The All Seeing Hand x E/N/T x Kaishandao全国巡演已经巡演结束了。难忘的一次trip。谢谢所有在北京，呼市，包头，西安，成都，重庆，武汉，上海，杭州，义乌和厦门给我们支持的朋友！❤️❤️❤️❤️❤️❤️
A journey of the mind, body, spirit and general hauora. This tour was nothing short of epic from start to finish, taking Wellington artists The All Seeing Hand, E N T and Kaishandao from Beijing, Hohhot, Baotou, Xi’an, Chengdu, Chongqing, Wuhan, Shanghai and Yiwu all the way down to the shores of Xiamen. That’s a wrap folks! For a glimpse of the madness, check out the photos below. Mashed into a long, non-chronological piece, because that’s how everything felt. Ahhhhhh!! Much love xxx
摄影：Nathan Taare, Illojgali, Linc, Havoc, 兀鱼横流, God_Itachi & 我. Thank you for being part of The All Seeing Hand.
THE ALL SEEING HAND
China Tour 2017
With Kaishandao & E/N/T
“这个音乐不是为小清新或者容易伤感的人准备的。” “This is not music for the light-hearted or easily distressed.” – Soundly Sounds
Kiwese is proud to present The All Seeing Hand x Kaishandao x E/N/T China Tour 2017. For fans of the heavy, strange and transcendental. For adventurous sonic explorers…
The first time I saw The All Seeing Hand was on a darkened high ropes course. It was the last night of Camp A Low Hum 2012 and the remaining punters were floating around in that special state of mutual derangement so often reserved for the last night of music festivals.
Whether it was the three silhouetted figures thrashing beneath an enormous eye, the breakneck, body-pummeling drum rolls, bass-heavy synth screams, or the likelihood that the entire crowd was tripping on acid, there was immediately a sense of the occult about this band.
“Oh my god, what is this?!” yelled someone in the crowd.
“This is mind control!” shouted another.
Was this mind expansion or mind control? Inspired performance art, or visions of the possessed? Whatever it was, that night in the forest, we looked into the eye of The All Seeing Hand and everything changed.
What kind of music is this?
“This isn’t head-bang metalcore, but more an inventive electro-prog which values minimalism as much as collision,” writes Elsewhere, “it’s as likely to come from the writings of Philip K. Dick as it is the music of Bauhaus,” writes Off the Tracks.
From the depths of the Wellington underground, I am ecstatic to present The All Seeing Hand to Chinese audiences for the first time in the most ambitious Kiwese tour yet, spanning over three weeks and ten cities from Inner Mongolia to Fujian.
New Zealand artist Nathan Taare will join the journey as E/N/T, while I will also play support with my new techno noise project Kaishandao. This far out journey will also be documented by none other than filmmaker Illojgali a.k.a Dan Harris!
We’ll see you there… tell your friends!!
THE ALL SEEING HAND are a 3-piece from Wellington, New Zealand. Their musical world touches many soundscapes, while being complete in its own language. It is a gateway, opening ears to the sonic environment of machine and emotion, a “menacing clash of electronics, smashing drums and throat-singing, a sound akin to Tibetan monks on speed.”
Throat singing, frenzied drumming and thundering turntable tones… a pulverizing amalgam of electronic doom, “industrial khoomei,” clash metal and mind-bending sensory sorcery.
Alphabethead is known around New Zealand from many festival and club shows. An innovative turntablist and producer who cut his teeth in the hip-hop battle scene, delving into a diversity of sounds like orchestral gamelan, Inuit folk music, post-punk and electronica. His bass heavy approach in The All Seeing Hand makes for a full body response to the music.
Ben Knight is a pulverising drummer with rhythmic dexterity steeped in relentless energy. Having emerged from the Dunedin DIY punk and hardcore scene in the late 1990s, Ben pushes himself to the verge of vomiting in his commitment to the beat.
Jonny Marks uses his voice as a vehicle to explore timbre and the parts of our brains that language does not inhabit. Having trekked to Inner Mongolia to study khoomei for years, he incorporates techniques of throat-singing with voice box stretching explorations to create an animal human other.
