Tag Archives: Orchestra of Spheres

2017年4月4日|百鬼夜行 100 SPIRITS

100 SPIRITS draws near. In the dark night of Tuesday 4 April, this beastly display of souls will be unleashed!! For one night only, the ancient tomb of Jah Bar will mutate into a crazed crypt crawling with ghosts, as the stage alter is graced by five of Chengdu’s most forward-thinking and innovative live acts.

Behold, the princely masters of SPLORTCH SELECTOR will kick the night into gear with a psychedelic mash-up of robot synthcore and chunky prog basslines, enslaving you into either your greatest dream or worst nightmare.

Splorge Selector_sm
Splortch Selector at Blah Blah #003 @ NU SPACE. Dave (bass), Michael (guitar, programming). Photo by c2.

I dare you to Google the word ‘splortch.’ I double dare you to see what that word means when it is turned into a electro-prog-rock-synth-fused musical project.

I first met Michael, the band’s mastermind at Aus-atmen last year. He was one of the last people to leave and partied right through till the soggy rain drenched mud fest of Sunday afternoon, just before the cops came. From then on, I knew he was one of the good ones. He also played guitar and was making beats on his laptop. Since those humble beginnings and a killer set at Blah Blah #003, this bedroom music project has evolved into the three-piece live monstrosity SPLORTCH SELECTOR, which will explode on Jah Bar this Tuesday. What can we expect from this band? Word on the street is their singer is going to throw up on the audience. Get in.

THE HORMONES.jpg
The Hormones L-R: Xiaoxue (guitar), Zhu Mengdie (vocals), Juan Juan (drums), Ming Ming (bass). Photo courtesy of The Hormones.

After a long hiatus from performance, the celestial sisters of cellular synthesis THE HORMONES are back for their highly anticipated return to the mortal world! Blasting their infectious brand of electro dance rock, prepare to have these synthesized hormones secreted directly into your blood.

It must’ve been September of 2015. This super badass chick walked into the old Morning Bar 早上好 with a bunch of fliers. “这是我的乐队,” she said, handing me a flier and sitting down to light a cigarette. THE HORMONES – CHINA TOUR 2015. This is how I met Ming Ming – and I immediately liked her.

The Hormones are a collective of likewise badass chicks who rock seriously uplifting dance music and quite simply do not give a fuck what you think. Wisps of Karen O, The Yeah Yeah Yeahs and Foals, delivered with pure power and precision. They are such an important band and I am so excited to see them play on Tuesday night, their first Chengdu show in over a year!

ming
Ming Ming at the old 早上好。2016. Photo by Kiwese.

KAISHANDAO will take us deeper into the night with bass heavy drum machine smashing and techno-flavoured frequency modulations, wielding an electric guitar and a mystic mixture of brain-warping effects pedals.

Kaishandao got it’s name from a 成语 that Xiaoxin a.k.a LittleNew, the illustrator behind the 百鬼夜行 100 Spirits poster, messaged to me several months ago. She’s fond of a good 成语,but I often have to look them up in Pleco. A not-so-long story short, I came across the word 开山刀 and it just clicked. I love it’s simplicity paired with brutality, the symmetry within the characters and the unified first tone throughout.

kaishandao Hwg edit.jpg
Kaishandao live @ HWG Chengdu. March 2017. Photo by Zhao Haha.

“Do you think Kaishandao would be a good name for my music?” I asked.
“Yeah it’s cool! But you’re music will have to be really cutting edge to use it,” she replied.

I’ve been organising shows in China for two years now, but I’ve played guitar since I was 10. I’m not sure Kaishandao is anywhere near as cutting edge as the friends I will perform with on Tuesday night, but for the first time in many years, I am now proud to perform my own original music for an audience, and in what better place than right here in this crazy city that has brought us together from all corners of the world – Chengdu. Bringing together my dual loves of rock and techno, this is Kaishandao.

小图2
Hiperson at Siguniangshan. Photo Courtesy of Hiperson.

As the clock nears midnight, the patron saints of post-punk HIPERSON will materialize for a rare and glorious performance. Known for their fierce vocals, ear-thrashing guitar assaults and thundering rhythmic prowess, Hiperson’s presence will ensure the spirits are well and truly awakened!

hiperson logo
The old Hiperson logo by LittleNew.

When I was a student living in Beijing, I came across a band from Chengdu who had put some demos on Douban. Just several seconds into 《他打定主意做一个游客》and I was completely hooked, put the demos on my iPod and biked around the city listening to them on repeat at full volume for what seemed like days.

That band? HIPERSON. And they are basically the reason I moved to Chengdu.

It was outside the little Little Bar after The Hormones EP release show when I first met Chen Sijiang.
“Uhh ni hao, ni shi Hiperson de Chen Sijiang ma?!”
“Yes, hi!”
OH MY GOD.

screen-shot-2016-06-15-at-12-48-23-am
Chen Sijiang live @ NU SPACE, 2016. Photo by Kiwese.

Since then, they have signed to a big indie label, released their first record, toured the country in a van and even toured Europe. Sijiang shaved off all her hair along the way. Through it all, they have remained 100% humble and dedicated to their music, with a DIY attitude that their heroes Fugazi would admire.

I am honoured to call them my friends, and I am in disbelief that I will play on the same bill as them at Jah Bar this Tuesday. They are the greatest and I can’t believe this is even happening.

蘇su photo 2

Finally, elevating us to the spiritual homeland of techno, SU will provide a digital nerve massage of hard-hitting, Berlin-inspired beats, taking the DJ decks for a rhythmic full body cleanse right through till the early hours.

I can’t remember the first time I met Gogo, but I am almost certain it was over a doob at the old Morning Bar 早上好 several years ago. She asked what star sign I was.

“Sagitarrius,” I said.
“Me too!”
“Cool, what date”
“12月12日”
“ME TOO!!”
“WHAAAAT!!”

We are bound in an inexplicable bond by the astrological power of the number 12. Techno is what she lives and breathes, and each time she returns from Germany, she brings with her a wave of new energy that washes over those who hear her play.

The first time I collaborated with her was for the NUART Festival after party at 早上好 in 2015, where I brought Orchestra of Spheres and Lady Lazer Light for a renegade show and trippy visual installation. She’d just formed atmen with Xiang and had returned from a long trip to Germany. The night culminated with Riki Gooch (Cave Circles) jamming the drum kit to Su’s DJ set with a bunch of greasy shaokao sticks. It was beautiful. Since then, along with Xiang, we’ve played together at clubs and festivals in an improvised manner.

In a way, this Tuesday night is a coming of things full circle with the return of Lady Lazer Light to Chengdu and Su taking the decks for the closing set of the night. She is the spirit that floats the dance floor, let the frequencies set you free.

gogo-kr-chunyou-2016
Chunyou 2016. Photo by 仙人张

Overseeing this ghostly procession is the high priestess of visual overstimulation Lady Lazer Light, who has been summoned all the way from New Zealand. Known for hypnotising her audiences in China with Orchestra of Spheres in 2015, she will be floating through Jah Bar and spraying her kaleidoscopic rays throughout the night!

The first time I experienced a Lady Lazer Light show, I can say with utmost certainty that everyone was tripping on acid. It was the closing set of Camp A Low Hum 2012 and Thought Creature were playing on a stage that had materialized out of nowhere. Hypnotic mirroring of hot pink gorillas and dancing Indian women scattered across the screen, amplifying the psychedelic drone of guitars and synths, and sending the remaining punters into that special state of mutual derangement which is so often reserved for the last night of music festivals.

Kiwese and sklen
Lady Lazer Light and Kiwese. Dali, Yunnan, China, October 2014. Photo by Mani Dunlop.

