mr sterile Assembly China Tour 2016

Brace yourselves – in the second ever Kiwese tour, Wellington outsider punk duo mr sterile Assembly are making their way to China to freak some people out and devour various vegetarian fry-ups. 

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Last month I found myself waiting for some friends outside Baobab Cafe. Despite a two year absence from Wellington, everything was overwhelmingly familiar – the tangy scent of South Indian curries in the breeze, rows of faceless mannikins posing in op-shop windows and bright yellow public buses trundling past with a mechanical groan. Lofty signs for QUICK AND EASY PERSONAL LOANS remained latched to the sides of cheap bakeries. Not much had changed in Newtown, an inner-city suburb dotted with ethnic restaurants and a growing number of hipster hangouts.

After work traffic kept me waiting by the side of the road. Conversation floated by among those clasping fish n’ chips or Keep Cup lattes to their puffer-jacketed chests. A cold wind blew as gutters were scoured for cigarette butts and spare change by the chapped hands of the less fortunate.

The income gap in New Zealand has continued gape wide open in the two years since I’ve been gone. A suit scrolls through his iPhone while a homeless man rolls a used durry. This is the reality of urban Aotearoa – no glossy tourism pamphlets, no rare and endangered birds, no hobbits or wizards.

There is, however, a pair of performance punk musicians whose music speaks to the experiences of the poor, marginalised and ignored members of our society, who believe in telling stories that belong to the current cultural conversation, who believe “indifference is the death of the heart.” They are mr sterile Assembly, dubbed as one of the most unusual live acts in New Zealand, a band who have reached out to Kiwese seeking a way through China.

At a little past half five, my ride arrives.

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Three years since the last break, not a single day off since
Paradise is busy by the bay
In orbit of the corner store, seven days a week
Seven through to seven every day

Upper flat, inner city, such a long, long way from home
Double cleaner’s wages pay the rent
In a tiny condensed world, make do in a single room
Quiet touch only, beside the daughter’s bed

Living third world in a first world city

Employer brands the loyalty, keeps the manners nice
The old bloke at the front desk, bites down the bitterness
Stress value first impression, try to smile with missing teeth
Fight for slight promotion and pass the urine test

Living third world in a first world

A state house by the motorway, a tiny condensed space
How many can camp down, into a single double bed
Fever likes the company, attracted by rheumatic heart
Win the prize of penicillin, or a surgeon on your chest

Loud hear them
Lucky them
Who were there
And who got out
Don’t hear them
Other them
Who are there
Who can’t get out

– ‘Othering Heights’ from It’s All Over
by mr sterile Assembly

A car pulls up in the middle of the road and a man with the most fantastic moustache in the South Pacific gestures for me to hop in. It’s the ringmaster Kieran, the drumming and singing mr sterile himself, with the other half of the Assembly, bassist and vocalist Chrissie, behind the wheel. Car troubles aside, we are soon cruising around the South Coast as the sun sets behind the hills, tinted orange and pink.

We soon arrive at their Happy Valley home – mr sterile gets to work on reheating a veggie curry for tea and Chrissie fires up the brazier. Their kids have all grown up and moved out, leaving the cat to prowl around the cozy living room stacked with a staggering array of books, CDs, records, cassettes and paintings. A drum kit and bass amp sit next to the sofa. It is a home full of music and information.

I’d received an email from mr sterile Assembly several months prior, who had seen the Orchestra of Spheres Rockumentary on YouTube and were themselves long intrigued by the possibility of touring China. A few more emails, a Skype and a serendipitous trip back to New Zealand for Going Global, I was now sitting in their living room hearing tales of Levin bogan basement gigs, the touring circuit in Indonesia and the travels of DIY punk duo Sabot.

It is with much pleasure that I announce the mr sterile Assembly China Tour 2016, kicking off this Friday in Shanghai.

MR STERILE BIO:

The mr sterile Assembly is a bass and drum duo of explosive proportions from Aotearoa New Zealand. With one foot in the world of punk, and the other dancing between noise, math rock, free-form squall, they are not easy to box, and are quite happy about that. Known as much for their wordsmithing as for their impressive live performance, sterile’s fierce delivery has been described as “oppressive and delightful both at the same time.” Organ Magazine, UK.

After 15 years, five albums, and several excursions to Central Europe and South East Asia, Sterile are looking forward to this 20 date tour across 2 continents.

The band will be traveling with their latest album, It’s All Over released through the band’s label skirted Records. International distribution is through Portland based Metal Postcards. Take a listen on Bandcamp to “A jolt of pure creative spirit married to social commentary, and damn good fun!” NZ Musician.

KIWESE PROUDLY PRESENTS: 
MR STERILE ASSEMBLY CHINA TOUR 2016

10.14 (FRI)
Shanghai @ Space-631
NOIShanghai LXXIV X Space-631 Vol.8
Support: Torturing Nurse, 反方向的钟(上海) 白梦薇(上海))
20RMB Door

10.15 (SAT)
Guangzhou @ Loft 345
In Collab With: QiiiSnacks Records
Support: Die!ChiwawaDie!
50/60RMB

10.16 (SUN)
Guiyang @ 劲Power Livehouse
Support: 走失的小马
50/60RMB

10.19 (WED)
Chengdu @ NU SPACE
Support: Don Trash
Visuals: PLGRM
Tickets: zaomengshe.com/c/494912
50/60RMB

10.20 (THU)
Chongqing @ Nuts Livehouse
In Collab With: 珊瑚坝
Support: You Come Twice
50/60RMB

10.21 (FRI)
Wuhan @ Coastline
In Collab With: Imaginary Person
Support: Panic Worm
50/60RMB

10.22 (SAT)
Beijing @ Red Gate Gallery
In Collab With: Dan Beban
TBC

10.22 (SAT)
Beijing @ Caravan
In Collab With: AWEH
Support: Death Narcissist and DJ Fido
Free

10.23 (SUN) 4pm
Beijing @ fruityspace
In Collab With: Sound and Exploration Society
Support: Dead Corner, DINGCHENCHEN
50RMB

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mr sterile Assembly是来自新西兰惠灵顿富有爆发性的贝斯和鼓二人乐队。他们一只脚踏在朋克世界,另一只脚则在噪音,数字摇滚,自由即兴的世界中起舞,他们难以被人贴上某种风格的标签,而他们则很满意这种状态。mr sterile Assembly因其伶俐的歌词和神奇的现场出名,他们激烈的演出风格被描述成一种“压迫感和愉快同时存在”的体验。
乐队经过了十五年,在发行了五张专辑,好几个在欧洲和东南亚的巡演之后,mr sterile Assembly非常期待今年的跨两大洲二十个站的巡演。他们要把最近的在自己的skirted records厂牌发行的专辑《It’s All Over》带上。而这张专辑的国际发行则是美国波特兰Metal Postcards厂牌负责。在Bandcamp可以听一下他们的音乐,被NZ Musician网站形容为“纯粹的创新精神与社会评论的联婚,好玩死了!”

“我们的音乐讲故事,这些觉得应该属于在当今发生的文化中的故事,不要被忘记的故事,应该成为当代文化沟通的一部分。”
– mr sterile

http://www.mrsterileassembly.com
http://www.site.douban/mrsterile
http://www.mrsterileassembly.bandcamp.com


Kiwese will be joining the tour from Guangzhou, will try and post updates on the road, see you there!

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NUART Festival Chengdu 2016:来耍!!

