吴卓玲的⾳乐犹如⼀只变⾊⻰，舒适地在斑斓的⾊彩和栖息地间转换。作为⼀名歌⼿和作曲家，她常在烟雾弥漫的咖啡馆和酒吧演出。作为星期三旅⾏的主唱，她习惯把合成器和电⼦舞曲带到任何地⽅，如⾳乐节、livehouse、甚⾄保利中⼼的俱乐部。“⽐如我最初的梦想只是在⼀个摇滚乐队⾥做⿎⼿或者⻉斯⼿，”说到关于她⻓达15年的⾳乐⽣涯“结果被迫做了主唱。”在幕后， 她坚持⾃学直到27岁成为了成功的制作⼈和混⾳师，她制作的作品包括独⽴摇滚乐队荷尔蒙⼩姐的《象》和说唱歌⼿Kafe Hu的《27, The Code of Lucifer》。她现在也将和KUN以及视觉设计师⺩果⼀起组建⼀个“⼩计划”（Tiny Project），准备尝试⼀些跨界⾳乐和视觉⼀体的新艺术形式。卓玲将新的思路与之前较传统的⼈性化表达⽅式融合起来 ，她跨越电⼦和声学世界的创新能⼒源⾃多年的努⼒。 Wu Zhuoling is somewhat of a musical chameleon, comfortably shifting between a range of colours and habitats. As a singer-songwriter, she’s often found in smoky cafés and bars, performing original folk tunes on an acoustic guitar. As leader of trip-hop band Wednesday’s Trip, she’s used toContinueContinue reading “China’s trip-hop Queen: Interview with Wu Zhuoling”
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Jade Gray: the King of Wudaokou
Kiwese caught up with Twizel-born entrepreneur Jade Gray in a particularly self-reflective and transitional period in his life (or day) and spoke about the trials and tribulations of the past fifteen years living China and those wild nights that began the infamous party hard culture at Wudaokou’s most well-know establishments. The line “I went outContinueContinue reading “Jade Gray: the King of Wudaokou”
KIWESE 