“Woahhh, this is buzzy,” I uttered to no one in particular.

The first time I actually met her was on the Orchestra of Spheres China tour, while she was on an art residency in Beijing. This month she returns to Chengdu, on the back of her second residency at Red Gate in Feijiacun, Beijing, and we are so excited!! Sklenars is our distinguished guest, a total party animal, the queen of buzzy visuals, and we are beyond privileged to have her grace Jah Bar on Tuesday for an all out audio-visual assault of the senses.

Kindred spirits, the time is nigh to sweep the tomb of your wardrobe and unearth your most GHOULISH garb for an unforgettable night of genre-bending audio-visual madness not seen before in these lands. Abide by the ghosty dress-code and be part of the movement! We beseech you, this is a night not to be missed.

2017.4.4 百鬼夜行 海报_smal

This show is possible due to a culmination of great friends, an incredible local music scene and the desire to create an unforgettable moment in Chengdu music history – a night of barely contained mayhem in one of the most legendary and long-standing venues in town. It exists beyond the confines of genre, background, label, or any of the noise that can get in the way of what is truly important – the music.

2017.4.4

JAH BAR CDC

100 SPIRITS IS LIMITED TO 100 TICKETS!!

80RMB

TICKET LINK:
http://zaomengshe.com/c/654983

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Favourite Releases 2016

The other day, while sunbathing on the lawn of a Melrose flat, my friend and I began thinking about the diminishing human element involved in post-internet music consumption.

When I was at high school, I basically lived at Slow Boat Records and Real Groovy – music havens where I’d browse for hours, listen to CD posts, purchase records, get recommendations from staff, find out about new releases from posters in the window, pick up gig guides and buy tickets to upcoming shows.

I remember getting up at dawn to bus into town and be amongst the first to hear Stadium Arcadium the day it was released in New Zealand. I remember staying overnight outside the ticket booth, flanked by fans draped in sleeping bags, eagerly waiting for sales to open for their first Auckland show. This was about ten years ago now.

Nowadays, you can be a fan without ever leaving your front door. With the exception of buying The All Seeing Hand’s Sand to Glass on vinyl at the door of their album release show, I bought all this year’s featured albums online, without even talking to a single person.

The internet means accessibility has grown but human contact has reduced. But the creation, sharing and consumption of music is still an immensely personal thing. These albums create the soundtrack to so many aspects of our lives, they speak to our own experiences or the experiences of others and make us feel things more deeply. Let’s continue to feel, express ourselves and connect with others.

I’m so thankful to all these artists for producing these works and sharing them into the world, where they can be shared and distributed in an instant across the globe.

In no particular order, here are Kiwese’s favourite releases from New Zealand and China in the Year of the Monkey 2016.

Header Illustration: Ali Pang


The All Seeing Hand // Sand to Glass

(MUZAI)
Wellington, NZ

The All Seeing Hand finally gave birth to Sand to Glass in December and oh yesyesyes, it has been worth the wait.

In their first album to feature predominantly English lyrics, Sand to Glass showcases Marks’ politically pertinent wordsmithing, encased in industrial metal clanking by drummer Ben Knight (Rogernomix, Unsanitary Napkin) and those trademark, turbo charged electronic power ups from scratch master Alphabethead.

It is perhaps their most ‘pop’ record to date, if The All Seeing Hand could ever be considered so, with tracks like Lizard Brain and Swarm standing out as previously released singles and indicating a shift away from the more abstract compositions of Mechatronics (2013) and Fog and Debris (2014) and towards a tighter sense of songwriting.

Listened to this on repeat while biking through the smog of Chengdu, the soundtrack to this environmental apocalypse.

Favourite track: Dog Eat Dog


Hu Yang //  Xu Huai Ruo Gu

(Be Sure)
Beijing, CN

My friend Liu Xing introduced me to Xu Huai Ruo Gu earlier this year and I was immediately hooked. Released digitally on the Berlin/Shanghai techno label Be Sure, which is home to brilliant offerings of mixtapes from artists such as Art’s Difficult (ELVIS.T) and Shanghai techno queen MIIIA.

Formerly known as NiChiFanLeMei, this Mt. Emei born Beijing-based producer creates a kind of brutalist, no nonsense techno – all muscle, no fat.

Possibly my most listened album of the year, suitable for furiously bike riding to a destination or scrubbing the kitchen and getting that shit clean as hell.

Favourite track: Restricted


Orchestra of Spheres // Brothers and Sisters of the Black Lagoon

(Fire Records)
Wellington, NZ

FIRELP430 Death And Vanilla - EP LP SLEEVE

Brothers and Sisters of the Black Lagoon is a psychedelic serving of tunes, many which have been part of the Spheres mind-melting live set for the past few years.

Their knack for combining the everyday with the otherworldly is evident throughout the album: Let Us Not Forget, an eerie prayer of reminders before leaving the house, the intensely danceable South East Asian inspired jam Anklung Song and their fast-paced Zombie Zombie cover Rocket #9.

Bubbling with sounds both organic and electronic, voices both chanted and spoken, influences both local and extraterrestrial, Brothers and Sisters of the Black Lagoon is a tasty, special brew from my favourite band of Wellington weirdos.

Favourite track: Anklung Song


Duck Fight Goose // CLVB ZVKVNFT
押打饿《未来俱乐部》

(D-Force Records 大福唱)
Shanghai, CN

Duck Fight Goose have teamed up with producer Lv for this smashing record on D-Force, their first release in four years, the soundtrack to interplanetary cyborg dancefloors.

CLVB ZVKVNFT is bursting with imagination and inspiration, combining elements of breakbeat, acid house, synth pop and techno into a cohesive string of 12-tracks. Busy yet uncluttered, frantic yet disciplined. A triumph.

Favourite track: 《马》


Unsanitary Napkin // Patriotic Grooves

(Zero Style, Always Never Fun, Limbless Records)
Wellington, NZ

FASCIST VOLCANO
SPEWING
MOLTEN SHIT

Patriotic Grooves is a fast and furious fuck you from Wellington punk trio Unsanitary Napkin, formed in 2015 and fronted by guitarist/vocalist Hannah Salmon a.k.a. artist Daily Secretion, who is well known for her zines, gig posters and album art in collaboration with other Wellington-based bands.

The 12-tracks of the album are punctuated with broadcast radio beeps and sound grabs from white, male New Zealand politicians and media identities. Incredible, machine-gun-like drumming from Ben, who forms a blistering rhythm section with Rupert on bass.

As the album’s defining image of Donald Trump being annihilated by a rainbow beam from a winged vagina (the sticker version shaped like a sanitary pad) would suggest, Patriotic Grooves is comprised of vaginal blasts of anarcho feminist anger directed towards the chauvinistic and conservative peaks of society.

Brief and intense.

Favourite track: Feminine Odour


iimmune // Abnormal

(D-Force Records 大福唱片)
Beijing, CN

Melodic, dramatic and emotional. Thoughtful compositions reminiscent of Four Tet and Aphex Twin, Abnormal is the beginning of Bobo’s metamorphosis from film scores to dancefloor ready techno.

Keep an eye on his electronic label Prajnasonic and stay tuned for next year, when the bass will drop.

Favourite track: 鲸鱼-


So Laid Back Country China // Sin Cristales

(Self-released)
Wellington, NZ

“I’m too busy drinking / all of the time”

In September, I found myself sitting in the bath tub of a five star hotel in Auckland, up to my tits in hot water and drowning in anxiety. Like my mind was smashing itself into the ground, stuck in a violent wash cycle of negativity, trapped underwater in a swimming pool covered by an immovable tarpaulin. I felt like I was going to rip my own face off.