“各种混乱的怪事。” “Seven levels of fucked up weirdness.” – Sonic Masala
The All Seeing Hand are worshipped across Australasia for their intense, immersive ritual performances that leave observers in an ecstatic state of wonder and confusion. They are constantly collaborating with artists to create unforgettable displays of costume and projection mapping.
The All Seeing Hand have toured extensively around NZ & Australia, and been described by Flying Nun as “a highly vaunted live act.” They have inspired, conquered and pulverized audiences at festivals including Camp A Low Hum (Wellington), Lines of Flight (Dunedin), Newtown Festival, St Jerome’s Laneway Festival (Auckland) and Now Fest.
They have released the albums《The All Seeing Hand》(2011)，《Mechatronics》(2013)，《Fog and Debris》(2014) and《Sand to Glass》 (2016)。The All Seeing Hand are signed to UK-based label Muzai Records.
The All Seeing Hand recognises progress
The All Seeing Hand facilitates progress.
The All Seeing Hand is progress.
Extraction is progress.
Conversion is progress.
The All Seeing Hand converts.
You are already part of The All Seeing Hand.
Transplanted from New Zealand, Chengdu-based Kaishandao has been slashing the divide between the club and live music scenes in Chengdu, playing everywhere from darkened dancefloors to pool parties and dive bars. Coming from a background of garage rock and bedroom cassette recordings, Kaishandao uses an electric guitar, effects, synthesizers and radio noise to create a kind of “dystopian techno drone,” influenced by krautrock, experimental music, Beyoncé and the Poly Centre (R.I.P.)
Disorientating lo-hifi dance music for the lonely hearts and high-wired souls.
E/N/T (Otolaryngology) is the musical pseudonym of New Zealand born artist Nathan Taare. E/N/T is sonic art that takes ideas and motivations from noise-rock, post-punk and sound installation to create an intriguing and wonderful collage of moods and movements.
Back in May, I got a message from my friend Yixiao about coming to play in Chengdu and Chongqing with XI’ER, the predecessor punk band to electronic witch-synth trio South Acid MiMi.
When I first met Yixiao, Shishi and Weilin in 2015, I’d already been indoctrinated into the cult of South Acid Mimi, having experienced their intoxicated psychedelic dance masquerade at Kunming dive bar earlier that year. As one of the weirdest shows I’d seen so far in China, I was ecstatic when they agreed to play support for the mothership of acid freakery, Orchestra of Spheres during their China Tour.
我在2015年认识一笑、施施和魏琳，那年1月在昆明如痴如醉地体验了一次她们的迷幻化妆舞会，可以说已经成为了南方酸性咪咪的狂热追捧分子。那是我在中国看过最怪异的演出之一，当她们表示乐意为星迹乐团(Orchestra of Spheres)的中国巡演昆明站做嘉宾的时候，我简直欣喜若狂。
Upon meeting them in Kunming, it was immediately clear they were super badass. Arms covered with tattoos, they led us to their hangout in downtown Kunming – a bright yellow studio full of retro furniture, glitter, toy figurines and kooky decorations. Bowie and Sonic Youth adorned the walls. Paper umbrellas hung upside down from the ceiling. A MicroBrute synth sat next to a vintage telephone.
Meizijiu, cigarettes and conversation flowed freely. Incredibly lovely, generous and talented, everything about them was so different to the world outside – a bizarre amalgam of kitsch and kawaii, hard-edge and soft core, addiction and adolescence, juxtaposition and excess…
XI’ER is where it all started. Flashback ten years ago to an open mic night in Kunming: 16-year-old guitarist Shishi met Weilin, a girl who could sink liquor and scream like Karen O and Yang Yang, a long haired hottie who played the drums in high heels. They rented a practice space and kitted it out with pink lights, plastic beads, plush toys and homemade microphone racks, soon scoring gigs at local bars and music festivals. Shishi and Yixiao eventually dropped out of high school, Yang Yang moved to Dali, Weilin went back to Nujiang, and Xi’er was disbanded.
Later, they went on to form South Acid Mimi, a psychedelic electronic dance trio who have since been covered by VICE and i-D. Using a reverb soaked vocal harmonies, a laptop and keyboards, the band uploaded a bunch of tracks to Douban and have since performed in most major cities across the country, including large music festivals and underground parties. South Acid Mimi are in the mixing stage of releasing their highly anticipated debut record with Beijing based label Ruby Eyes.