A year has gone by so fast, the October National Holiday break is soon upon us and NUART Festival has rolled round again! Good times – here’s the run down…

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Chengdu’s free arts and music street festival on Kuixinglou Street is into it’s third year now, with no signs of slowing down. As in previous years, the multi-genre Main Stage will keep things pumping from afternoon till night outside Mintown, featuring some of Chengdu’s favourite acts Wednesday’s Trip, Zhang Xiaobing, Jahwahzoo and CDC, as well as imports from around the country including ChaCha (Shanghai), Chinese Football (Wuhan), WHAI (Beijing) and South Acid MiMi (Kunming).

One of this year’s most exciting addition is NU SPACE, our new venue that has opened out the back of Mintown which will be housing live sets from some of China’s most exciting producers iimmuneHu Yang and Sulumi and the debut of the audiovisual collaboration 3000.

Kiwese is pleased to announce UMU and Microsoft Voices from Wellington will be performing with prepared turntables and projectors on Day 1, following last year’s Orchestra of Spheres debut on the Main Stage! Yeah!

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Day 1 on the Main Stage sees things kick off with indie-pop songsters Wanmei Daoli, Chengdu shoegaze trio Sound and Fury and the good vibes of Tuvan folk tunes of Taiga from Xinjiang. My personal favourites, electro punk witches South Acid MiMi are coming up from Kunming to play Chengdu for the first time! Local hip hop stars CDC will bring all the 迷妹 out to close the night with their trap flavoured, acid tongued Sichuanhua rap.

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Main Stage visuals will be run by Morning 早上好 resident Cha Fei 叉飞, so expect some trippy shit.

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“We are Micro Soft Voices. We are Kathy, Vicky, Alex and Bruce. We are Apple Core. We are hash busting keyboard fanatics. We are laptop punk.” You do not wanna miss this set, the side project of Baba Rossa and Mos Iocos from Orchestra of Spheres!

Shanshui Records laoban Sulumi returns to Chengdu to perform a live set of his inimitable techno/glitch/8-bit production.

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Shake off that hangover and get down for Day 2! Fake Swing (former and current members of The Hormones) will charm the street with their acoustic indie pop in the afternoon, before Biggaton and Blood Dunza “run it!” and get things skankin’ with Jamaican reggaeton MC magic. Charlie Tango from France are sure to please with their uptempo indie rock stylings, while Wuhan’s math rock darlings Chinese Football are one’s to look forward to, returning to Chengdu for the first time since their album release tour. Last but certainly not least, the Queen of underground Shanghai hip-hop ChaCha will get her groove on with DJ Aivilox from the Shelter on the decks! Parrrrrtay!

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Day 2 in NU SPACE sees live techno from Beijing-based iimmune (Prajnasonic) and Hu Yang (Be Sure) with visuals by VJ Mian. YESYESYESOHYES.


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Reggae big band Jahwahzoo b2b Zhang Xiaobing and Friends will no doubt see Day 3 off to a very green beginning. Chengdu’s legendary Wednesday’s Trip 星期三旅行 bring out the bass with their synth-saturated trip-hop, fronted by vocalist Wu Zhuoling. Starcardigan from Vladivostok return to NU for a follow up to their last show at NU SPACE, bringing their energetic electro-pop to the street!

Closing the Main Stage for 2016 is Beijing experimental rock band WHAI. I saw them play a couple of years ago at Yugong Yishan in Beijing, donning dark sunglasses, they were concealed by a thin transparent sheet while shouting “FUCK” repeatedly over droning guitar noise. Intrigued to see how this will go down on the street.

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Faded Ghost a.k.a. ChaCha will spin a back to back vinyl set with Shanghai sister Aivilox in the afternoon.

To close the festival, NU SPACE will transform for the debut of 3000, a collaboration between bass music producers Cvalda and Jason Hou and lighting designers Li Kun and Miao Jing based on the concepts of space, sound and light. “要你命3000”。Not to be missed.

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This year, the Street Party has been extended to two zones, one featuring local labels atmen and Disco Death with custom lighting installation by PLGRM, the other a vinyl stage run by Chengdu’s resident street DJ Marco Duits. Perhaps the only time of year the Qingyang District ayis forgo their own 8pm dancing session to get down with the ravers!


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So what are you doing this National Holiday?

NUART FESTIVAL 2016
1 - 3 October
3pm - 10:30pm

跨界艺术
NU Crossover Art
国际交流
International Communication
巷巷音乐
NU Music
声音实验
Experimental Sounds
街头派对
NU Street Party
摊摊市集
NU Market Stalls

地址:成都市青羊区奎星楼街55号
ADD: Kuixinglou Street, Qingyang, Chengdu, Sichuan, China

无门票 Free!

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Follow us on WeChat: shaochengyoumingtang

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Interview with Andrew Wilson from Die! Die! Die!

Genjing Records and Maybe Mars are bringing New Zealand noise punks Die! Die! Die! for their second ever tour of China! This year we are very happy to welcome them to the south-west, including shows in Guiyang, Chengdu and Chongqing.

Kiwese had a chat with frontman Andrew Wilson over the phone a couple of weeks ago in Auckland, where he’d just finished class and was preparing to head to London…

Guitarist and vocalist Andrew Wilson and drummer Michael Prain started playing together in bands in high school, forming Die! Die! Die! in 2003 and immediately shaking things up with their fast-paced, abrasive sound in the New Zealand underground. Once they released their first EP Die! Die! Die! recorded by the legendary Steve Albini (Nirvana, Pixies, Shellac, Big Black) in 2005, the band found themselves touring the world for several years, and have basically been touring, releasing music and creating seas of aggressive mosh pits ever since.

London-born Rory Attwell brings a healthy dose of British badassery to the line-up on bass guitar. Having been active in bands and recording studios for over ten years, Attwell has worked with bands such as Yuck, Palma Violets, Veronica Falls and The Vaccines and also recorded Die! Die! Die!’s latest EP aboard his boat recording studio moored off a wharf in East London.

Die! Die! Die! 乐队2003年成立于新西兰南岛第二大城市达尼丁。吉他手兼主唱Andrew Wilson和鼓手Michael Prain在中学的时候开始一起玩儿音乐,也做了几个噪音和车库乐队。在成立了Die! Die! Die!乐队后,他们以快节奏和粗厉的声音震动了新西兰地下音乐场景圈;并且迅速在国际舞台上引起了关注)。自从著名录音师Steve Albini (Nirvana, Pixies, Shellac, Big Black)录制了他们的首张同名专辑,Die! Die! Die!就在巡演、发布新专辑和创造令人着魔的疯狂现场中一直前行。

来自伦敦的贝斯手和制作人Rory Attwell把他的英式风格带进来。他十年多一直活跃在各种乐队和录音室里面,也录音和制作了一百多个乐队包括Yuck, Palma Violets, Veronica Falls和The Vaccines。2015年在他的位于在一个伦敦船上的录音室Attwell Recordings,他录了Die! Die! Die!最近发行的EP.来自伦敦的贝斯手和制作人Rory Attwell把他的英式风格带进来。他十年多一直活跃在各种乐队和录音室里,也录制了一百多支乐队包括Yuck, Palma Violets, Veronica Falls和The Vaccines。2015年在他位于伦敦的一艘船上的录音室Attwell Recordings,他录制了Die! Die! Die!最近发行的EP.

Hey Andrew! What are you studying at university?

I’m studying a degree in sustainable business. Basically learning about making business ethical and sustainable, how we can achieve long-term economic, environmental and ethnical benefits. Its something I’ve gotten quite interested in, I’m concerned society has gotten pretty wasteful, pay gaps and gender inequality…

It is quite funny though, going to university now, I didn’t finish high school. I just wasn’t into school at the time, but was into playing in a band.

What kind of environment did you have as a teen playing music?