Sin Cristales brought me back to earth, having articulated such emotions to great effect. Grateful. xx

Favourite Track: Ballad of Calm Arms


Yue Xuan // Entrance & Exports
岳璇《Entrance & Exports》

(Mo Records)
Beijing, CN

Entrance & Exports is a remix of Yue Xuan’s beautiful piano album In & Out from 2015. Bringing together producers from around China such as MHP, Broken Thoughts, Hong Qile, iimmune and Cvalda onto one impeccably well-crafted compilation (which was initially available as a free download on Douban), the remixes span Minimalist, Post-Rock, Drum & Bass, Techno, Glitch, Drone, Hiphop, Experimental, Ambient and IDM, bringing a whole new electronic take on the original.

Entrance & Exports and accompanying national Remix Tour is a fine example of how this young composer is utilising the resources and connections around her to produce something new and exciting.

Favourite Track: Nine of Swords (Cvalda Remix)


Mermaidens // Undergrowth

(Flying Out)
Wellington, NZ

Mermaidens have come a long way since those first acoustic demos four or five years ago, with Undergrowth released in March establishing them as a staple of the Wellington indie scene.

Enchanting mermaids conjuring “dark witch rock” from the dense scrubland is as psychedelic as it sounds – lurking with hidden dangers, the title-track Undergrowth gradually flows from a slow and dreamy creek into a thrashing, rocky river, a structure many of the songs take on the album. There’s certainly something of the occult about these mermaids, whose reverb drenched vocals often take form in first or second person: “I’m a corpse on the beach / I’m a thing / send me out to sea,” pulling the listener deeper into their imagined natural world.

The undergrowth is a mysterious place barbed with the grit and sharpness of gorse, as well as the strength and unruliness of deep roots. Look forward to new material in 2017.

Favourite track: Under the Mountain II


DOC (Dalian Obscure Club) // Northern Electric Shadow
DOC 《北方电影》

(D-Force Records 大福唱片)
Dalian, CN

There’s something in the water up in Dalian…

I hadn’t even heard of the Dalian Obscure Club until copies of Northern Electric Shadow turned up on CD and vinyl at NU SPACE.

The power of crashing waves, the fluidity of rising tides, the delicacy of swirling rockpools – this is understated, beautiful ocean-inspired math-rock. A fresh breeze of sea air!

Favourite track: 加百利布吉 Gabey’s Boogie


Males // None the Wiser

(Fishrider Records)
Dunedin, NZ

A burst of sunny South Island power-pop. The long-anticipated follow up to their debut MalesMalesMales in 2012, None the Wiser is full of so many bright, catchy riffs and uplifting falsetto parts that wearing sunglasses should be listed as a prerequisite for listening. A set of wonderfully crafted guitar songs.

Favourite track: Chartreuse


The Fuzz // The Root of Innocence
法兹乐队《童心之源》

(Maybe Mars 兵马司)
Xi’an, CN

This upbeat, chorus-soaked indie rock record is possibly the most Maybe Mars-y Maybe Mars release to date – you just know Yang Haisong has been here.

The audience were quietly bopping along when The Fuzz came to Chengdu on their enormous album release tour in early 2016. Then when Sijiang from Hiperson came out to help them sing《控制》, the crowd exploded with cheers and turned into a sea of moshing bodies, it was beautiful.

Favourite Track: 《控制》


Peach Milk // Finally EP

(Self-released)
Auckland, NZ

Peaches and cream are my favourite kind of lollies. So perhaps it is inevitable that I would be into this new young Auckland producer, who dropped her first EP earlier this year. Peach Milk’s music sounds like her name would suggest – sweet and smooth.

Look forward to her sound evolving in the new year.

Favourite track: Heretic


yourboyfriendsucks! // Episode 1
yourboyfriendsucks!《第一季》

(QiiiSnacks Records)
Guangzhou, CN

Six-tracks of candy-coated indie-pop from our Cantonese speaking friends yourboyfriendsucks! Opening with a tribute to Just Like Honey by the Jesus and Mary Chain, how can I not love this? Surprisingly clean production for QiiiSnacks Records (formerly Full Label), known for their DIY lo-fi recordings.

Perhaps the biggest travesty of 2016 is the dissolution of ybfs!, as the lead singer Zoey has moved to Europe to study. Episode 1 is in fact the final episode. Boo!

Favourite track: Stay or Stay Away


Higher Brothers // Higher Brothers Mixtape
海尔兄弟 // 《海尔兄弟》

(Self-released)
Chengdu, CN

higher-brothers-mixtape-cover-art

“来嘛来嘛来嘛差一位 ~ ”

Perhaps I’ve included Higher Brothers Mixtape here more for their impact rather than my own personal taste, but their skyrocket to fame and influence on the local scene this year is certainly noteworthy. If Fat Shady put Chengdu hip-hop on the map, Higher Brothers CDC rappers Masiwei (马思唯), Dz, Psy.P and Melo, have dabbed themselves to the top and become one of Chengdu’s, if not China’s most iconic hip-hop acts.

This 19-track offering is a searing blast of arrogance and attitude delivered in a mix of lightening fast Chengduhua and American slang. Whether or not elongated trap beats are your thing, or that each track repeats the chorus about five times, tracks like 《野猪儿》 and 《尴尬》 have attained anthem-like status and established hip-hop as the biggest sound in Chengdu.

Now managed by Asian hip-hop agency 88 Rising, Higher Brothers have taken Chengdu hip-hop to an international level of “worldwide shit.” As collaborations with international artists such as Harikiri, Charlie Heat, Bohan Phoenix and J.Mag roll in, I look forward to their sound maturing more in future.

HIGHER.

Listen on Xiami.

Favourite track: 《尴尬》


Commended:


Singles:

  • CA1XR //  爱在一方(Future Disco V.I.P)
    Chengdu, CN

  • Cut Off Your Hands // Hate Somebody
    Auckland, NZ

  • Womb // Feeling Like Helium (demo)
    Wellington, NZ

  • Hiperson // 追和等
    Chengdu, CN


Next year we can look forward to…

Debut record from Chengdu indie babes The Hormones, the sophomore album from South Island songstress Nadia Reid, something trippy from Beijing no-wave masters Chui Wan, minimal techno stylings from atmen, the debut record from Kunming electro-punk wastrels South Acid MiMi Dance Team, potentially music from new Maybe Mars signees Lonely Leary and Dream Can  perhaps even something from those mysterious Dunedin-based creatures Elan Vital and Kolya

Beijing Noise Rockers Head for Chengdu: Interview with Lonely Leary

Lonely Leary are a Beijing-based three-piece post-punk/noise rock band from Shandong. They incorporate fast drums, muddy baselines and rough guitar noise in a pursuit to create a relatively violent sound. 

NU SPACE has invited them to Chengdu to play a show this Friday 10 June with local favourites Hiperson!

Kiwese caught up with the band members Qiu Chi 邱驰 (bass/vocals) Song Ang 宋昂 (guitar) and Li Baoning 李保宁 (drums) to find out more… 

Lonely Leary photo

Back in 2012, three college students entrenched in boredom were practicing their instruments alone in the secluded district of Changqing, Jinan. Initially the band set about covering a few simple punk songs, as well as post-punk bands such as Joy Division. They adopted the name “Lonely Lili” while playing spontaneous rock shows on campus. Later due to job changes and academic activities, the band was suspended.