Back in 2015, with nothing else better to do, they reformed the band XI’ER. With the original bassist in Shanghai, Xiaohei has joined as the only male band member, despite not knowing how to play bass. Since Weilin moved to Beijing, Yixiao took up lead vocals.
XI’ER aren’t interested in punk clichés or traditional understandings of the genre. Their music sounds as likely to take queues from The Stooges as it is from rockabilly or synth pop. Much like South Acid Mimi, XI’ER experiment by fusing influences from punk and electronica – synth noise emerges alongside oddball guitar riffs and pounding drum lines, while the vocals are full of grit and attitude, equal parts aggression and sensuality.
Always moving to their own beat, XI’ER tear down conventions and mix them into a highly potent cocktail – the kind your friend makes for you that has waaaay too much rum in it. Always down to party, XI’ER have been busy touring the southern provinces and are set to bring the ruckus to Chengdu and Chongqing this weekend.
100 SPIRITS draws near. In the dark night of Tuesday 4 April, this beastly display of souls will be unleashed!! For one night only, the ancient tomb of Jah Bar will mutate into a crazed crypt crawling with ghosts, as the stage alter is graced by five of Chengdu’s most forward-thinking and innovative live acts.
Behold, the princely masters of SPLORTCH SELECTOR will kick the night into gear with a psychedelic mash-up of robot synthcore and chunky prog basslines, enslaving you into either your greatest dream or worst nightmare.
I dare you to Google the word ‘splortch.’ I double dare you to see what that word means when it is turned into a electro-prog-rock-synth-fused musical project.
I first met Michael, the band’s mastermind at Aus-atmen last year. He was one of the last people to leave and partied right through till the soggy rain drenched mud fest of Sunday afternoon, just before the cops came. From then on, I knew he was one of the good ones. He also played guitar and was making beats on his laptop. Since those humble beginnings and a killer set at Blah Blah #003, this bedroom music project has evolved into the three-piece live monstrosity SPLORTCH SELECTOR, which will explode on Jah Bar this Tuesday. What can we expect from this band? Word on the street is their singer is going to throw up on the audience. Get in.
After a long hiatus from performance, the celestial sisters of cellular synthesis THE HORMONES are back for their highly anticipated return to the mortal world! Blasting their infectious brand of electro dance rock, prepare to have these synthesized hormones secreted directly into your blood.
It must’ve been September of 2015. This super badass chick walked into the old Morning Bar 早上好 with a bunch of fliers. “这是我的乐队，” she said, handing me a flier and sitting down to light a cigarette. THE HORMONES – CHINA TOUR 2015. This is how I met Ming Ming – and I immediately liked her.
The Hormones are a collective of likewise badass chicks who rock seriously uplifting dance music and quite simply do not give a fuck what you think. Wisps of Karen O, The Yeah Yeah Yeahs and Foals, delivered with pure power and precision. They are such an important band and I am so excited to see them play on Tuesday night, their first Chengdu show in over a year!
KAISHANDAO will take us deeper into the night with bass heavy drum machine smashing and techno-flavoured frequency modulations, wielding an electric guitar and a mystic mixture of brain-warping effects pedals.
Kaishandao got it’s name from a 成语 that Xiaoxin a.k.a LittleNew, the illustrator behind the 百鬼夜行 100 Spirits poster, messaged to me several months ago. She’s fond of a good 成语，but I often have to look them up in Pleco. A not-so-long story short, I came across the word 开山刀 and it just clicked. I love it’s simplicity paired with brutality, the symmetry within the characters and the unified first tone throughout.
“Do you think Kaishandao would be a good name for my music?” I asked.
“Yeah it’s cool! But you’re music will have to be really cutting edge to use it,” she replied.
I’ve been organising shows in China for two years now, but I’ve played guitar since I was 10. I’m not sure Kaishandao is anywhere near as cutting edge as the friends I will perform with on Tuesday night, but for the first time in many years, I am now proud to perform my own original music for an audience, and in what better place than right here in this crazy city that has brought us together from all corners of the world – Chengdu. Bringing together my dual loves of rock and techno, this is Kaishandao.
