similar to what I like in Wellington. I’m not sure if they understood what was going on – we were coordinating through this big phone chain because I had no Mandarin and they had very little English. They were really nervous when they turned up and the set up was in a mall with a bunch of aunties and random mall-goers gathering round to watch.

Check out the GREAT MALL OF CHINA video here, where punk rock meets unsuspecting locals.

Changying Mall
Changying Mall

How did you feel the anti-establishment attitude associated with punk played out in Beijing?

There is a kind of chilling effect with the political censorship situation in China. Whereas in Wellington, we have a very active engagement with political ideas in punk. Over there, some of the bands are singing songs about various issues, but I didn’t experience the kind of hard-left anarcho punk scene that has existed in the West since the 80s. I was told there is a three-tier warning or demerit system they have, where if you are on the third tier you are basically one step away from getting into some serious shit. But punk is not the only voice of dissent in China, and maybe it’s an ineffectual or futile one. Punk provides a means by which people can complain, but is not the only place where people will say they are pissed off at the Government or pissed off at work or pissed off at whatever. It’s just one language.

Old What.
Old What Bar.

How do you feel the scene there responds to the political situation in China?

The Chinese Government seems to have bigger things to worry about than teenagers singing songs about stuff. There are issues going on. I was over there during the attack on Tiananmen Square in October. A dude I was meant to be interviewing was like an hour late because all the traffic had shut down in the area – all he could tell me was there was a plume of smoke rising over the Forbidden City. It was all going up on Weibo but the posts were getting deleted straight away. At some point Chinese society is going to have to address these ideas because people are becoming more informed. There is more invested wealth in the country and people are going to want to have a voice. When you’ve got the latest corruption case with that dude from the military who has embezzled like six billion dollars, people are gonna see this stuff and say ‘we are being taken for a ride.’ That’s how you would feel in the West if you saw this stuff going on.

The Flyx, DMC, October 5, 2013
The Flyx, DMC, October 5, 2013

What did you enjoy about China?

The energy and the buzz of the place. Wellington is great and everything but it can get a bit sleepy if you’ve been here for a long time. It’s the first time I’ve been to anywhere in Asia, so it was interesting to go somewhere where I didn’t really speak the lingo. Everyone there seemed very friendly. The food was really awesome – I got really into hot pot. It was all pretty luxurious staying on a three month paid for holiday, where the whole thing you’re doing is just to go hang out in bars for three months.

You were spending a lot of time with the local bands and people at gigs, did you pick up any Mandarin?

Uhh.. “Wo bu hui shuo zhongwen.” [‘我不会说中文’ ‘I can’t speak Chinese.’] I said that a lot. “Ni hui shuo yingyu ma?” [你会说英语吗? ‘Can you speak English?’] The guys from Unregenerate Blood gave me the name Hu Yuehan 胡约翰, which means John not of the Han.

Old What Bar
Old What Bar

How did you go about conducting the interviews?

You can always find somebody who has a limited amount of English. The interviews – were really difficult. In a lot of cases I’d find one person with a limited amount of English and get them to ask the questions in Mandarin, then I’d try get them to provide a basic idea of what was said. There was opportunity to take a translator out with me through the residency, but it was financially too much of a burden, and some weeks I’d be going to six gigs a week and staying out in town till stupid hours of the morning. I had a translator for the first day at the anarchy mall kiosk who was obviously not getting why any of this was going on.

Up the Punks, China issue zine
Up the Punks zine, Issue #1, China Syndrome.

How did you go about compiling the bilingual China issue of the Up the Punks zine?

I waited till I came back to Wellington to send all the audio from the interviews over to the translator, who then translated it from to English and produced the written Chinese transcriptions. I have no idea what the Chinese says, hopefully it wasn’t all just run through Google Translate. I’d like to get some copies over to some people in China who have been asking for some. I’m interested in doing one every three or four months with issues about the Up the Punks projects. The zine is a good opportunity to pile them together online as a PDF and in a print version. I’d like to curate the material into something a bit more cohesive like the China issue.

Hard copies!
Hard copies!

Is there more China on the cards at all?

I’m hoping to go over there later this year, this time with local band the All Seeing Hand. They are gonna be working with Tenzenmen and going through Australia, South East Asia and China around October, or maybe even as early as July. I want to go through and document it with them, with the idea of producing a touring guide for overseas and New Zealand bands in China. It could cover the costs for experimental or punk bands from China to come over and play some festivals or something. Touring would be a good way to make some contacts and get a decent grasp on what’s going on outside of Beijing. Hotpot Music seem to be very busy with promo for bands coming through China at the moment.

ALL SEEING HAND. From their Bandcamp.
ALL SEEING HAND. From their Bandcamp.
Black Coffee. Open till 3pm.
Black Coffee. Open till 3pm ish.

The UP THE PUNKS archive of Wellington punk music which stretches back to the 1970s is online here.

Check out the BEIJING DAZE exhibition down at Black Coffee in Newtown!

Many thanks to John for sharing some of his photos from Beijing and Newtown.

Verrrry much looking forward to seeing the All Seeing Hand buzz people the fuck out in China this year. To be continued…