In 2014, all three members moved to Beijing and Lonely Leary was reborn, trading ‘Lili’ for ‘Leary,’ a tribute to Timothy Leary, the creator of LSD. With a new name in a new city, the band began rehearsing and writing songs in pursuit of their own punk-oriented style. During the summer of 2014, the band performed prolifically at School Bar, XP and other rock clubs, gradually gaining a small and loyal following within the grungy confines of the Beijing underground.

I took a 19 hour train ride from Chengdu to Beijing last September for two reasons: see the first stop of the Shocking Pinks world tour with Wellington-based independent touring label A Low Hum and pick up Orchestra of Spheres for their epic China tour with Lady Lazer Light.

The Shocking Pinks show took place at the notorious hutong dive School Bar and was supported by two local acts – one of them was Lonely Leary, and they totally kicked ass. Scatty basslines, frantic drumming, possessed vocals, screeching guitar… A week later, I saw them play again at Temple Bar. Again, excellent.

Beijing has provided the Shandong-born trio the perfect environment in which to hone their songs and their live performance, with what seems like endless bars and livehouses to play at on a regular basis.

NU SPACE is proud to present LONELY LEARY, the post-punk/noise-rock trio tipped by critics as the most exciting new band out of Beijing this year.

lonely leary school bass
Playing support for Shocking Pinks. 18 Sept 2015. Photo by Kiwese.

KIWESE: You guys are from Shandong. Can you describe what Jinan is like for those of us who don’t know?

SONG: Changqing is basically a beautiful place. I think it’s more suitable for old people rather than youths to live there.

QIU: There was originally a village or wasteland. You know, the university and college downtown couldn’t take so many students after enrolment expansion over the years, so the government transformed the villages into campuses and sent a large number of students there. The campuses are isolated by mountains and we have to take illegal taxis to go to other places. There is also a commercial center with many low-cost shops, stalls, internet bars and small hotels for lovers.

Music hobbyists can learn to play guitar and drums in some instrument shops. They used to form bands and cover “Beyond”. There were over a hundred Beyond cover bands I think.

LI: The first time I met Song Ang he was playing guitar in a cover band in an instrument shop. He hated the songs they played, so we began to play together while learning our instruments. Qiu Chi joined us after graduating, then we became a trio and began to cover some punk bands. Our playing technique was poor then.

You started out covering punk bands. What were some of the first songs you covered?

Under Baby, Joyside and Ramones. Including some “punk songs” by Hedgehog.

What is up with the drummer situation?

We have some drummer adjustments recently. Wang Jianan played drums for the last half of the year. She is a student at Beijing Film Academy with a good sense of drum playing. She created many amazing drum riffs in new songs. The only problem she has is technique – it’s a little hard for her to play the fast songs perfectly live and in recording, after all, she hasn’t played for that long.

So she will study and practice the basic skills and techniques, and the original drummer Li will take the place of her at present. Li plays fiercely like a drum machine.

Li Baoning on the drums at XP. Image from XP's Douban.
Li Baoning on the drums at XP. Image from XP’s Douban.

You moved to Beijing in 2014, how does the city influence your music?

QIU: I simply took playing in a band as pastime in Shandong. At that time, I didn’t know much about making music as an amateur. After graduating and being in Beijing in 2012, I separated from them because they were still in Jinan. I think Lonely Leary was about to dissolve then. However, I saw lots of lives in Beijing and was attracted by its dynamic rock’ n roll atmosphere. There are so many fresh bands who studied and vied with each other – they created the scene together. I was encouraged by them and got the enthusiasm to continue Lonely Leary. Then the other guys came to Beijing soon after, so I had no excuse to stop the band any more.

SONG: I think Beijing is a high-speed city with bad environment and people here are restless. I knew nothing about the city beside music before I came here. I didn’t know what to do then and always felt anxious and confused. In fact, three of us all get this feeling and deeply affected. The violent sound of our music has close connection with the situation. Sometimes the bad moods also get the band into trouble. That’s terrible.

LI: Beijing has more bands and lives than I had ever known in college. You know, most bands in Jinan are metal and pop, as well as some folk singers. However, in Beijing, there are many bands whose temperaments are quite same as us, especially in XP Club. I can learn from them at close range. At the time, I thought I would die without regrets if I could perform in XP, ha-ha!

2015.01.24 China Lonely Daydream Night Lonely Leary in XP. Image from XP's Douban.
2015.01.24 China Lonely Daydream Night Lonely Leary play at XP. Image from XP’s Douban.

Tell us about the new album, how is that coming along? Where are you planning to record it? Will you release it independently or with a label?

Qiu: Making an album has been our dream for a long time. We decided on it at the end of last year as we think we have enough songs now. In fact, we didn’t think too much on writing songs at first, no uniform style or concept was carried through. Many songs didn’t sound the same because they are written in a different period. It really troubled us then! So we tried to preset a theme for the album to keep our creation in a controllable range. It makes the new songs clearer. We also changed some old songs based on our preset concept. Some old songs have been abandoned.

SONG: Some of our songs have been in an indeterminate state for two years before we reached our preset concept. Fortunately, they finally morphed into the shape that we’ve described in our introduction.

LI: Our demo recordings are very simple. We used an iPad to record and mix to get the finished product that you hear on Douban. They have no details or good tones, just a standard of “clear enough to hear.”

Our ignorance towards “real recording” caused this undesirable lo-fi sound. Now we are learning and rehearsing a lot to be ready for the formal recording. Then we probably try to contact labels which are reliable and have interest in us.

You play fairly regularly in Beijing. What are your favourite venues to play?

SONG: We all love XP Club. We can often perform with the bands we like there. I prefer to Old What after XP closed. I feel comfort in its simple and rough environment.

QIU: I would like Old What better if the sound is improved. I like School Bar most now.

LI: We used to play XP a lot because it was close to where we lived. Now we go to School Bar most often.

XP. Image from XP Douban.
XP Club. Image from XP Douban.

Who are some other bands you really like in Beijing at the moment and why?

QIU: We all like P.K.14 and Snapline. Alpine Decline is my recently favorite.

SONG: I like Alpine Decline as well. I also recommend Death Narcissist and Bedstars.

LI: I like Re-TROS and Supermarket, also Dr. Liu and the Human Centipede and Soviet Pop.

Your music reminds me of Joy Division and The B52s, as well as more recent bands like Thee Oh Sees and Re-TROS. What bands have had the biggest influence on you?

QIU: David Bowie, The Velvet Underground, Joy Division, P.K.14 and Sun City Girls have a deep ideological influence on me. SavagesMars, DisconcertsSleaford ModsMika Miko are my favourites recently. I love their basslines.

SONG: I recommend A Place to Bury Strangers for their destructive lives, firm basslines and manic guitar noise. Sonic Youth brings me inspiration on playing guitar, I’ve learned their tuning and tone a lot. I also like the teen spirit sound of Big Black and Spacemen 3’s psychedelic guitar.

LI: Old post-punk bands like Joy Division, Sort Sol, Talking Heads have influenced so many people for their tension of contradiction.

Have you come to Chengdu before? What impressions do you have of this place?

QIU: I went four years ago. I think People’s Park is a funny place and I love “LengGuo ChuanChuan”.

LI: I went last year. I didn’t go to too many places, but I think some temples here are very good.

SONG: I have never been to Chengdu. I think it may be a wet place.

Anything you want to say to people coming to the show in Chengdu?

QIU: All I want to say are painted on the poster. Really fantastic design ha-ha!

LI: Hi, Person!

SONG: We are three plain dealers from Shandong. Welcome to come and see us!

Lonely Leary’s alcohol of choice?

QIU & SONG: Jingjiu. Absolutely!

Li: I prefer pineapple beer.

Welcome to Chengdu, thanks guys!

We’ve never been out so far for a live show before. Thanks NU SPACE for inviting us!