As the clock nears midnight, the patron saints of post-punk HIPERSON will materialize for a rare and glorious performance. Known for their fierce vocals, ear-thrashing guitar assaults and thundering rhythmic prowess, Hiperson’s presence will ensure the spirits are well and truly awakened!
When I was a student living in Beijing, I came across a band from Chengdu who had put some demos on Douban. Just several seconds into 《他打定主意做一个游客》and I was completely hooked, put the demos on my iPod and biked around the city listening to them on repeat at full volume for what seemed like days.
That band? HIPERSON. And they are basically the reason I moved to Chengdu.
It was outside the little Little Bar after The Hormones EP release show when I first met Chen Sijiang.
“Uhh ni hao, ni shi Hiperson de Chen Sijiang ma?!”
OH MY GOD.
Since then, they have signed to a big indie label, released their first record, toured the country in a van and even toured Europe. Sijiang shaved off all her hair along the way. Through it all, they have remained 100% humble and dedicated to their music, with a DIY attitude that their heroes Fugazi would admire.
I am honoured to call them my friends, and I am in disbelief that I will play on the same bill as them at Jah Bar this Tuesday. They are the greatest and I can’t believe this is even happening.
Finally, elevating us to the spiritual homeland of techno, SU will provide a digital nerve massage of hard-hitting, Berlin-inspired beats, taking the DJ decks for a rhythmic full body cleanse right through till the early hours.
I can’t remember the first time I met Gogo, but I am almost certain it was over a doob at the old Morning Bar 早上好 several years ago. She asked what star sign I was.
“Sagitarrius,” I said.
“Cool, what date”
We are bound in an inexplicable bond by the astrological power of the number 12. Techno is what she lives and breathes, and each time she returns from Germany, she brings with her a wave of new energy that washes over those who hear her play.
The first time I collaborated with her was for the NUART Festival after party at 早上好 in 2015, where I brought Orchestra of Spheres and Lady Lazer Light for a renegade show and trippy visual installation. She’d just formed atmen with Xiang and had returned from a long trip to Germany. The night culminated with Riki Gooch (Cave Circles) jamming the drum kit to Su’s DJ set with a bunch of greasy shaokao sticks. It was beautiful. Since then, along with Xiang, we’ve played together at clubs and festivals in an improvised manner.
In a way, this Tuesday night is a coming of things full circle with the return of Lady Lazer Light to Chengdu and Su taking the decks for the closing set of the night. She is the spirit that floats the dance floor, let the frequencies set you free.
Overseeing this ghostly procession is the high priestess of visual overstimulation Lady Lazer Light, who has been summoned all the way from New Zealand. Known for hypnotising her audiences in China with Orchestra of Spheres in 2015, she will be floating through Jah Bar and spraying her kaleidoscopic rays throughout the night!
The first time I experienced a Lady Lazer Light show, I can say with utmost certainty that everyone was tripping on acid. It was the closing set of Camp A Low Hum 2012 and Thought Creature were playing on a stage that had materialized out of nowhere. Hypnotic mirroring of hot pink gorillas and dancing Indian women scattered across the screen, amplifying the psychedelic drone of guitars and synths, and sending the remaining punters into that special state of mutual derangement which is so often reserved for the last night of music festivals.
“Woahhh, this is buzzy,” I uttered to no one in particular.
The first time I actually met her was on the Orchestra of Spheres China tour, while she was on an art residency in Beijing. This month she returns to Chengdu, on the back of her second residency at Red Gate in Feijiacun, Beijing, and we are so excited!! Sklenars is our distinguished guest, a total party animal, the queen of buzzy visuals, and we are beyond privileged to have her grace Jah Bar on Tuesday for an all out audio-visual assault of the senses.
Kindred spirits, the time is nigh to sweep the tomb of your wardrobe and unearth your most GHOULISH garb for an unforgettable night of genre-bending audio-visual madness not seen before in these lands. Abide by the ghosty dress-code and be part of the movement! We beseech you, this is a night not to be missed.
This show is possible due to a culmination of great friends, an incredible local music scene and the desire to create an unforgettable moment in Chengdu music history – a night of barely contained mayhem in one of the most legendary and long-standing venues in town. It exists beyond the confines of genre, background, label, or any of the noise that can get in the way of what is truly important – the music.