It was amazing really. At first we practiced in my mum’s basement, and the neighbours would never complain. Dunedin was quite empty at the time and we managed to get our own studio at this record label called Arclife, which was a giant open warehouse above a café. These things we took for granted at the time. The places to practice were ample, which is quite different to Auckland, though we are really lucky here too.

Me and Michael live here in Auckland. Rory who plays bass lives in London. Me and Michael get together and write music every week.

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How did Rory end up joining the band? 

In 2012 we were booked to do a European tour, we had Michael Logie playing bass, who was in Opossum with Kody Nielson and couldn’t do both at the same time. I’d been good mates with Rory for a couple years and he joined on bass so we could still go on tour, it was really fun!

Can you tell us about Rory’s recording studio on a boat?

Quite a small world actually – Rory works on this boat with the studio in the hull. Huge – same as the Tug Boat in Wellington. My cousin used to live on this boat in the UK and the guy who owns it is my cousin’s kid’s godfather! We will record in London before coming to China.

My cousin’s band is gonna open for us in London on this tour. He runs a record store in England called Hot Salvation – DIY punk stuff.

The first time I saw Die! Die! Die! play was at CALH 2010, it left a huge impression on me. What are some particularly memorable gigs that come to mind for you?

Definitely the first HDU show in Dunedin. Around the same time I saw The Dead C when I was really young, about 14 or 15. Then I guess seeing shows in Wellington like The Coolies and The Mint Chicks when they first came down from Auckland when I was like 17 or 18. Blonde Redhead, we had the same manager. I remember seeing The Boredoms in New York. Seeing Mogwai for the first time was a really amazing experience, because I’ve been listening to them for years and have heard about how great they are live. To have a band live up to expectation was very validating and cool.

 

I remember when Shihad mentioned Die! Die! Die! as an exciting new band in Rip It Up like ten years ago. That comment gained a lot of traction and switched a lot of people onto your band. How do you think the internet has changed the way people discover music?

Music has changed dramatically and people are making really diverse music everywhere, touring network and the internet. There are so many bands and so much music, people share their own music a lot now too. I personally get into music if trusted friends recommend it to me. Rory got me into a lot of cool bands that he’s recorded such as Evans the Death and Veronica Falls.

You are pictured wearing a The Future is Female t-shirt in a recent band photo. How do you think the music industry could do more to get behind feminism and LGBT issues?

Diversify your audience and your line up bills. I think that’s a massive part of it. That was quite an important thing with Die! Die! Die! when we started. We got so busy and kind of forgot about our core values. When you choose what bands you play with you diversify outside your scene. Some people are really anti multi-genre shows. But coming from a punk background, I used to go see hardcore shows which were just five hardcore dude bands. That’s what got me into seeing other kinds of bands, because I was feeling quite disassociated with that kind of thing.

欢迎到中国来!Michael Prain (drums), Andrew Wilson (guitar, vocals), Rory Atwell (bass)
Michael Prain (drums), Andrew Wilson (guitar, vocals), Rory Atwell (bass)

You guys came to China in 2011, what were your impressions?

That was probably my favourite tour ever, which is why I’ve been so excited to come back. The food was amazing, it was culturally different to where we’d been touring, like the US, NZ, Australia and Europe. In China it was cool to play to a whole new audience who had never seen a band from where we were from. It felt like we were doing something quite new. My favourite thing I’ve ever done, musically.

It seems many fans have accessed your music through live shows. What draws you to touring?

We definitely were a touring band for a lot of the past ten years. I think touring and playing live is a really good way to communicate. I think it’s what we always thought a band was supposed to do, obviously we were really inspired by Fugazi. We didn’t really have much else to do really when we started out. It is fun playing to new people in new places.

Anything to say to the fans in China?

Please come! I think we’ll have a really good time!

Cheers Andrew!

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Die! Die! Die! have toured internationally many times and graced the stages of festivals around the world, including Incubate (Netherlands), SXSW (USA), CMJ Festival (USA), Generic Festival (France), Soy Festival (France), Tour De Chauffe Festival (France), Phono Pop Festival (Germany), Immergut Festival (Germany), Maifeld Derby Festival (Germany), XYEAHX SOMMERFEST (Germany), Deaf Row Fest (Germany), Great Escape (UK), Homebake (Australia), Meredith Music Festival (Australia) Offset Festival (USA), Off The Radar Festival (NZ), Camp A Low Hum (NZ), Homegrown (NZ), Big Day Out (NZ), Rhythm & Vines (NZ), Southern Amp (NZ), L’incourt Festival (Belgium), Hefei Music Festival (China) and soon to be Concrete and Grass in Shanghai.

Die! Die! Die! 已经在新西兰,澳大利亚,法国,西班牙,意大利,克罗地亚,德国,斯洛文尼亚,斯洛伐克,荷兰,英国,爱尔兰,中国,日本,美国,奥地利,捷克,瑞士,比利时,卢森堡,丹麦,希腊,挪威举办过巡演,把他们很强烈的声音带到过很多国际著名的音乐节包括包括Incubate(荷兰), SXSW (美国), CMJ Festival (美国), Generic Festival (法国), Soy Festival (法国), Tour De Chauffe Festival (法国), Phono Pop Festival (德国), Immergut Festival (德国), Maifeld Derby Festival (德国), XYEAHX SOMMERFEST (德国), Deaf Row Fest (德国), Great Escape (英国), Homebake (澳大利亚), Meredith Music Festival (澳大利亚) Offset Festival (美国), Off The Radar Festival (新西兰), Camp A Low Hum (新西兰), Homegrown (新西兰), Big Day Out (新西兰), Rhythm & Vines (新西兰), Southern Amp (新西兰), L’incourt Festival (比利时), Hefei Music Festival (中国) 和将来的上海混泥土音乐节。

They have released the albums Die! Die! Die! EP (2005), Die! Die! Die! (2006), 7” split with High Dependency Unit (2007), Promises, Promises (2008), Form (2010), Harmony (2012), S W I M (2014) and What Did You Expect EP (2015).

他们发行首张专辑《Die! Die! Die! EP》 (2005), 《Die! Die! Die!》 (2006), 《7” split with High Dependency Unit》 (2007), 《Promises, Promises》 (2008), 《Form》 (2010), 《Harmony》 (2012), 《S W I M》 (2014) 和 《What Did You Expect EP》 (2015).


Die! Die! Die! play NU SPACE Chengdu tomorrow night!

Die! Die! Die! (NZ)
Support: Stink Mouth (Chengdu)

Tues 12 September 2016
9pm start

NU SPACE
ADD: 成都市青羊区奎星楼街55号

Tickets 60/80RMB
Presales on Zaomengshe, QR code for tickets link.

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Hiperson are touring Europe!

Chengdu’s beloved Hiperson have just set off for their first overseas tour, listen up if you are in Italy, Germany, France, Belgium, Austria, Poland or the Netherlands!!

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Hiperson Europe Tour 2016:

Sun, 11 SEP – Santa Válvola Festival, Prato, IT

Mon, 12 SEP – Fanfulla, Rome, IT

Tue, 13 SEP – Free Ride Club, Perugia, IT

Thu, 15 SEP – Magazzino sul Po’, Torino, IT

Fri, 16 SEP – Linecheck Festival, Milano, IT

Sat, 17 SEP – Import-Export, Munich, DE

Wed 21 SEP – Université Paris Ouest Nanterre La Défense
(Théâtre Koltès), Paris, FR

Thu 22 SEP – Angers Campus Day, Angers, FR

Fri 23 SEP – Le Splendid, Langoiran, FR

Sat 25 SEP – Novo Local, Bordeaux, FR

Mon, 26 SEP – Maison des Musiques, Brussels BE

Wed, 28 SEP – Venster99, Vienna, AT

Thu, 29 SEP – Chmury, Warzawa, PL

Fri, 30 SEP – Pub à la Pub, Potsdam, DE

Sun, 2 OCT- Marie-Antoinette, Berlin, DE

Sat 8 OCT- Cinetol, Amsterdam, NL

Follow them on Facebook for updates and gig info!