Hiperson Lonely Leary poster

WHEN:
Friday 10 June 2016
Doors: 8pm
Lonely Leary: 8:30pm
Hiperson: 9:30pm

WHERE:
明堂创意工作区·NU SPACE
成都市青羊区奎星楼街55号
NU SPACE, MiNTOWN Studio Community
55 Kuixinglou St, Qingyang, Chengdu

TICKETS:
Pre-sale: 60RMB
Door: 100RMB
http://www.zaomengshe.com/c/325233

们可以给我们介绍济长清是一个什么样的地方吗?

宋:长清是一个山清水秀、环境优雅的地方。适合养老,不大适合青年人居住。

邱:其实这里原本是村庄或荒地。前几年大学扩招后,市区里的学校装不下那么多学生,于是偏僻的村庄就被改造成校园,大学生们都被送到了这里。大学被山隔开,各自孤立,出行要靠黑出租。中心地带有唯一的一个商业区,非常热闹,分布着许多商店、地摊、网吧和家庭旅馆,都特别便宜。这里也有几个琴行,教音乐爱好者们弹吉他或打鼓;他们其中有的学成了就开始组乐队,以翻唱Beyond乐队为主。大学城里应该有过上百支Beyond翻唱乐队。

李:我第一次遇见宋昂就是在这里,他当时正在一个琴行给某个乐队弹吉他,他不喜欢他们当时翻唱的歌。我们认识了之后就开始一边学乐器一边玩。邱驰快毕业的时候才加入进来,这才凑齐了三大件正式排练。我们当时技术有限,就翻唱一些朋克乐队。

你们一开始翻唱那些朋克乐队的歌?

地下婴儿、Joyside以及Ramones。还有刺猬,我们翻过他们一些比较朋克的歌。

们现在的鼓手情况怎么样

鼓手目前有一些调动。最近半年在打鼓的是王迦南,她还在电影学院上学。虽然打鼓时间不久,但是她的意识很不错,在新歌里编排了很多有趣的段落,带来了新的节奏。只是她目前基本功要欠缺一些,应付现在快速的歌的演出和录音有点吃力。所以她现在会先去练习基本功和技术。现在在打鼓的是我们最初的鼓手李保宁。他打得比较凶狠,像鼓机一样。

2014年从山搬到北京去。北京的音格有什么样的影响?

邱:在山东的时候,我玩乐队的心态其实还是自娱自乐的成分多一些:当时一方面对做音乐不是很懂,比较业余,再加上我2012年就毕业来到北京,和仍在济南上学的他俩两地相隔、没法排练,所以本以为之后乐队差不多就解散了。不过到了北京之后我经常去看演出,才知道这里的摇滚乐气氛是多么活跃:这里有很多年轻的好乐队,大家互相学习、竞争,共同创造了这个场景。我很受鼓舞,就重燃了做乐队的热情。正好他俩很快也毕业来到了北京,再也没有什么不继续玩下去的理由了。

宋:我觉得北京的生活节奏很快,城市挺脏,人们也都挺躁动。刚来到北京的时候,对这里我除了音乐之外一无所知,也不知道要做什么,经常会感到无所适从和迷茫。这种情绪其实我们三人一直都有,也在一直都在影响我们的创作。音乐中暴躁、焦虑的成分都和这些有关。但一些时候颓丧的情绪也会让乐队陷入困境,这就比较糟糕了。

李:北京有更多的乐队和演出,让我了解到很多上大学的时候未曾了解的东西。在济南的时候大部分乐队是金属或流行摇滚,还有民谣,而北京和我们气质相同的乐队就要多很多,尤其是在XP,可以近距离学习很多东西。我当时觉得要是可以在XP演出一次就一生无悔了,哈哈。

们开始创造一张全长专辑,可以给我们介绍一下这个过程吗你们安排在哪里录音?要独立发布或者跟一个厂牌在一起?

邱:做一张专辑一直都是我们的愿望。考虑到歌曲数量似乎差不多够了,所以从去年底开始正式计划这件事情。其实最早写歌的时候想得很少,只是比较无意识地从当时零碎的音乐喜好、动机或生活经验出发去写歌,没有考虑太多关于统一风格或概念的问题。这使得不同时期的歌听起来好像差异会比较大,我们也经常陷入苦恼。所以我们之后开始尝试先预设一张专辑应有的主题和概念,给自己一点限定。这样,新歌创作的目标会更加明确,同时旧作也被重新编排,也有一些直接被舍弃掉了。

宋:之前没有明确想法的时候,一首歌可能两年都处于不确定的状态,改个十来种方案也没有结果。还好最近的修改都在基本朝我们所设想的风格发展,就像我们的介绍中描述的那样。

李:我们之前的录音方式多少有点草率,基本是用iPad进行录音和混音,成果就是豆瓣小站上的那些歌。它们顶多能达到“听清”的标准,谈不上细节和质量。之前我们对真正录音知之甚少,对音色的把握也比较欠缺,准备不足。这是一种不得已的Lo-Fi效果。现在我们正通过学习和排练为真正的录音做好准备。当我们准备充分以后,会尝试联系对我们的作品有兴趣,同时也值得信任的厂牌。

们经常在北京演出。你最喜演出的地方是那些?

宋:我们都很喜欢XP,那里好像跟我们的气质比较贴近,也经常能有机会和自己喜欢的乐队同台。XP关门了以后现在喜欢老What多一点,那里原始粗糙的感觉很好。

邱:老What要是声音能好一点我也会更推荐。现在最喜欢去的还是School。

李:XP当时离住的地方近,我们就经常去。现在是School去的最多。

你喜欢的居住在北京的乐队与音乐人有哪些?

邱:P.K.14和Snapine是我们共同喜欢的乐队。Alpine Decline我最近很爱听。

宋:我也喜欢Alpine Decline,还有Death Narcissist和Bedstars

李:我喜欢重塑雕像的权利和超级市场,然后就是人体蜈蚣和苏维埃·波普。

的音乐让我想起来Joy Division, TelevisionThe B52s, 有比较现代的乐队Thee Oh Sees和重塑雕像的 最大的影响的乐队是那些?

邱:David Bowie、The Velvet Underground、Joy Division、P.K.14以及Sun City Girls是在思想上对我影响很大的乐队。Savages、Mars、Disconcerts、Sleaford Mods、Mika Miko是最近影响我比较多乐队。我喜欢这些贝斯声音靠前的歌。

宋:我最近很喜欢A place to bury strangers,他们有破坏力的现场表演、结实的bassline还有狂躁的吉他噪音;然后是Sonic Youth,他们在吉他弹奏上带给我很多灵感,我也研究了很多他们的调弦方式和音色;Big Black傻冲楞的少年心气我也很喜欢!还有Spacemen 3,我喜欢他们厚重的带药味的吉他。

李:Joy Division、Sort Sol、Talking Heads这类老的后朋克吧,他们影响了太多的人。我认为他们的音乐有种矛盾的张力,在内部爆发,在外部控制。

成都?你们对成都有什印象?

邱:四年之前来过一次。我觉得人民公园有趣,冷锅串串很好吃。

李:我去年来过,去的地方不多,有几个寺庙我觉得不错。

宋:我没来过,可能会比较潮湿?

们想对来看Hiperson x Lonely Leary NU SPACE演出的人

邱:想说的都画在海报上了,很棒的设计!哈哈。

李:Hi, Person!

宋:实在山东人乐队,值得来看!

Lonely Leary最喜的酒是那

邱/宋:中国劲酒!

李:我喜欢喝菠萝啤

欢迎你们来成都!谢谢!

我们第一次到这么远的地方来演出。谢谢NU SPACE的邀请!

Orchestra of Spheres in China: EP. 4 KUNMING

Pineapple, lemon, coriander, chilli – WHAT UP KUNMING.

 

The southern leg of the tour begins, as we fly from Chongqing to Kunming, the capital of Yunnan.

Big ups to South Acid MiMi Dance Team, stay tuned for the NUNUDUGU video with Lady Lazer Light!!

Orchestra of Spheres in China: EP. 3 CHONGQING

In the bleary eyed haze of 4am in the morning, I stumbled home from the after party at Morning Bar 早上好 and began mashing about on my phone trying to decipher a Chinese van booking app. Several hours later, a comedically large house moving van appeared, and we were ready to go. Chongqing, here we come!

With a lot of laughs and a bit of KFC, the OOS x Lady Lazer Light x Kiwese China tour bullet trained it’s way to the sprawling, hilly municipality of Chongqing, home to 30 million people, the most populated centre in China.

NUTS Livehouse Chongqing is one of the most professional venues I’ve been to in China. These guys have their shit down pat, from the lights to the sound to the promotion to the vibe. The venue itself is located in Deyi Fashion Mall, a bizarre building in Jiaochangkou full of different levels, sections, awnings and shops.

The crowd was electric, with more than 100 people turning up on a weeknight. Although there was no warm-up band arranged, the Spheres magically mutated into a mysterious New Zealand hip hop act called The Niubis™. Never before has Chongqing been so educated about multinational milk corporations, the uterus or breakfast condiments.

Chongqing, we’ll definitely be back!

Orchestra of Spheres in China | EP. 2 CHENGDU

The second instalment of the Orchestra of Spheres x Lady Lazer Light China Tour Doco sees us arrive in the spicy heartlands of Sichuan!

Kiwese stomping grounds! Chengdu baby!

Also on Vimeo!

It’s the second day of the national October holiday break, and we’ve just taken a 19hr overnight train from Beijing to Chengdu.

After arriving at the Chengdu Music Hotel, we chucked back some egg pancakes 煎饼 and a hot sour noodle 酸辣粉 round the corner on Minzhu Lu (R.I.P.). Back in my neighbourhood, I ran back to my house for a quick shower and change of clothes – having been in Beijing for the past three weeks, it was so good to be home and see all my friends, along with this amazing band from Wellington that I had been raving about for the past year!!

The Spheres were playing the headline slot on Day 3 of the second NUART Festival, a three day music, art and tech extravaganza that takes places over two streets and stages, featuring both local and international acts and artists. They played on a street stage built of bamboo to an enormous and adoring crowd of people young and old. Quite simply, Chengdu has never seen anything like it.

The quiet old street of Minzhu Lu, next to where the gang were staying, will be demolished to make way for a music hall complex.

That includes Morning Bar 早上好, our local watering hole and the venue for the Chengdu after party. Following the festival, Lady Lazer Light set up her projector and eyeballs and Riki presented his techno/juke project Cave Circles for the second time on tour, ultimately pushing his soundcard to the state of kaput. My beautiful friend Su from the electronic label atmen had just come back from Germany and brought her minimal techno vibes to the party.

As usual, Morning Bar was bustling with all sorts of friends. I found Riki eating spicy chicken wings with a reggae band from Guizhou at 3am in the morning.

Morning Bar has since been walled off and left to decay, the glass windows and wooden fixtures have been extracted and recycled by local workers, the eateries and stores have ended their decades long business to move elsewhere. When I walk past the old place on Minzhu Lu my heart sinks, now an empty shell of what was such a joyful hub of drunkenness, music and good times.

But when I glimpse over the blue retaining wall and see the Orchestra of Spheres poster still stuck to the alcove outside, I know that is a memory that can never be demolished.

Love you Chengdu, next stop: CHONGQING!

x

Orchestra of Spheres in China | EP. 1 Beijing

 in

It’s finally here… Beijing, baby!

In the first instalment of our five-part China tour series, Orchestra of Spheres reunite with Lady Lazer Light in Beijing and wreak havoc at School Bar, Temple Bar and Brother’s BBQ Tribe in Feijiacun.

For those who prefer Vimeo, click here!

Featuring interviews with Nevin Domer of Genjing Records, Liu Fei of School Bar, Wang Fen from Baxian Fandian, Dan Lenk from Death Narcissist and more.

Stay tuned for EP 2: CHENGDU tomorrow!

Poster by Hannah Salmon.
Poster by Hannah Salmon.

Lady Lazer Light Casts A Spell Over China: Interview with Erica Sklenars

Wellington! 惠灵顿!

Erica Sklenars a.k.a. Lady Lazer Light is in the capital this week for two talks about her art residency in Beijing and touring with Orchestra of Spheres around China.

Kiwese caught up with her ahead of tonight’s first talk!


The last Lady Lazer Light show I saw before moving back to China was in collaboration with long time pals Orchestra of Spheres.

It was a cheap $10 gig at Valhalla – a grungy, hole in the wall on Vivian Street downtown Wellington, which having survived several different eras of management had remained popular among the metal, bogan and experimental community for it’s diverse billing, excellent beer selection and outdoor area provisioned with old car tyres and miscellaneous lounge furniture.

It was mid-2014, a rough time for Wellington music punters with the closures of popular inner city venues Mighty Mighty and Puppies. San Francisco Bath House had been renovated into ‘San Fran’ – a yuppie, tapas-catering ghost of it’s former self that had halved it’s capacity due to safety concerns – the packed out balcony and wall-to-wall mosh pit had become a thing of the past. The city was thirsty for a good show.

The Valhalla line-up included some of Wellington’s favourite acts, who were not greatly affected by the venue closures as they were accustomed to playing in unconventional spaces around town. Throat-ripping turntable noise trio the All Seeing Hand had arrived home from their national tour and were supported by their good mates Orchestra of Spheres, experimental folk yodeller Seth Frightening, and visually enhanced by the Queen of Psychedelic Projections Herself, Lady Lazer Light. The stage was a whirlpool of colour and sound and the bar was packed with familiar faces, with Valhalla regulars happily drinking alongside the refugees of less fortunate venues.

In the second set of the night, the Spheres took the stage in inimitable style – festooned with the finest eyewear The $2 Shop can buy, armed with one-of-a-kind wooden and tin instruments and oozing with the bizarre stage presence that has earned them a cult following throughout the country. The crowd surged forward, ready for the cosmic rhythms.

Orchestra of Spheres and Lady Lazer Light. Valhalla, June 2014.
Orchestra of Spheres and Lady Lazer Light. Valhalla, June 2014.

As Lady Lazer Light sprayed forth her kaleidoscopic beams and the Spheres chanted a mantra about iPhone chargers, the sensorily satiated crowd swayed shoulder to shoulder as one, united by a brilliant display of colour and sound. If the desired effect was group hypnosis – they certainly succeeded.

The show was a spiritual experience for the city – the buzz around Valhalla, the friendliness and happiness of all the people who had come to celebrate and support, it was a truly magical night. Orchestra of Spheres and Lady Lazer Light were the gems in Wellington’s creative crown, and we all bowed down in ecstasy.


Around the middle of last year, things really started to fall into place. I was emailing Dan from the Spheres on an almost daily basis and we were gradually putting together the pieces for a national China tour. The dream was coming to life, everyone was excited.

KIWESE: “Are you guys bringing Lady Lazer Light?”

DAN: “Erica Sklenars is going to be in Beijing for three months on an artist residency!! So we’ll bring her along for the trip.”