 

What Did You Expect? Die! Die! Die! Return to China in 2016

Die! Die! Die! 来!来!来!Hold the press, New Zealand noise-rock / post-punk trio Die! Die! Die! are returning to China for the first time in five years for a ten date tour!

It’s a sweltering Thursday afternoon here in Chengdu and I am still nursing a strained neck induced by overly aggressive head banging at the first annual Punkfest CDC 成都朋克音乐节 at Morning House 早上好 last weekend. Speaking of overly aggressive head banging and sweatiness…

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Die! Die! Die! are such a great band. Their live show is an almost cathartic experience, the relentless thrashing and collision of flying bodies, the unpredictability of vocalist/guitarist Andrew Wilson as to when he will careen off stage. Just thinking about Michael Prain’s drum intro to A.T.T.I.T.U.D. makes me feel like sporadically pogoing into people.

The band first toured China back in 2011 with Tom from This Town Touring, paving the way into the unknown for other NZ acts to follow. This time, with London-import Rory Attwell (Test Icicles) on bass duties, the band will be brought over by Beijing-based punk tour overlord Nevin Domer from Genjing Records and Maybe Mars for ten dates across Taipei, Hong Kong and the Mainland.

With the new high speed rail from Guiyang to Chengdu making things possible, the Die! Die! Die! train is storming west to play Guiyang, Chengdu and Chongqing, plus the main southern and eastern centres! YEAH!!

DIE! DIE! DIE! CHINA TOUR 2016

09/07 (WED)
Revolver, Taipei
Support: Slack Tide, Wayne’s So Sad
NT500 (presale and student price) / NT600 (at door)

09/08 (THU)
Focal Fair, Hong Kong

Support: SECTS, The Bollands
150 HKD

09/09 (FRI)
B10, Shenzhen

Support: Atta Girl
60/80RMB

09/10 (SAT)
Loft 345, Guangzhou

Support: TBC
40/60RMB

09/11 (SUN)
Power Livehouse, Guiyang

Support: MiChe
50/70RMB

09/13 (TUE)
NU SPACE, Chengdu 

Support: Stink Mouth
60/80RMB

09/14 (WED)
NUTS
Livehouse, Chongqing
Support: The Wallflowers
60/80RMB

09/15 (THU)
VOX Wuhan
Support: Birdstriking, AV Okubo
60/80RMB

09/16 (FRI)
Yugong Yishan, Beijing
Support: Birdstriking
80/100RMB

09/17 (SAT) 
Concrete and Grass Festival, Shanghai

DDD_1
欢迎到中国来!Andrew Wilson (guitar, vocals), Rory Attwell (bass), Michael Prain (drums)

Aus-atmen 2016 | Photo Review

Aus-atmen has wrapped for 2016. Last month we descended upon a grassy field in Flower Town with two soundsystems, several dozen tents, 200 lollipops and dreams of techno in the moonlight…
However, Mother Nature is a wild woman who loves to party and she brought her rain to the dancefloor all night long! Despite it all, we felt the love!
2016年5月21日、22日,一群热爱真理与自由的江湖儿女齐聚三圣花乡Aus-atmen电子音乐节,共同经历了两天一夜的难忘时光。无论各种天气与环境的突发状况,他们仍保持初心,用爱的能量鼓励彼此,用舞蹈欢庆生命…

(photos by 叉飞,Xiang and Kiwese)
Formed on the basis of community collaboration, Aus-atmen would not have been possible without all of our partners, supporters, volunteers and friends.
Huge thanks to Spectrum Maker for designing the poster and trailer with us, momo and the BIGGER CHA girls for constructing the Aus-stage installation, Steam Hostel for setting up their tent village, farinablu for her amazing prints and designs, Baicai and Jiewa for building the teepee that saved us from the rain, Zaomengshe and Danche Yule for ticketing, Yue Chen for the wristband design, Natalie at VICE Thump Berlin for coming out to find us, all the DJs who signed up to play Open Shua, the bar and food team for holding it down and all our friends who put their love, time and energy into this festival.
From the sleepless nights of preparation right through to the pack down, Aus-atmen would not have been possible without you.
Big love to all of you who came out – everyone who partied in the rain, fed the fires, danced in the mud, got freaky, drank tea, made coffee, wiped rain off the mixer, pushed water off the stage, kept in high spirits, took care of each other and brought laughter and joy to our wet and muddy little festival.
We love you all!
See you at Ein-atmen later this year….

从前期筹备到音乐节结束,atmen得到了多方的支持:谢谢峰哥提供场地及各项帮助,谢谢谱造司给予前期海报及预告片支持,谢谢悦晨同学的手环设计,谢谢BGC一群可爱又生命力顽强的宝宝们,谢谢momo桑从头到尾的倾力支持,谢谢白菜和杰娃及朋友们手工搭建的teepee帐篷,谢谢瑞升设计的天使们,谢谢造梦社、单车娱乐、旁边儿、来电、kiwese的宣传,谢谢柏林Vice thump的Natalie对ausatmen活动的采访报道,谢谢蒸汽旅舍、farinablu和野手工作室的小伙伴们,谢谢无数可人儿们给予的无限爱的支持和鼓舞,辛苦大家了!
感谢所有喜欢atmen的人,atmen会继续聚集能量,茁壮成长,迎接未知。
今年Ein-atmen见!
atmen
xo


You can read more about atmen over on VICE Thump Germany and Beijing blog pangbianr.

 

 

Dying to Be Here: Interview with Alpine Decline

“A dream of a shopping cart left in the street in a desolate wasteland is stuck on repeat,” sings Jonathan Zeitlin on Alpine Decline’s latest album Life’s a Gaspa record that echoes the dystopian smog world of Beijing.

Alpine Decline is Beijing-via-Los Angeles husband and wife rockers Jonathan Zeitlin and Pauline Mu. Self-described as “psych, shoegaze, noise rock and ’90s indie, without sounding too much like any of those,” Alpine Decline are currently touring their seventh album Life’s a Gasp across China with long time confidante, producer and bassist Yang Haisong.

Kiwese caught up with Jonathan ahead of their gig in Chengdu to talk about touring and synthesisers in a WeChat conversation littered with baby smoking Hitler emojis.

Pauline Mu, Jonathan Zeitlin and Yang Haisong.
Pauline Mu, Jonathan Zeitlin and Yang Haisong.

KIWESE: Hey Alpine Decline! Where are you guys?

JONATHAN: We’re driving up from Nanning to Guiyang right now and it is fucking gorgeous. Pauline and I are essentially nature-oriented people living in a city that is the antithesis of natural, so this lush landscape really moves us.

Rad, how was the show in Nanning? 

Nanning was great. I think in places that don’t get as many touring acts coming through, the thrills are a little bit more palpable. A strange room and a strange feeling, like someone might bar the doors and some shootout might happen, or evil spirits descend… this is the perfect vibe for us to play.

“Playing for ten people ready to freak the fuck out is often more fun than 200 people who are only listening with one ear.

 

Can you tell us about your tour bus and crew? Sounds huge!

We’ve been on the US get-in-the-van trip quite a few times and will be doing it again in October with Carsick Cars and Chui Wan, but this is the first time we’ve had a van to tour in china, instead of riding the rails. It completely changes the nature of the expedition – in a way we are temperamentally well suited for.