KIWESE: *faints*

Last year, Erica was selected as the Wellington Asia Residency Exchange (WARE) artist-in-residence at Red Gate Gallery in Beijing, a programme jointly run by Asia New Zealand and the Wellington City Council. Visual artist/zine overlord Kerry Ann Lee and punk photographer John Lake are previous recipients of the grant and have both previously featured on Kiwese.

Kiwese had the privilege of working with Erica on several projects around China, including the epic Orchestra of Spheres x Lady Lazer Light China Tour, a techno party in a Feijiacun BBQ shack, an impromptu music video shoot with Kunming disco-punks South Acid MiMi Dance Team and a VJ show for Lost in Space at .TAG, an electronic music club on the top floor of one Chengdu’s tallest buildings.


The morning after the second Orchestra of Spheres show in Beijing, I awoke with a heavy hangover to find Erica passed out on the couch at my friend’s tiny flat in Beixinqiao, wrapped in her screen as a blanket and surrounded by noodles of projector cables and chargers. A Lady Lazer Light bomb had exploded in the lounge and ground zero was beautifully chaotic. This chick is crack up.

Despite being a fan of her work for years, I’d actually never met Erica Sklenars before she arrived in Beijing last September.

During my time with her in China, through all the madness, set-ups, pack downs, instant noodles, Jingjiu, overnight train rides, WeChat frenzies, gaffer tape, raves, laughs, cries and hangovers, she became a very dear friend, one who I have enormous respect and admiration for as an artist, improvisor, communicator and genuinely wonderful human being.

I am so pleased to finally feature her here on this humble blog.

Lady Lazer Light and Kiwese. Dali, Yunnan, China, October 2014.
Lady Lazer Light and Kiwese. Dali, China, October 2015.

KIWESE: Sup Sklen, how’s it going?

SKLENARS: Fab!

As Lady Lazer Light, you’ve been a staple visual collaborator in Wellington for many years. Can you tell us a bit about your current set up in Dunedin?

I’ve been living between Dunedin and Wellington a bit this year with various projects, but I’m technically based in beautiful Port Chalmers, Dunedin, living and making work in Chick’s Hotel.

What’s the deal with Chick’s Hotel at the mo?

They closed a couple of weeks ago, went out with a bang with a number of awesome farewell gigs, including Shifting Sands and The Clean sending us off on the final night.

I’ve been away since then, but word on the street says there is a killer recording studio developing downstairs…

You were based in Wellington for many years, how have you found the transition to Dunedin life? My only experience with the music scene on my trip there was a seedy late night karaoke bar, where I realised Seven Days by Craig David is actually really hard to sing.

Haha! I have only encountered YouTube karaoke down there… but may have heard something about such bars.

I’m finding it quite different, a bit more chill, a good place to reflect on my practice and on my high-energy, chaotic last few months of travel.

There are some really cool things happening there in the music scene, some awesome new and old bands, I’ve had a lot of opportunities to collaborate and perform. There is actually some REALLY great music happening there at the moment.

You’ve mentioned Élan vital before. Could you name some other acts you’re digging in Dunedin?

Yes, Élan vital are super awesome. A member from that band is also in Death and The Maiden, who I have worked with in the past and they rule. Another member has started an awesome band called Terrified. There are so many I love… Astro ChildrenOpposite SexEmbedded Figures, I’m missing some out I know.

I collaborated with Repulsive Woman recently, she played alone outside an old Free Mason Lodge and the audience watched/peeped on her from inside through a camera obscura I constructed. She plays One Direction covers.

You were in Beijing for three months and really thrived in it. Do you have any favourite spots for music and art in the city?

I:project Space is a super awesome artist run space. I went to a few cool events at Aotu Studio 凹凸 for art/book launch/music.

For music – School, Dada and Temple!

What do you miss about China now that you are back in NZ?

I miss the food of course! I loved it all. I miss being able to order a bunch of different dishes – I’m terrible at making decisions on menus.

I miss always having an exciting new place to go! There’s one particular dish I would get that was kind of an omelette thing with sprouts and noodles, it was soo good for late breakfasts. And the shredded potato!! So good.

I miss the friendly faces around where I was living, going on adventures through different villages to find art supplies, taking several forms of public transport to go somewhere, the amazing friendly people I would meet that would extend so much help and kindness despite us not speaking the same language.

Lady Lazer Light at the Poop Clothing Mall. Beijing, September 2015.
Lady Lazer Light at the Poop Clothing Mall. Beijing, September 2015.

The Spheres tour was so bloody fab. Do you have a particularly standout gig?

Too hard to choose! I loved the BBQ party in Feijiacun because that was in the community I was living in.

I loved the NUART Festival in Chengdu and the after party at Zaoshanghao, so much fun! I loved every city and show for different reasons, I can’t pick a single fav. I really want to come back and I’m working on some plans, watch this space!

When can we expect to see the South Acid MiMi x Lady Lazer Light music video?

Soooooon!

What would you say to other artists wanting to visit China?

Do it, it’s an awesome place to tour as a band and to make art.

Chur girl, you Sklegend!

Still of Erica and a fan in Chengdu from the upcoming Orchestra of Spheres: Te China Rockumentary series presented by Kiwese in early May.
Erica and a fan in Chengdu – a still from the upcoming Orchestra of Spheres: Te China Rockumentary series set for release in early May.


 

Erica will be speaking in Wellington tonight and tomorrow:

P-LAB: LADY LAZER LIGHT
/////////////////////////
Time: 7:00pm | Wed 13 April 2016 
Location: Pyramid Club
 272 Taranaki Street, Wellington, New Zealand 
Koha entry

For her P-LAB session, Erica will be delving into her world of projected visuals and speaking about her recent 3 month residency in Beijing on the Wellington Asia Residency Exchange.

The Pyramid Club is run by the Sound and Exploration Society.

Read more at the Facebook event page.


International Connections: An artist residency forum
Time: 5.30pm – 7.30pm | Thu 14 April 2016
Location: Adam Auditorium, City Gallery
101 Wakefield St, Wellington, New Zealand
Free entry

Hear internationally acclaimed visual artists speak about their practice and residency experiences in a panel discussion chaired by Courtney Johnston, director of The Dowse Art Museum. The artists – Marc Brandenburg, Etienne de France, Erica Sklenars and Sian Torrington – will share their work and their thoughts about the world versus Wellington.

Berlin-based Brandenburg is the current Goethe-Institut Artist in Resident at the Bolton Street Cottage; Etienne de France, from Paris, is the Massey University Artist in Resident staying at Te Whare Hera; and Erica Sklenars and Sian Torrington are both Wellington-based artists recently back from Asia.


Read more about Erica’s time in Beijing here!

Stay tuned for more from Lady Lazer Light on Kiwese!

http://www.ericasklenars.com

VIDEO: Orchestra of Spheres + Lady Lazer Light | ‘Rotate’ Live in Beijing

Behold! Beijing’s bogan paradise – where no one’s body is a temple and nobody ever leaves sober. Coated with a delightful lustre of Jager, coffee shots and projectile vomit, Temple Bar is discreetly tucked away in an upstairs building off Beijing’s Gulou Dong Dajie. 

Following a packed out show at School Bar the night before, Beijing’s WeChat feeds were wagging about the unconventional stylings that had landed in town.

For night two of their China tour, Orchestra of Spheres and Lady Lazer Light returned with a different set of tunes and even more floating eyeballs, intoxicating the warped minds of Temple even more than usual.

Check out the video of ‘Rotate’ below!

Cheers to Pink at Temple, Georgia Hind and Anton Burian.

Favourite Shows 2015

What makes a ‘good show’? The artist? The venue? The crowd? Here is a list of ten shows in chronological order that left an impression on Kiwese this year.

“Music, in performance, is a type of sculpture. The air in the performance is sculpted into something.” – Frank Zappa

To me, live music is a symbiotic relationship between performer and audience, they need each other to exist. There is an unfiltered bond between the artist and the crowd at every show, an unrepeatable experience in time and space. The shows I tend to enjoy most are the ones where the crowd is engaging somehow with the performers, whether through dancing or cheering or stage invading – letting the performers know they are not alone.

With the increase of computers in music production today, old expectations of live music have shifted to accommodate these new digital elements. While some critics believe computers detract from a live show, artists are creating and embracing interesting new ways to perform with digital technology. In China, going out to a gig in 2015 no longer means bass-drums-guitar, but rather something that echoes the digital world we live in.


 

2015.01.31
South Acid MiMi Dance Team @
MAO Livehouse Kunming
南方酸性咪咪领舞队在昆明MAO Livehouse

I stumbled into a South Acid MiMi show in Kunming in January and never looked back. Officially indoctrinated into the girl cult of face masks, weird music, freaky dancing and lots of whiskey. Very stoked to have been able to collaborate with them and Lady Lazer Light in October. This early MiMi show was filled with lots of experimental instruments and props, which have since been refined into three keyboards, a laptop and percussion.


2015.04.17
Noise Temple @ Little Bar Chengdu
黄金+绵羊在小酒馆

Noise Temple is hypnotic, digital, dark – the syncing together of VJ Mian’s visual projections and Huang Jin’s razor sharp drumming abilities makes for a unique pulsating of the senses. This show featured contemporary dancers (thought I’d see pigs fly at Little Bar first) and vocal/instrumental cameos from various musicians. Unfortunately, Huang Jin has since moved to Beijing to join Re-TROS so Noise Temple no longer play with the blessed regularity we had gotten used to in Chengdu.

Video below is from another show at Morning Bar in April.


2015.04.25
Aus-atmen @ Xiwo, Chengdu
Luna, Cvalda, Hiroshi, Xiang, Su

New techno/minimal/ambient music label Atmen had their debut party in an empty swimming pool in the leafy outskirts of Flower Town. Featuring Cvalda, Hiroshi, Xiang and Su, playing to the early morning. Enough said.


2015.06.26 – 2015.06.28
Neverland Electro Music Festival @ Wulong Fairy Mountain, Chongqing
山谷露营电子音乐节 仙女山 武隆 重庆

Two days, two nights, two stages – Neverland 2015 returned to the misty mountains outside of Chongqing, following their first festival in 2013. Neverland is a collaboration between NUTS and Morning Bar, attracting fans and friends from Chengdu, Chongqing and surrounding regions such as Guizhou. Camping festivals are few and far between in China, and Neverland beautifully fills the need.

The location is sublime – rolling green hills, white flowing mist and cloudless skies. The main stage saw DJs from around the region bring everything from swing to techno, while the psytrance community stayed entranced with their own 24/7 party at the stage on the flat. A very low key and awesome festival, with only a couple of hundred punters and no security. Amped for next year!

Neverland poster


2015.07.03
Hiperson @ Little Bar Space Chengdu
海朋森在小酒馆空间

When Hiperson set out to tour ‘No Need For Another History’ 《我不要别的历史》, they returned as a different band. Several hundred friends and fans turned up to the new big Little Bar (the new/old/big Little Bar thing is gonna get confusing) to welcome them home, and they sure as hell delivered. Kiwese became the first person to ever stage dive at a Hiperson show – life achievement unlocked.

Chen Sijiang, who’d shaved all her hair off in Shenzhen, completely commanded the stage with guitarists Ji Yinan and Liu Zetong thrashing about in the wings and Tao Ge bopping with conviction on bass. When the band went silent for Sijiang’s monologue and the spotlight lit her shaved head and wide-open eyes, you could hear a pin drop as the entire crowd sat in the palm of her hand. A mighty performance from one of Chengdu’s favourite bands.


2015.08.01
Stolen ‘Loop’ Album Release Show @ U37
w/ Dead J and Noise Temple
秘密行动《循环》专辑首发演出

Chengdu turned out in droves for Stolen’s album release show at an empty warehouse in U37. Perhaps some of us were a little TOO excited – I almost broke my ankle in the mosh pit and had to be carried husband-bride style to a taxi by my flatmate. Nevertheless, an epic show from a band that has become one of the most talked about acts in China this year. That synth-bass break in A Glossy Flirt has become my official pogo beer shower anthem.

Managed to catch Stolen on tour in Guangzhou and Beijing as well, but the energy at this album release home show was unparalleled.


2015.09.18
Shocking Pinks @ School Bar Beijing
震惊粉红色在北京学校酒吧

Kiwese caught an overnight train from Chengdu to catch Shocking Pinks first show in China at the notorious School Bar in Beijing. The formula of Ash Smith (bass) and Cory Champion (drums) that was concocted last year at Puppies is still solid, as Nick Harte led them through a selection of songs from his previous albums to a responsive and dance-ready crowd. Check out the interview at live performance of ‘Smoke Screen’ in the video below.

IMG_1935
Shocking Pinks, School Bar Beijing. Photo by Kiwese

 

2015.09.29 – 2015.10.11
Orchestra of Spheres + Lady Lazer Light China Tour
星迹乐团和女士拉泽光中国巡演

Dreams do come true! This year Orchestra of Spheres (Xīngjī Yuètuán) came to China, YEAH HARD! In a twist of seriously awesome timing, their hometown partner-in-crime Lady Lazer Light was in Beijing on an art residency and brought her cosmic visions on tour! Crowds in Beijing, Chengdu, Chongqing, Kunming, Dali, Shenzhen, Guangzhou and Wuhan were given their first taste of OOS magic.

In addition to OOS, special side-shows included Cave Circles + Globular Synthesis at Brothers BBQ in Feijiacun, The Niubis in Chongqing and a Cave Circles + Su live techno set at Morning Bar Chengdu.

Big love to Baba Rossa, Mos Ioccos, EtonalE, Woild Boin and Lady Lazer Light putting their faith in Kiwese and being incredibly rad people.


2015.12.17
múm @ Little Bar Space Chengdu
在小酒馆空间

A band that uses cello and melodica – I was prepared to hate this. Pronounced miooyyuujm, Icelandic atmospheric-music-to-have-sex-to band múm gave us a spiritual show of delicate vocal harmonies and careful layering of instruments, alongside slow panning lights and dramatic hisses of fog – the singer’s pixie sigh of ‘xie xie‘ the only thing that would break the audience out of their sonic incantations. At times I felt like I was sinking into the ground, no one was moving. My favourite part was when the singer started to theatrically rip her own head off – see video below.


2015.12.18 – 2015.12.19
Ein-atmen @ Chengdu Air Raid Shelter
在成都金里西路放空

And finally, to round off the year, the crew from Atmen and Morning Bar hosted a two-night techno party in an air raid bunker in downtown Chengdu. Music wise – the first night featured Tanzman, Su, Ewan and Haozi and the second night continued with Xiaolong, Xiang and Hiroshi. Visual artists projected their works throughout the shelter all weekend. The air raid shelter is like nothing I’ve seen before – long corridors of old concrete rooms and rusty steel fittings.

With Chengdu undergoing so much construction and change, it was beautiful to be part of something so fresh and innovative in the underground chasms of the city. This is what it is all about – people coming together to build events in new spaces.

Read the Zaomengshe interview with Su and Xiang here.


 

Want to find out about events before they happen? Many of these events sold pre-sale tickets on Zaomengshe, download the app to keep in the loop! www.zaomengshe.com

Happy new year to all! See you next year!