We brought our baby and a babysitter, so that adds two bodies. There’s the three of us in the band, Xiao Bao running sound, our old friend (and veteran of the earliest P.K.14 van tours) 黄师傅 minding the details, and our very trusted driver. For awhile Nevin from Genjing Records/Maybe Mars came along. Little Monster rolled with us from Shanghai to Nantong and that was max capacity.

Logistics aside, I love ripping down the road. I like stepping out of the car in the middle of nowhere. I like the whole ‘Peter Pan leading a pack of gypsy children out into the wilderness’ vibe.

1.pic
Riding in the Alpine Decline tour bus. Image / Alpine Decline

This is not the first tour Alpine Decline for little Roland, right? He must be almost ready to join the band as the fourth member haha

This is his fourth tour. He did Australia when he was six months old, then the China tour for our last album GO BIG SHADOW CITY and the subsequent US/Canada tour. He’s pretty natural at it. He gets on really well with everyone and can tolerate the dirty language and rough living pretty well.

With kids, I find you create reality for them… they don’t come into the world with a set of expectations of how things are gonna be. So taking him on tour at first was about us being brave, not about him understanding what’s up. We just felt like it was a bad narrative in the long term to say “we used to tour and make albums and then you were born so it all stopped.” We felt like he could have warmth and support and a reasonable measure of stability and safety while still coming into Pauline and my world, joining our lives and our family.

4.pic

What’s the best thing about being on tour? 

There is a lot of wildness on tour; wild thoughts, the crazy feeling of being cut loose, the daily encounter with my fight-or-flight instincts. You meet crazy people and seem to be endlessly celebrating something, I don’t know what. For us, we are very focused on the shows, because getting in a room with people and playing music every night, there is a possibility we will get somewhere interesting, and that’s really the only reason to tour.

Of course we get tired, nerves frayed and maybe lose perspective of reality a little bit. But I’m going to reach a place every night where the moment opens up and freezes and we are all intensely present for some fleeting interval. so 辛苦? 辛苦我可以收。(hardship, hardship I can take.)

Welcome to Chengdu, what’s your impression of this place?

Chengdu and these western parts always leave a very deep impression on us. Of course in Chengdu as everywhere you witness the crush of development, but there is a kind of frontier vibe that comes on this far from the eastern seaboard that strikes me as romantic.

Would be great to have an Alpine Decline synth set in Chengdu!

Aw, I would have loved to do a synth set in Chengdu! When we were planning the tour and figuring out where we could do the synth stuff, I just didn’t know if there was a community interested in that kinda thing…

I wouldn’t say there’s a ‘community’ but certainly individuals who have an interest.

Yeah, I find on tour there is pretty intense interest in the modular synths and people just trying to contextualize asymmetrical music in general, so that after the synth sets we are basically spending about a half an hour talking to the crowd, showing them the synths and explaining stuff.

We use the synths during the rock set too, so we also have gotten people who come out even though they aren’t interested in guitars or rock, but read somewhere about the synths.

2.pic

If it’s not too mafan, are you able to tell us about your synths for all the synth nerds out there?

Ah, so basically we built two boxes and filled then with different modular synth components from a variety of sources. Eurorack is basically a format, a set of standards, so people can build synth components that will be compatible with other peoples modules. so we have basically a collection of oscillators, filters, VCAs, envelope generators, utilities, etc that we can patch together to create any sound we imagine.

We don’t have any presets or memory banks, it is nearly impossible to perfectly recreate a sound, so every night on tour the synths are slightly different, their ambience a little slippery and sorta every variable. plus they are a lot lighter than lugging around big vintage synths like the last tour haha.

I read in an interview that you recorded Life’s a Gasp in a makeshift studio in the mountains?

I think the place was originally going to be like a western style residential neighbourhood in the mountains past Badaling, northwest of Beijing, but the government moved some factories out to the adjacent valley and the place was more or less abandoned by the ten or twelve people that built houses there. Surreal, kind of ghostly, maybe some abandoned dogs, but with the ruins of unrestored Great Wall snaking along the ridgeline. We kinda had a sound design in mind and wanted to find a very big room where we could record drums, guitar and bass live together, and one of these houses became available to us. So we moved there for a week and were able to create a really different, closed-circuit kind of habitat for this part of the recording process.

IMG_20141026_221025

So you guys are rolling in Guangxi right now, a far stretch from L.A. You’ve been in Beijing for a decent few years now, do you still align yourselves and your style with the L.A. scene at all?

No, we don’t align ourselves with the L.A. scene at all. Actually, I don’t have a clue what’s been going on in L.A. the last five years at all. Even before we moved here, we were feeling very disassociated with the music scene, pretty aware of the distance between what we were looking to do and the territory around us.

It might be a little different on a personal level for Pauline, because she grew up there, but especially for me just kinda drifting through from more remote parts, L.A. just seems like a fantasy to me, even when I lived there.

I’m originally from a small town in north-eastern Ohio, a sort of farmland about an hour outside of a big collapsing steel town.

There are brilliant musicians in L.A… I’m in disbelief I had the opportunity to call them my friends and whip up some music together… but we had a different plan when we started Alpine Decline and after about a year knew it wasn’t right in L.A.

L.A is known around the world as the mecca of music and film production, so no doubt full of people trying to make it big. Do you find any parallels between that and Beijing?

The scale is really different. People seeking to make art come to Beijing, but the leading industry in Beijing is politics, not art. In L.A., its almost exclusively entertainment, like a coal town with screening rooms instead of mineshafts. Truthfully, L.A. is really just film and TV, so playing music there is still a little outside… unlike New York or Berlin, perhaps.

I don’t know what “making it big” would look like in China. We didn’t think that was an option here, which was part of the appeal.

Thanks Jonathan!


Alpine Decline Poster small chengdu

Alpine Decline play NU SPACE Chengdu this Saturday with support from the almighty Hiperson!

购票请长按下方二维码:
Press & extract the QR code below for tickets on Zaomengshe:

qrcode-335737-50-purchase-335737-0

Alpine Decline ‘Life’s a Gasp’ China Tour 2016

天津 Tianjin 6.1 周三 13club

合肥 Hefei 6.2 周四 On the Way(大摩店)

南京 Nanjing 6.3 周五 欧拉艺术空间

宁波 Ningbo 6.4 周六 CMK

杭州 Hangzhou 6.5 周日 酒球会

上海 Shanghai(模块合成器) 6.7 周二 Shelter

南通 Nantong 6.8 周三 The Void

义乌 Yiwu 6.9 周四 隔壁

上海 Shanghai 6.10 周五 育音堂

温州 Wenzhou 6.11 周六 米房cei

厦门 Xiamen 6.12 周日 Real Live

泉州 Quanzhou 6.13 周一 动物世界音乐公社

东莞 Dongguan 6.14 周二 红糖罐(769店)

珠海 Zhuhai 6.15 周三 九号仓音乐工厂

广州 Guangzhou(模块合成器) 6.17 周五 Loft345

广州 Guangzhou 6.18 周六 191space

深圳 Shenzhen 6.19 周日 B10现场

南宁 Nanning 6.21 周二 侯朋现场

贵阳 Guiyang 6.23 周四 劲 Livehouse

重庆 Chongqing 6.24 周五 MAO

成都 Chengdu 6.25 周六 NU Space

西安 Xi’an(模块合成器) 6.27 周一 光圈

西安 Xi’an 6.28 周二 光圈

洛阳 Luoyang 6.29 周三 喜堂

新乡 Xinxiang 6.30 周四 Sub Ark

北京 Beijing 7.2 周六 School Live Bar

北京 Beijing(模块合成器) 7.3 周日 fruityspace

襄阳 Xiangyang 7.8 周五 Vox

武汉Wuhan 7.9 周六 Vox(武昌店)

Flyposting in Chengdu is hard… | Hiperson vs. Lonely Leary @ NU SPACE

Hiperson Lonely Leary poster

WHEN:
Friday 10 June 2016
Doors: 8pm
Lonely Leary: 8:30pm
Hiperson: 9:30pm

WHERE:
明堂创意工作区·NU SPACE
成都市青羊区奎星楼街55号
NU SPACE, MiNTOWN Studio Community
55 Kuixinglou St, Qingyang, Chengdu

TICKETS:
Pre-sale: 60RMB
Door: 100RMB
http://www.zaomengshe.com/c/325233


 

Read more about Hiperson and Lonely Leary on Kiwese.

See you tomorrow night!

Beijing Noise Rockers Head for Chengdu: Interview with Lonely Leary

Lonely Leary are a Beijing-based three-piece post-punk/noise rock band from Shandong. They incorporate fast drums, muddy baselines and rough guitar noise in a pursuit to create a relatively violent sound. 

NU SPACE has invited them to Chengdu to play a show this Friday 10 June with local favourites Hiperson!

Kiwese caught up with the band members Qiu Chi 邱驰 (bass/vocals) Song Ang 宋昂 (guitar) and Li Baoning 李保宁 (drums) to find out more… 

Lonely Leary photo

Back in 2012, three college students entrenched in boredom were practicing their instruments alone in the secluded district of Changqing, Jinan. Initially the band set about covering a few simple punk songs, as well as post-punk bands such as Joy Division. They adopted the name “Lonely Lili” while playing spontaneous rock shows on campus. Later due to job changes and academic activities, the band was suspended.

In 2014, all three members moved to Beijing and Lonely Leary was reborn, trading ‘Lili’ for ‘Leary,’ a tribute to Timothy Leary, the creator of LSD. With a new name in a new city, the band began rehearsing and writing songs in pursuit of their own punk-oriented style. During the summer of 2014, the band performed prolifically at School Bar, XP and other rock clubs, gradually gaining a small and loyal following within the grungy confines of the Beijing underground.

I took a 19 hour train ride from Chengdu to Beijing last September for two reasons: see the first stop of the Shocking Pinks world tour with Wellington-based independent touring label A Low Hum and pick up Orchestra of Spheres for their epic China tour with Lady Lazer Light.

The Shocking Pinks show took place at the notorious hutong dive School Bar and was supported by two local acts – one of them was Lonely Leary, and they totally kicked ass. Scatty basslines, frantic drumming, possessed vocals, screeching guitar… A week later, I saw them play again at Temple Bar. Again, excellent.

Beijing has provided the Shandong-born trio the perfect environment in which to hone their songs and their live performance, with what seems like endless bars and livehouses to play at on a regular basis.

NU SPACE is proud to present LONELY LEARY, the post-punk/noise-rock trio tipped by critics as the most exciting new band out of Beijing this year.

lonely leary school bass
Playing support for Shocking Pinks. 18 Sept 2015. Photo by Kiwese.

KIWESE: You guys are from Shandong. Can you describe what Jinan is like for those of us who don’t know?

SONG: Changqing is basically a beautiful place. I think it’s more suitable for old people rather than youths to live there.

QIU: There was originally a village or wasteland. You know, the university and college downtown couldn’t take so many students after enrolment expansion over the years, so the government transformed the villages into campuses and sent a large number of students there. The campuses are isolated by mountains and we have to take illegal taxis to go to other places. There is also a commercial center with many low-cost shops, stalls, internet bars and small hotels for lovers.

Music hobbyists can learn to play guitar and drums in some instrument shops. They used to form bands and cover “Beyond”. There were over a hundred Beyond cover bands I think.

LI: The first time I met Song Ang he was playing guitar in a cover band in an instrument shop. He hated the songs they played, so we began to play together while learning our instruments. Qiu Chi joined us after graduating, then we became a trio and began to cover some punk bands. Our playing technique was poor then.

You started out covering punk bands. What were some of the first songs you covered?

Under Baby, Joyside and Ramones. Including some “punk songs” by Hedgehog.

What is up with the drummer situation?

We have some drummer adjustments recently. Wang Jianan played drums for the last half of the year. She is a student at Beijing Film Academy with a good sense of drum playing. She created many amazing drum riffs in new songs. The only problem she has is technique – it’s a little hard for her to play the fast songs perfectly live and in recording, after all, she hasn’t played for that long.

So she will study and practice the basic skills and techniques, and the original drummer Li will take the place of her at present. Li plays fiercely like a drum machine.

Li Baoning on the drums at XP. Image from XP's Douban.
Li Baoning on the drums at XP. Image from XP’s Douban.

You moved to Beijing in 2014, how does the city influence your music?

QIU: I simply took playing in a band as pastime in Shandong. At that time, I didn’t know much about making music as an amateur. After graduating and being in Beijing in 2012, I separated from them because they were still in Jinan. I think Lonely Leary was about to dissolve then. However, I saw lots of lives in Beijing and was attracted by its dynamic rock’ n roll atmosphere. There are so many fresh bands who studied and vied with each other – they created the scene together. I was encouraged by them and got the enthusiasm to continue Lonely Leary. Then the other guys came to Beijing soon after, so I had no excuse to stop the band any more.

SONG: I think Beijing is a high-speed city with bad environment and people here are restless. I knew nothing about the city beside music before I came here. I didn’t know what to do then and always felt anxious and confused. In fact, three of us all get this feeling and deeply affected. The violent sound of our music has close connection with the situation. Sometimes the bad moods also get the band into trouble. That’s terrible.

LI: Beijing has more bands and lives than I had ever known in college. You know, most bands in Jinan are metal and pop, as well as some folk singers. However, in Beijing, there are many bands whose temperaments are quite same as us, especially in XP Club. I can learn from them at close range. At the time, I thought I would die without regrets if I could perform in XP, ha-ha!

2015.01.24 China Lonely Daydream Night Lonely Leary in XP. Image from XP's Douban.
2015.01.24 China Lonely Daydream Night Lonely Leary play at XP. Image from XP’s Douban.

Tell us about the new album, how is that coming along? Where are you planning to record it? Will you release it independently or with a label?

Qiu: Making an album has been our dream for a long time. We decided on it at the end of last year as we think we have enough songs now. In fact, we didn’t think too much on writing songs at first, no uniform style or concept was carried through. Many songs didn’t sound the same because they are written in a different period. It really troubled us then! So we tried to preset a theme for the album to keep our creation in a controllable range. It makes the new songs clearer. We also changed some old songs based on our preset concept. Some old songs have been abandoned.

SONG: Some of our songs have been in an indeterminate state for two years before we reached our preset concept. Fortunately, they finally morphed into the shape that we’ve described in our introduction.

LI: Our demo recordings are very simple. We used an iPad to record and mix to get the finished product that you hear on Douban. They have no details or good tones, just a standard of “clear enough to hear.”

Our ignorance towards “real recording” caused this undesirable lo-fi sound. Now we are learning and rehearsing a lot to be ready for the formal recording. Then we probably try to contact labels which are reliable and have interest in us.

You play fairly regularly in Beijing. What are your favourite venues to play?

SONG: We all love XP Club. We can often perform with the bands we like there. I prefer to Old What after XP closed. I feel comfort in its simple and rough environment.

QIU: I would like Old What better if the sound is improved. I like School Bar most now.

LI: We used to play XP a lot because it was close to where we lived. Now we go to School Bar most often.

XP. Image from XP Douban.
XP Club. Image from XP Douban.

Who are some other bands you really like in Beijing at the moment and why?

QIU: We all like P.K.14 and Snapline. Alpine Decline is my recently favorite.

SONG: I like Alpine Decline as well. I also recommend Death Narcissist and Bedstars.

LI: I like Re-TROS and Supermarket, also Dr. Liu and the Human Centipede and Soviet Pop.

Your music reminds me of Joy Division and The B52s, as well as more recent bands like Thee Oh Sees and Re-TROS. What bands have had the biggest influence on you?

QIU: David Bowie, The Velvet Underground, Joy Division, P.K.14 and Sun City Girls have a deep ideological influence on me. SavagesMars, DisconcertsSleaford ModsMika Miko are my favourites recently. I love their basslines.

SONG: I recommend A Place to Bury Strangers for their destructive lives, firm basslines and manic guitar noise. Sonic Youth brings me inspiration on playing guitar, I’ve learned their tuning and tone a lot. I also like the teen spirit sound of Big Black and Spacemen 3’s psychedelic guitar.

LI: Old post-punk bands like Joy Division, Sort Sol, Talking Heads have influenced so many people for their tension of contradiction.

Have you come to Chengdu before? What impressions do you have of this place?

QIU: I went four years ago. I think People’s Park is a funny place and I love “LengGuo ChuanChuan”.

LI: I went last year. I didn’t go to too many places, but I think some temples here are very good.

SONG: I have never been to Chengdu. I think it may be a wet place.

Anything you want to say to people coming to the show in Chengdu?

QIU: All I want to say are painted on the poster. Really fantastic design ha-ha!

LI: Hi, Person!

SONG: We are three plain dealers from Shandong. Welcome to come and see us!

Lonely Leary’s alcohol of choice?

QIU & SONG: Jingjiu. Absolutely!

Li: I prefer pineapple beer.

Welcome to Chengdu, thanks guys!

We’ve never been out so far for a live show before. Thanks NU SPACE for inviting us!

Hiperson Lonely Leary poster

WHEN:
Friday 10 June 2016
Doors: 8pm
Lonely Leary: 8:30pm
Hiperson: 9:30pm

WHERE:
明堂创意工作区·NU SPACE
成都市青羊区奎星楼街55号
NU SPACE, MiNTOWN Studio Community
55 Kuixinglou St, Qingyang, Chengdu

TICKETS:
Pre-sale: 60RMB
Door: 100RMB
http://www.zaomengshe.com/c/325233

们可以给我们介绍济长清是一个什么样的地方吗?

宋:长清是一个山清水秀、环境优雅的地方。适合养老,不大适合青年人居住。

邱:其实这里原本是村庄或荒地。前几年大学扩招后,市区里的学校装不下那么多学生,于是偏僻的村庄就被改造成校园,大学生们都被送到了这里。大学被山隔开,各自孤立,出行要靠黑出租。中心地带有唯一的一个商业区,非常热闹,分布着许多商店、地摊、网吧和家庭旅馆,都特别便宜。这里也有几个琴行,教音乐爱好者们弹吉他或打鼓;他们其中有的学成了就开始组乐队,以翻唱Beyond乐队为主。大学城里应该有过上百支Beyond翻唱乐队。

李:我第一次遇见宋昂就是在这里,他当时正在一个琴行给某个乐队弹吉他,他不喜欢他们当时翻唱的歌。我们认识了之后就开始一边学乐器一边玩。邱驰快毕业的时候才加入进来,这才凑齐了三大件正式排练。我们当时技术有限,就翻唱一些朋克乐队。

你们一开始翻唱那些朋克乐队的歌?

地下婴儿、Joyside以及Ramones。还有刺猬,我们翻过他们一些比较朋克的歌。

们现在的鼓手情况怎么样

鼓手目前有一些调动。最近半年在打鼓的是王迦南,她还在电影学院上学。虽然打鼓时间不久,但是她的意识很不错,在新歌里编排了很多有趣的段落,带来了新的节奏。只是她目前基本功要欠缺一些,应付现在快速的歌的演出和录音有点吃力。所以她现在会先去练习基本功和技术。现在在打鼓的是我们最初的鼓手李保宁。他打得比较凶狠,像鼓机一样。

2014年从山搬到北京去。北京的音格有什么样的影响?

邱:在山东的时候,我玩乐队的心态其实还是自娱自乐的成分多一些:当时一方面对做音乐不是很懂,比较业余,再加上我2012年就毕业来到北京,和仍在济南上学的他俩两地相隔、没法排练,所以本以为之后乐队差不多就解散了。不过到了北京之后我经常去看演出,才知道这里的摇滚乐气氛是多么活跃:这里有很多年轻的好乐队,大家互相学习、竞争,共同创造了这个场景。我很受鼓舞,就重燃了做乐队的热情。正好他俩很快也毕业来到了北京,再也没有什么不继续玩下去的理由了。

宋:我觉得北京的生活节奏很快,城市挺脏,人们也都挺躁动。刚来到北京的时候,对这里我除了音乐之外一无所知,也不知道要做什么,经常会感到无所适从和迷茫。这种情绪其实我们三人一直都有,也在一直都在影响我们的创作。音乐中暴躁、焦虑的成分都和这些有关。但一些时候颓丧的情绪也会让乐队陷入困境,这就比较糟糕了。

李:北京有更多的乐队和演出,让我了解到很多上大学的时候未曾了解的东西。在济南的时候大部分乐队是金属或流行摇滚,还有民谣,而北京和我们气质相同的乐队就要多很多,尤其是在XP,可以近距离学习很多东西。我当时觉得要是可以在XP演出一次就一生无悔了,哈哈。

们开始创造一张全长专辑,可以给我们介绍一下这个过程吗你们安排在哪里录音?要独立发布或者跟一个厂牌在一起?

邱:做一张专辑一直都是我们的愿望。考虑到歌曲数量似乎差不多够了,所以从去年底开始正式计划这件事情。其实最早写歌的时候想得很少,只是比较无意识地从当时零碎的音乐喜好、动机或生活经验出发去写歌,没有考虑太多关于统一风格或概念的问题。这使得不同时期的歌听起来好像差异会比较大,我们也经常陷入苦恼。所以我们之后开始尝试先预设一张专辑应有的主题和概念,给自己一点限定。这样,新歌创作的目标会更加明确,同时旧作也被重新编排,也有一些直接被舍弃掉了。

宋:之前没有明确想法的时候,一首歌可能两年都处于不确定的状态,改个十来种方案也没有结果。还好最近的修改都在基本朝我们所设想的风格发展,就像我们的介绍中描述的那样。

李:我们之前的录音方式多少有点草率,基本是用iPad进行录音和混音,成果就是豆瓣小站上的那些歌。它们顶多能达到“听清”的标准,谈不上细节和质量。之前我们对真正录音知之甚少,对音色的把握也比较欠缺,准备不足。这是一种不得已的Lo-Fi效果。现在我们正通过学习和排练为真正的录音做好准备。当我们准备充分以后,会尝试联系对我们的作品有兴趣,同时也值得信任的厂牌。

们经常在北京演出。你最喜演出的地方是那些?

宋:我们都很喜欢XP,那里好像跟我们的气质比较贴近,也经常能有机会和自己喜欢的乐队同台。XP关门了以后现在喜欢老What多一点,那里原始粗糙的感觉很好。

邱:老What要是声音能好一点我也会更推荐。现在最喜欢去的还是School。

李:XP当时离住的地方近,我们就经常去。现在是School去的最多。

你喜欢的居住在北京的乐队与音乐人有哪些?

邱:P.K.14和Snapine是我们共同喜欢的乐队。Alpine Decline我最近很爱听。

宋:我也喜欢Alpine Decline,还有Death Narcissist和Bedstars

李:我喜欢重塑雕像的权利和超级市场,然后就是人体蜈蚣和苏维埃·波普。

的音乐让我想起来Joy Division, TelevisionThe B52s, 有比较现代的乐队Thee Oh Sees和重塑雕像的 最大的影响的乐队是那些?

邱:David Bowie、The Velvet Underground、Joy Division、P.K.14以及Sun City Girls是在思想上对我影响很大的乐队。Savages、Mars、Disconcerts、Sleaford Mods、Mika Miko是最近影响我比较多乐队。我喜欢这些贝斯声音靠前的歌。

宋:我最近很喜欢A place to bury strangers,他们有破坏力的现场表演、结实的bassline还有狂躁的吉他噪音;然后是Sonic Youth,他们在吉他弹奏上带给我很多灵感,我也研究了很多他们的调弦方式和音色;Big Black傻冲楞的少年心气我也很喜欢!还有Spacemen 3,我喜欢他们厚重的带药味的吉他。

李:Joy Division、Sort Sol、Talking Heads这类老的后朋克吧,他们影响了太多的人。我认为他们的音乐有种矛盾的张力,在内部爆发,在外部控制。

成都?你们对成都有什印象?

邱:四年之前来过一次。我觉得人民公园有趣,冷锅串串很好吃。

李:我去年来过,去的地方不多,有几个寺庙我觉得不错。

宋:我没来过,可能会比较潮湿?

们想对来看Hiperson x Lonely Leary NU SPACE演出的人

邱:想说的都画在海报上了,很棒的设计!哈哈。

李:Hi, Person!

宋:实在山东人乐队,值得来看!

Lonely Leary最喜的酒是那

邱/宋:中国劲酒!

李:我喜欢喝菠萝啤

欢迎你们来成都!谢谢!

我们第一次到这么远的地方来演出。谢谢NU SPACE的邀请!

NU SPACE opens in Chengdu

Lately Chengdu has spawned a lot of places for DJs to play – clubs, bars, restaurants, pool parties… but where have all the city’s live music venues gone?

There’s a NU SPACE that has opened in Chengdu… Kiwese is stoked to be part of it. 

The impact from last year’s closure of long-running venues and hippie hang outs Hemp House 麻糖 and Lan Town 蓝堂 has been compacted by the eviction of Morning Bar 早上好 on Minzhu Lu a few months ago. Mini Live haven’t put on a gig in like, six months? The noise from the little Little Bar 小酒馆 on Fang Qing Jie has finally pissed off the neighbours to the point of no return and now the bar can only house folk/acoustic sessions – much like Macchu Picchu.

Reggae acts, dub MCs and jams continue to be a fixture down at Jah Bar, while Steam Hostel 蒸汽旅馆Submarine Bar 潜水艇 and Gu Bar keep the free jam train rolling, but there seems to be a deficit of venues for acts that cannot fill the big boots of the 800+ capacity Little Bar Space 小酒馆空间.

nuspace2
NU SPACE.

Just up from the Wide and Narrow Alleys 宽窄巷子 on the peaceful residential street of Kuixinglou 奎星楼街, NU SPACE has opened out the back of MiNTOWN 明堂, the place behind October’s NUART Festival which Orchestra of Spheres headlined last year.

The stage is low and the space is narrow – there’s no boundary between the performer and the audience. Capacity is small, around 250-300 people. The sound system is epic, plus the space has been soundproofed, so there’s no chance of offending the neighbours…

We’ve got Ale and IPA on tap from Chengdu Beer, the crew who recently crowdfunded the rebuilding of their brewery after it burnt down last year.

Here are some snaps of our gigs so far…

Pascal Pinon (Iceland) w/ Wu Zhuoling
6 May 2016

wuzhuoling pascalpinon rain

Kiwese and Jofri!
Kiwese and Jofri!

The lovely Jofri of Pascal Pinon brought over her fellow Scandinavian Kari a.k.a. Farao on her recent South West China tour with Martial Artists Management, run by the inimitable DJ/promoter/entrepreneur Ni Bing. Having played the main stage at Chunyou and toured around the south-western province of Kunming, the girls returned from a spicy encounter in Chongqing to bring Chengdu a full and intimate set of songs new and old.

It was Jofri’s third time in China – the first time was with her sister and co-founder of Pascal Pinon several years ago on a tour also organised by Ni Bing, promoted as cutesy folk-pop twins from Iceland. Since then, Jofri has developed her own songwriting and music making technique away from the original Pascal Pinon prototype, presenting a more lo-fi, early twenties version of previous material. Armed with a Fender Telecaster and a cheap thrift store keyboard, Jofri and Kari performed a set of songs old and new to an adoring crowd at our very first NU SPACE show.

We were sure to bombard the pair with a night session at the Poly Centre and a spicy hot pot ordeal at 青年火锅 before they left back to Europe. Stay tuned for future China tours from Jofri’s electronic band Samaris and Kari’s band Farao!

Check out these little videos we filmed on a mellow afternoon down at East Lake Park…

草动没有排队 No Party for Caodong (Taiwan)
14 May 2016

caodong crowdcaodongSo I had no idea these guys were such a big deal. I mean, their latest video 山海 has over 800,000 views on YouTube, but I was still overwhelmed by the response in Chengdu. The 200 tickets we put on Zaomengshe sold out at 150RMB a pop. Fans turned up at 3pm with special Caodong street signs, some had come as far as Shenzhen for the show. Young and old queued for hours in the rain for a chance at a door sale, even when there was no guarantee. It felt like One Direction had arrived in town.

Our second ever show saw indie rock band No Party for Caodong play to a seriously packed NU SPACE, as we tested the capacity to it’s very limits. Lol, safety first… The fans knew all their lyrics, bantered with them from the crowd, shouted proclamations of love for the drummer. I’d never seen fans like that in Chengdu – the sort of just-post-high school age demographic of fangirls who need selfies and autographs with their favourite band.

Pretty buzzy experience for me – emphasised by the fact I was super hungover, had about three hours sleep and walked into a glass door.

The band love a good piss up and the guitarist proved her beer sculling ability afterwards at a shaokao joint which was far too spicy for their Taiwanese palates. Solid people with good humour. They’re also surprised by how their music has taken off so wildly. I got the feeling they don’t want to be in the limelight like they are, pop doesn’t suit them, but when you’ve got hundreds of fans turning out to see you, how could you possibly be gutted?

罗友生 Luo Yousheng (Chengdu)
20 May 2016

lys

Chengdu’s most humble and soft-spoken rockstar Luo Yousheng presented his solo project to a crowd of friends, family and fans on the Friday night before Aus-atmen. Presented by 早上好, who are involved in the production and technical side of things NU SPACE, this was a special night for the long-established musician, producer and sound engineer to perform solo following his band set at Chunyou. See the interview I filmed with him at his studio across the road from my house to find out more:

彤鑫李 (Xinjiang)
28 May 2016

xinli

Mellow guitar and red wine smooth vocals from 彤鑫李 on his tour of China. With a loop pedal and various guitar effects, he seamlessly produced an series of layers and textures beneath his vocals. This was a seated affair with a small crowd. Nice stuff.

For Upcoming Events…

https://www.facebook.com/nuspacechengdu

Come check us out:

成都市青羊区奎星楼街55号

You can contact Kiwese for bookings or enquiries:

hellokiwese@gmail.com

He Tangata, baby | 人们,宝贝

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